Presenting many texts available for the very first time, this new volume in the successful Early Church Fathers series showcases full translations of Evagrius' letters, notes on various books of the bible, his treatises and his 'chapters'.

Augustine Casiday's material is both accurate and refreshingly approachable, and the work is prefaced by a solid introductory essay that presents Evagrius, his work and influences, and modern scholarship in an easy-to-understand way for beginners.

For students dealing with Evagrius for the first time, they could not find a better book to begin their exploration of this figure in late-ancient history and theology.

Presenting many texts available for the very first time, this new volume in the successful Early Church Fathers series showcases full translations of Evagrius' letters, notes on various books of the bible, his treatises and his 'chapters'.

Augustine Casiday's material is both accurate and refreshingly approachable, and the work is prefaced by a solid introductory essay that presents Evagrius, his work and influences, and modern scholarship in an easy-to-understand way for beginners.

For students dealing with Evagrius for the first time, they could not find a better book to begin their exploration of this figure in late-ancient history and theology.

The Byzantine Empire - the Christianized Roman Empire - very soon defined itself in terms of correct theological belief, 'orthodoxy'. The terms of this belief were hammered out, for the most part, by bishops, but doctrinal decisions were made in councils called by the Emperors, many of whom involved themselves directly in the definition of 'orthodoxy'. Iconoclasm was an example of such imperial involvement, as was the final overthrow of iconoclasm. That controversy ensured that questions of Christian art were also seen by Byzantines as implicated in the question of orthodoxy. The papers gathered in this volume derive from those presented at the 36th Spring Symposium of Byzantine Studies, Durham, March 2002. They discuss how orthodoxy was defined, and the different interests that it represented; how orthodoxy was expressed in art and the music of the liturgy; and how orthodoxy helped shape the Byzantine Empire's sense of its own identity, an identity defined against the 'other' - Jews, heretics and, especially from the turn of the first millennium, the Latin West. These considerations raise wider questions about the way in which societies and groups use world-views and issues of belief to express and articulate identity. At a time when, with the enlargement of the European Union, questions of identity within Europe are once again becoming pressing, there is much in these essays of topical relevance.

Over the last century unprecedented numbers of Christians from traditionally Orthodox societies migrated around the world. Once seen as an 'oriental' or 'eastern' phenomenon, Orthodox Christianity is now much more widely dispersed, and in many parts of the modern world one need not go far to find an Orthodox community at worship. This collection offers a compelling overview of the Orthodox world, covering the main regional traditions of Orthodox Christianity and the ways in which they have become global. The contributors are drawn from the Orthodox community worldwide and explore a rich selection of key figures and themes. The book provides an innovative and illuminating approach to the subject, ideal for students and scholars alike.

The Byzantine Empire - the Christianized Roman Empire - very soon defined itself in terms of correct theological belief, 'orthodoxy'. The terms of this belief were hammered out, for the most part, by bishops, but doctrinal decisions were made in councils called by the Emperors, many of whom involved themselves directly in the definition of 'orthodoxy'. Iconoclasm was an example of such imperial involvement, as was the final overthrow of iconoclasm. That controversy ensured that questions of Christian art were also seen by Byzantines as implicated in the question of orthodoxy. The papers gathered in this volume derive from those presented at the 36th Spring Symposium of Byzantine Studies, Durham, March 2002. They discuss how orthodoxy was defined, and the different interests that it represented; how orthodoxy was expressed in art and the music of the liturgy; and how orthodoxy helped shape the Byzantine Empire's sense of its own identity, an identity defined against the 'other' - Jews, heretics and, especially from the turn of the first millennium, the Latin West. These considerations raise wider questions about the way in which societies and groups use world-views and issues of belief to express and articulate identity. At a time when, with the enlargement of the European Union, questions of identity within Europe are once again becoming pressing, there is much in these essays of topical relevance.

Over the last century unprecedented numbers of Christians from traditionally Orthodox societies migrated around the world. Once seen as an 'oriental' or 'eastern' phenomenon, Orthodox Christianity is now much more widely dispersed, and in many parts of the modern world one need not go far to find an Orthodox community at worship. This collection offers a compelling overview of the Orthodox world, covering the main regional traditions of Orthodox Christianity and the ways in which they have become global. The contributors are drawn from the Orthodox community worldwide and explore a rich selection of key figures and themes. The book provides an innovative and illuminating approach to the subject, ideal for students and scholars alike.

This volume in the Cambridge History of Christianity presents the 'Golden Age' of patristic Christianity. After episodes of persecution by the Roman government, Christianity emerged as a licit religion enjoying imperial patronage and eventually became the favoured religion of the empire. The articles in this volume discuss the rapid transformation of Christianity during late antiquity, giving specific consideration to artistic, social, literary, philosophical, political, inter-religious and cultural aspects. The volume moves away from simple dichotomies and reductive schematizations (e.g., 'heresy v. orthodoxy') toward an inclusive description of the diverse practices and theories that made up Christianity at this time. Whilst proportional attention is given to the emergence of the Great Church within the Roman Empire, other topics are treated as well - such as the development of Christian communities outside the empire.

Evagrius Ponticus is regarded by many scholars as the architect of the eastern heresy Origenism, as his theology corresponded to the debates that erupted in 399 and episodically thereafter, culminating in the Second Council of Constantinople in 553 AD. However some scholars now question this conventional interpretation of Evagrius' place in the Origenist controversies. Augustine Casiday sets out to reconstruct Evagrius' theology in its own terms, freeing interpretation of his work from the reputation for heresy that overwhelmed it, and studying his life, writings and evolving legacy in detail. The first part of this book discusses the transmission of Evagrius' writings, and provides a framework of his life for understanding his writing and theology, whilst part two moves to a synthetic study of major themes that emerge from his writings. This book will be an invaluable addition to scholarship on Christian theology, patristics, heresy and ancient philosophy.

The writings of the Church Fathers form a distinct body of literature that shaped the early church and built upon the doctrinal foundations of Christianity established within the New Testament. Christian literature in the period c.100-c.400 constitutes one of the most influential textual oeuvres of any religion. Written mainly in Greek, Latin and Syriac, Patristic literature emanated from all parts of the early Christian world and helped to extend its boundaries. The History offers a systematic account of that literature and its setting. The works of individual writers in shaping the various genres of Christian literature is considered, alongside three general essays, covering distinct periods in the development of Christian literature, which survey the social, cultural and doctrinal context within which Christian literature arose and was used by Christians. This is a landmark reference book for scholars and students alike.

This volume in the Cambridge History of Christianity presents the 'Golden Age' of patristic Christianity. After episodes of persecution by the Roman government, Christianity emerged as a licit religion enjoying imperial patronage and eventually became the favoured religion of the empire. The articles in this volume discuss the rapid transformation of Christianity during late antiquity, giving specific consideration to artistic, social, literary, philosophical, political, inter-religious and cultural aspects. The volume moves away from simple dichotomies and reductive schematizations (e.g., 'heresy v. orthodoxy') toward an inclusive description of the diverse practices and theories that made up Christianity at this time. Whilst proportional attention is given to the emergence of the Great Church within the Roman Empire, other topics are treated as well - such as the development of Christian communities outside the empire.

The writings of the Church Fathers form a distinct body of literature that shaped the early church and built upon the doctrinal foundations of Christianity established within the New Testament. Christian literature in the period c. 100-c. 400 constitutes one of the most influential textual oeuvres of any religion. Written mainly in Greek, Latin and Syriac, Patristic literature emanated from all parts of the early Christian world and helped to extend its boundaries. The History offers a systematic account of that literature and its setting. The work of individual writers in shaping the various genres of Christian literature is considered, alongside three general essays, covering distinct periods in the development of Christian literature, which survey the social, cultural and doctrinal context within which Christian literature arose and was used by Christians. This is a landmark reference book for scholars and students alike.