Much has been written in the West on the history of the Soviet space program but few Westerners have read direct first-hand accounts of the men and women who were behind the many Russian accomplishments in exploring space. The memoir of Academician Boris Chertok, translated from the original Russian, fills that gap. In Volume 1 of "Rockets and People," Chertok described his early life as an aeronautical engineer and his adventures as a member of the Soviet team that searched postwar, occupied Germany for the remnants of the Nazi rocket program. In Volume 2, Chertok takes up the story after his return to the Soviet Union in 1946, when Stalin ordered the foundation of the postwar missile program at an old artillery factory northeast of Moscow. Chertok gives an unprecedented view into the early days of the Soviet missile program. With a keen talent for combining technical and human interests, Chertok writes of the origins and creation of the Baykonur Cosmodrome in a remote desert region of Kazakhstan. He devotes a substantial portion of Volume 2 to describing the launch of the first Sputnik satellite and the early lunar and interplanetary probes designed under legendary Chief Designer Sergey Korolev in the late 1950s and early 1960s. He ends with a detailed description of the famous R-16 catastrophe known as the "Nedelin disaster," which killed scores of engineers during preparations for a missile launch in 1960.

Volume 3 of the memoirs of Academician Boris Chertok, translated from the original Russian. Covers the history of the Soviet space program from 1961 to 1967.

The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Technology, and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, and spanning nearly five decades, these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, postpunk, adult contemporary rock, techno, hip-hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root, readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements.

Investigations of how the global Cold War shaped national scientific and technological practices in fields from biomedicine to rocket science. The Cold War period saw a dramatic expansion of state-funded science and technology research. Government and military patronage shaped Cold War technoscientific practices, imposing methods that were project oriented, team based, and subject to national-security restrictions. These changes affected not just the arms race and the space race but also research in agriculture, biomedicine, computer science, ecology, meteorology, and other fields. This volume examines science and technology in the context of the Cold War, considering whether the new institutions and institutional arrangements that emerged globally constrained technoscientific inquiry or offered greater opportunities for it. The contributors find that whatever the particular science, and whatever the political system in which that science was operating, the knowledge that was produced bore some relation to the goals of the nation-state. These goals varied from nation to nation; weapons research was emphasized in the United States and the Soviet Union, for example, but in France and China scientific independence and self-reliance dominated. The contributors also consider to what extent the changes to science and technology practices in this era were produced by the specific politics, anxieties, and aspirations of the Cold War. Contributors Elena Aronova, Erik M. Conway, Angela N. H. Creager, David Kaiser, John Krige, Naomi Oreskes, George Reisch, Sigrid Schmalzer, Sonja D. Schmid, Matthew Shindell, Asif A. Siddiqi, Zuoyue Wang, Benjamin Wilson

In this, the fourth and final volume of his memoirs, Boris Chertok concludes his monumental trek through a nearly 100-year life. As with the previous English-language volumes, the text has been significantly modified and extended over the original Russian versions published in the 1990s. The first volume covered his childhood, early career, and transformation into a missile engineer by the end of World War II. In the second volume, he took the story up through the birth of the postwar Soviet ballistic-missile program and then the launch of the world's artificial satellite, Sputnik. This was followed, in the third volume, by a description of the early and spectacular successes of the Soviet space program in the 1960s, including such unprecedented achievements as the flight of cosmonaut Yuriy Gagarin. The fourth volume concludes his memoirs on the history of the Soviet space program with a lengthy meditation on the failed Soviet human lunar program and then brings the story to a close with the events of the 1970s, 1980s, and 1990s. This, the fourth and final volume is largely devoted to the Soviet project to send cosmonauts to the Moon in the 1960s, covering all aspects of the development of the giant N-1 rocket. The last portion of this volume covers the origins of the Salyut and Mir space station programs, ending with a fascinating description of the massive Energiya-Buran project, developed as a countermeasure to the American Space Shuttle. NASA SP-2011-4110.

Boris Chertok's memoirs are part of the second generation of publications on Soviet space history, one that eclipsed the (heavily censored) first generation published during the Communist era. Memoirs constituted a large part of the second generation. The distribution of material spanning the four volumes of Chertok's memoirs is roughly chronological. This, the fourth and final volume is largely devoted to the Soviet project to send cosmonauts to the Moon in the 1960s, covering all aspects of the development of the giant N-1 rocket. The last portion of this volume covers the origins of the Salyut and Mir space station programs, ending with a fascinating description of the massive Energiya-Buran project, developed as a countermeasure to the American Space Shuttle. NASA SP-2011-4110

Much has been written in the West on the history of the Soviet space program but few Westerners have read direct first-hand accounts of the men and women who were behind the many Russian accomplishments in exploring space. The memoirs of Academician Boris Chertok, translated from the original Russian, fills that gap. Chertok began his career as an electrician in 1930 at an aviation factory near Moscow. Twenty-seven years later, he became deputy to the founding figure of the Soviet space program, the mysterious "Chief Designer" Sergey Korolev. Chertok's sixty-year-long career and the many successes and failures of the Soviet space program constitute the core of his memoirs, Rockets and People. In these writings, spread over four volumes, Academician Chertok not only describes and remembers, but also elicits and extracts profound insights from an epic story about a society's quest to explore the cosmos. In Volume 1, Chertok describes his early years as an engineer and ends with the mission to Germany after the end of World War II when the Soviets captured Nazi missile technology and expertise. Volume 2 takes up the story with the development of the world's first intercontinental ballistic missile (ICBM) and ends with the launch of Sputnik and the early Moon probes. In Volume 3, Chertok recollects the great successes of the Soviet space program in the 1960s including the launch of the world's first space voyager Yuriy Gagarin as well as many events connected with the Cold War. Finally, in Volume 4, Chertok meditates at length on the massive Soviet lunar project designed to beat the Americans to the Moon in the 1960s, ending with his remembrances of the Energiya-Buran project. NASA SP-2005-4110.