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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Poems Of Bacchylides: From A Papyrus In The British Museum Bacchylides, British Museum. Dept. of Manuscripts, British Museum Sir Frederic George Kenyon Printed by order of the Trustees of the British Museum, 1897 Social Science; Archaeology; Manuscripts, Greek (Papyri); Social Science / Archaeology

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Bacchylides (5th century Be was an Ancient Greek lyric poet. Later Greeks included him in the canonical list of nine lyric poets, which included his uncle Simonides. His earliest odes can be approximately dated to 481 or 479 BC. He is known to have visited the court of Hiero I of Syracuse (478-467). Plutarch names Bacchylides in a list of writers who, after they had been banished from their native cities, were active and successful in literature. Quotations from Bacchylides, or references to him, occur in Dionysius of Halicarnassus, Strabo, Plutarch, Stobaeus, Athenaeus, Aulus Gellius, Zenobius, Hephaestion, Clement of Alexandria, and various grammarians or scholiasts. Bacchylides poetry is known for its use of picturesque detail, its simplicity, and its clarity.

This scarce antiquarian book is a selection from Kessinger PublishingAcentsa -a centss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for e

Bacchylides, nephew of Simonides and rival of Pindar, wrote choral poetry of many types. We have a number of his victory odespoems celebrating victories in athletic contestsas well as dithyrambs and other hymns. He was a master of the captivating narrative. Also represented in this volume is the Boeotian Corinna, whose work, versions of local myths, survives in greater quantity than that of any other Greek woman poet except Sappho. Ancient authorities regarded Corinna as an older contemporary and mentor of Pindar; but some modern scholars place her later, in the third century BCE. Other women are here too: Myrtis, also from Boeotia; Telesilla of Argos, famous for her military leadership as well as her hymns; the shadowy Charixena; and Praxilla of Sicyon, author of choral poems and drinking songs.

David Campbell gives all the extant verse of these poets, along with the ancients' accounts of their lives and works. This fourth volume of his much-praised edition of Greek lyric poetry also includes Timocreon of Rhodes, pentathlete and writer of invective; Diagoras of Melos, choral poet and alleged atheist; and Ion of Chios. Sophocles is represented by fragments of his paean "Asclepius," Euripides by the few surviving lines of his ode for Alcibiades' dazzling victory in the chariot race at Olympia.

This is the fourth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus, the illustrious singers of sixth-century Lesbos, are in the first. Volume II contains the work of Anacreon, composer of solo song; the "Anacreontea"; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. The last volume includes the new school of dithyrambic poets (mid-fifth to mid-fourth century), together with the anonymous poems: drinking songs, children's songs, cult hymns, and others.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Like his contemporary Pindar, Baccylides (c. 520-450 BC) composed songs of praise for princes and victorious athletes and songs for choral performances at religious festivals. Although lost in Late Antiquity, many of them have been recovered from papyri found in Egypt. Their clear formal structure and vivid narrative make them more easily accessible than Pindar's verse and they are elegant specimens of the exclusive and sophisticated choral lyric poetry from the first half of fifth-century BC Greece. (This selection contains the first English commentary since 1905).

Discovered in an Egyptian papyrus in 1896, the lyrics of Bacchylides are one of the great treasures of Greek poetry. These exquisite choral odes celebrate victories in the Pythian, Isthmian, Nemean, and Olympic games and chronicle the classical gods and heroes, eloquently revealing to us the spirit and world of Golden Age Greece. The poems are brilliantly translated by Robert Fagles, recently hailed by Garry Wills in the New Yorker as "the best living translator of ancient Greek drama, lyric poetry, and epic into modern English." First published in 1961, the book now includes a new translator's note by Fagles. "[Fagles] has produced a work which is at once a faithful translation of Bacchylides in the fullest sense and something which stands and lives in its own right as a work of art."-Sir Maurice Bowra, from the Foreword "Fagles has created . . . a musical and craftsmanly series of verses. As a translator, Fagles has the merits of . . . keeping the lilting rhythms of Bacchylides alive in one's ear . . . and unearthing metaphors behind faded Greek words, of splitting the strings of compound adjectives into pungent clauses which lose nothing in color but make coordinated English."-Emily Vermeule, American Journal of Philology "The beauty, richness, and classic quality of Mr. Fagles's unrhymed verse make this translation a creative work and a valuable contribution to English letters."-Rae Dalven, Poetry