From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the question of how people understood those forms of written creativity that seem to occur independently of the writer's will. Through the study of the century's media revolutions, evolving theories of physiology, and close readings of the works of nineteenth-century poets including Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how poetry was imagined to promote involuntary bodily responses in both authors and readers, and how these responses enlist the body as a medium that does not produce poetry but rather reproduces it. This is a poetics that draws attention to, rather than effaces, the mediacy of the body in the processes of composition and reception.

Thor spans the Marvel Universe from present day Earth to the realm of Asgard. At the center of the story is the mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war.

Thor is cast down to Earth by his father Odin and is forced to live among humans. A beautiful, young scientist, Jane Foster, has a profound effect on Thor, as she ultimately becomes his first love.

It's while here on Earth that Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.

X-Men
Born into a world filled with prejudice are children who possess extraordinary and dangerous powers the result of unique genetic mutations. But under the tutelage of Professor Xavier, these and other outcasts learn to harness their powers for the good of mankind. Now they must protect those who fear them as the nefarious Magneto, who believes humans and mutants can never co-exist, unveils his sinister plan for the future!

X-Men 2
Hatred and distrust brew between human and mutantkind. An unprovoked mutant attack on the President gives General William Stryker his long-awaited opportunity to wage all-out war against the mutants. A war that would leave only one race victorious. The X-Men must unite with their old adversary Magneto to prevent a devastating confrontation that could destroy everyone on the planet.

X-Men 3
Experience the awesome power of the X-Men's epic, final battle as it is time to take a stand. After a controversial "cure" is discovered, mutants can choose to retain their superhuman abilities or give up their unique gifts and become "normal". When peaceful mutant leader Charles Xavier clashes with his militant counterpart, Magneto, the battle lines are drawn for the war to end all wars.

X-Men Origins: Wolverine
Leading up to the events of the first X-Men movie, X-Men Origins: Wolverine tells the story of Wolverine's epically violent and romantic past, his complex relationship with Victor Creed, and the ominous Weapon X program. Along the way, Wolverine encounters many mutants, both familiar and new, including surprise appearances by several legends of the X-Men universe whose appearances in the film series have long been anticipated.

X-Men: First Class
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-Men.

The Wolverine
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than we have ever seen him before.

X-Men: Days Of Future Past
The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in the critically-acclaimed blockbuster smash hit X-Men: Days of Future Past. The characters from the original X-Men film trilogy join forces with their younger selves from X-Men: First Class in an epic battle that must change the past - to save our future.

A brilliant detective story for readers of 10+, from the screenwriters of X Men First Class and Thor. A must-read for anyone who loved The Curious Incident of the Dog in the Night-time. 'Fans of John Green and Sarah Dessen will like this book very much' Publishers Weekly Colin Fischer is 14 and he has Asperger's. A lot of the world is a mystery to Colin - he can't read his classmates' expressions without looking at a chart, the colour blue is really off-putting and he has no idea why his parents like to hug him. But when a gun goes off in the school cafeteria one lunchtime, Colin knows he can work out who did it. Colin loves cool, hard logic. His hero is Sherlock Holmes. Only Colin can piece together the puzzle that links chocolate cake, a dodgy gangster, a cheerleader and a very unlikely suspect.

From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the question of how people understood those forms of written creativity that seem to occur independently of the writer's will. Through the study of the century's media revolutions, evolving theories of physiology, and close readings of the works of nineteenth-century poets including Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how poetry was imagined to promote involuntary bodily responses in both authors and readers, and how these responses enlist the body as a medium that does not produce poetry but rather reproduces it. This is a poetics that draws attention to, rather than effaces, the mediacy of the body in the processes of composition and reception.