Collection of shorts from experimental writer and director B.S. Johnson. The films comprise: 'You're Human Like the Rest of Them' (1967), 'Paradigm' (1968), 'The Unfortunates' (1969), 'Up Yours Too Guillaume Apollinaire!' (1969), 'Unfair!' (1970), 'March!' (1970), 'Poem' (1971), 'B.S. Johnson On Dr. Samuel Johnson' (1972), 'Not Counting the Savages' (1972) and 'Fat Man On a Beach' (1974).

"Flowerheart is like a garden in full bloom: vibrant and sweet, whimsical and wondrous." --Allison Saft, New York Times bestselling author of A Far Wilder Magic Perfect for fans of Margaret Rogerson and Tamora Pierce, this standalone YA debut is a stunning cottagecore fantasy romance about a girl with powerful and violent magic which she must learn to control--or lose everything she loves. Clara's magic has always been wild. But it's never been dangerous. Then a simple touch causes poisonous flowers to bloom in her father's chest. The only way to heal him is to cast an extremely difficult spell that requires perfect control. And the only person willing to help is her former best friend, Xavier, who's grown from a sweet, shy child into someone distant and mysterious. Xavier asks a terrible price in return, knowing Clara will give anything to save her father. As she struggles to reconcile the new Xavier with the boy she once loved, she discovers how many secrets he's hiding. And as she hunts for the truth, she instead finds the root of a terrible darkness that's taken hold in the queendom--a darkness only Clara's magic is powerful enough to stop.

To what extent does development influence migration? How does migration affect development? In recent years, there has been a huge amount of research into such questions about what has come to be known as the migration-development nexus. In this important collection, Oliver Bakewell draws together key articles by leading scholars which investigate past and current thinking on the complex linkages between migration and development. The volume studies the impacts of levels of development on both internal and international migration and the impacts of migration on economic and social change in both origin and destination areas. Further topics covered include the influence of transnationalism and diasporas. It presents the reasons for the rise of the migration-development nexus and concludes by offering some critical perspectives on it. With an original introductory chapter by the editor, this volume will be of great interest and value to scholars and policymakers alike.

Gathering poems from Shakespeare to the present, Don't Bring Me No Rocking Chair addresses ageing through the several ages of poetry. Now more than ever, as more of us live for longer, the idea of what it means to age or to grow old engages and concerns people of all ages. One of the problems of ageing is the language we use to define it and the list of pejoratives associated with it, with attitudes to ageing ranging from 'fatalism, denial, negative stereotyping and tunnel vision to fantasy' (Professor Tom Kirkwood, Newcastle University). Poetry can help to give us a fresh language to think about ageing and these poems are chosen to fortify, celebrate, lament, grieve, rage and ridicule. There is not one way to age but neither can any of us truly stop our bodies from ageing. Ageing is not a single phenomenon but complex, multiple, perplexing: experienced historically as well as individually. This anthology may not console but it can widen our perspectives, helping us to change what we can change: our attitudes. This anthology was prepared for the Newcastle Centre for the Literary Arts as part of the Societal Challenge Theme on Ageing at Newcastle University with support from the Institute of Ageing and Health, Newcastle University, and has a foreword by Joan Bakewell.

Shortlisted for the PEN Hessell-Tiltman Prize Paris, near the turn of 1932-3. Three young friends meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are Jean-Paul Sartre, Simone de Beauvoir and their friend Raymond Aron, who opens their eyes to a radical new way of thinking... 'It's not often that you miss your bus stop because you're so engrossed in reading a book about existentialism, but I did exactly that... The story of Sartre, Beauvoir, Camus, Heidegger et al is strange, fun and compelling reading. If it doesn't win awards, I will eat my copy' Independent on Sunday 'Bakewell shows how fascinating were some of the existentialists' ideas and how fascinating, often frightful, were their lives. Vivid, humorous anecdotes are interwoven with a lucid and unpatronising exposition of their complex philosophy... Tender, incisive and fair' Daily Telegraph 'Quirky, funny, clear and passionate... Few writers are as good as Bakewell at explaining complicated ideas in a way that makes them easy to understand' Mail on Sunday

This volume focuses on Latin America, since it was mainly there that Europeans (or their colonial descendants) actually engaged in mining in the 16th-19th centuries; elsewhere they traded metals mined by others. The principal metals produced, and in prodigious quantities, were silver, in the Spanish colonies, and gold, mainly in Brazil in the 18th century. These articles analyse the volume and pattern of production and the forms of labour found in mining. Particular attention is given to the technologies of extraction and refining, notably the adoption of the mercury amalgamation process: this had a major impact, driving down silver production costs; because the mercury mines were a royal monopoly, it also handed control to the Spanish crown.

Brilliant, original, funny and moving -- a vivid portrait of Montaigne, showing how his ideas gave birth to our modern sense of our inner selves, from Shakespeare's plays to the dilemmas we face today.
How to get on well with people, how to deal with violence, how to adjust to losing someone you love -- such questions arise in most people's lives. They are all versions of a bigger question: how do you live? How do you do the good or honourable thing, while flourishing and feeling happy?
This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne (1533-92), perhaps the first truly modern individual. A nobleman, public official and wine-grower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them 'essays', meaning 'attempts' or 'tries'. Into them he put whatever was in his head: his tastes in wine and food, his childhood memories, the way his dog's ears twitched when it was dreaming, as well as the appalling events of the religious civil wars raging around him. The Essays was an instant bestseller, and over four hundred years later, Montaigne's honesty and charm still draw people to him. Readers come to him in search of companionship, wisdom and entertainment -- and in search of themselves.
This book, a spirited and singular biography (and the first full life of Montaigne in English for nearly fifty years), relates the story of his life by way of the questions he posed and the answers he explored. It traces his bizarre upbringing (made to speak only Latin), youthful career and sexual adventures, his travels, and his friendships with the scholar and poet Etienne de La Boetie and with his adopted 'daughter', Marie de Gournay. And as we read, we also meet his readers -- who for centuries have found in Montaigne an inexhaustible source of answers to the haunting question, 'how to live?'

"From the Hardcover edition."

'An inspiration to anyone who still finds old age too distressing a prospect to take seriously' The Times Old age is no longer a blip in the calendar, just a few declining years before the end. Old age is now a major and important part of life: It should command as much thought - even anxiety - as teenagers give to exam results and young marrieds how many children to have . . . I am in my 80s and moving towards the end of my life. But in a more actual sense, I have moved from my dear home of 50 odd years into another . . . the home where I will be until the end. Writing here of how it has happened is in a sense a reconciliation with what cannot be avoided, but which can be confronted When Joan Bakewell, Labour Peer, author and famous champion of the older people's right to a good and fruitful life, decided that she could no longer remain in her old home, she had to confront what she calls 'the next segment of life.' Disposing of things accumulated during a long life, saying goodbye to her home and the memories of more than fifty years, thinking about what is needed for downsizing - all suddenly became urgent and emotional tasks. And then there was managing family expectations. Some new projects such as planning the colours and layout of a new, smaller flat, were exciting and some things - the ridding herself of books, paintings, memento - took courage. So much of the world is on the move- voluntarily or not - and so many people are living to a great old age. In using the tale of her own life , Joan Bakewell tells us a story of our times and how she is learning to live to the sound and tune of The Tick of Two Clocks: the old and the new.

How to get along with people, how to deal with violence, how to adjust to losing someone you love--such questions arise in most people's lives. They are all versions of a bigger question: How do you live? This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne, considered by many to be the first truly modern individual. He wrote free-roaming explorations of his thoughts and experience, unlike anything written before. More than four hundred years later, Montaigne's honesty and charm still draw people to him. Readers come to him in search of companionship, wisdom, and entertainment --and in search of themselves. Just as they will to this spirited and singular biography.

This book draws renewed attention to migration into and within Africa, and to the socio-political consequences of these movements. In doing so, it complements vibrant scholarly and political discussions of migrant integration globally with innovative, interdisciplinary perspectives focused on migration within Africa. It sheds new light on how human mobility redefines the meaning of home, community, citizenship and belonging. The authors ask how people's movements within the continent are forging novel forms of membership while catalysing social change within the communities and countries to which they move and which they have left behind. Original case studies from across Africa question the concepts, actors, and social trajectories dominant in the contemporary literature. Moreover, it speaks to and challenges sociological debates over the nature of migrant integration, debates largely shaped by research in the world's wealthy regions. The text, in part or as a whole, will appeal to students and scholars of migration, development, urban and rural transformation, African studies and displacement.

This edited volume explores migration movements to Norway, the Netherlands, the United Kingdom and Portugal from Brazil, Morocco and Ukraine, focusing on how the migration processes of yesterday influence those of today. The central analytical tool for this undertaking is the concept of feedback. This volume identifies various feedback mechanisms that initiate, perpetuate and reverse migration movements. It pays attention to the role of personal networks, but it also moves beyond networks by analysing the role of institutions, macro-level factors and forms of broadcast feedback operating through impersonal channels. Based on extensive surveys and in-depth interviews, it changes our understanding of how and why patterns of international migration change over time.

“Flowerheart is like a garden in full bloom: vibrant and sweet, whimsical and wondrous.� —Allison Saft, New York Times bestselling author of A Far Wilder Magic Perfect for fans of Margaret Rogerson and Tamora Pierce, this standalone YA debut is a stunning cottagecore fantasy romance about a girl with powerful and violent magic which she must learn to control—or lose everything she loves.  Clara’s magic has always been wild. But it’s never been dangerous. Then a simple touch causes poisonous flowers to bloom in her father’s chest. The only way to heal him is to cast an extremely difficult spell that requires perfect control. And the only person willing to help is her former best friend, Xavier, who’s grown from a sweet, shy child into someone distant and mysterious.  Xavier asks a terrible price in return, knowing Clara will give anything to save her father. As she struggles to reconcile the new Xavier with the boy she once loved, she discovers how many secrets he’s hiding. And as she hunts for the truth, she instead finds the root of a terrible darkness that’s taken hold in the queendom—a darkness only Clara’s magic is powerful enough to stop. 

The updated and enhanced third edition of "A History of Latin America to 1825" presents a comprehensive narrative survey of Latin American history from the region's first human presence until the majority of Iberian colonies in America emerged as sovereign states c. 1825.This edition features new content on the history of women, gender, Africans in the Iberian colonies, and pre-Columbian peoplesIncludes more illustrations to aid learning: over 50 figures and photographs, several accompanied by short essaysConcentrates on the colonial period and earlier, expanding coverage of the period and incorporating more social and cultural history with the political narrative

In the pieces brought together in Writing Home, Polly Devlin OBE, most bewitching of writers, covers subjects that range over her whole life and thought. She writes about places: about her childhood deep in the countryside of Northern Ireland (where, in the late 1950s, the first electricity poles looked 'literally out of place'); her sudden transition, at the age of twenty-one, to Swinging Sixties London, where she worked for Vogue and became very much part of the scene (although - 'it's like being a provincial at Versailles'), on to New York, back to London, then to the English countryside, and to Paris, Venice, the world over - and always back to Ireland, London and New York. She writes about the people she has known, among them Bob Dylan, John Lennon, Yoko Ono, Mick Jagger, Peggy Guggenheim, Diana Vreeland ('as fantastical as a unicorn'), Jean Shrimpton ('she looks as though she sleeps in cathedral pews and sucks artichoke hearts for sustenance'), Princess Margaret (who came to dinner and did the washing up, 'which I gabbled she didn't need to - she looked at me frostily and the royal hands went back into the Fairy Liquid'). And she writes about the issues that have preoccupied her: about emigration, feminism ('I grew up in a society where men were fundamental and women were secondary'), reading, writing, collecting, shopping, houses, dogs, rooks, hares, dreams, friendship and the kindness of strangers; about daughters and mothers; and about wishes . . .

'An inspiration to anyone who still finds old age too distressing a prospect to take seriously' The Times Old age is no longer a blip in the calendar, just a few declining years before the end. Old age is now a major and important part of life: It should command as much thought - even anxiety - as teenagers give to exam results and young marrieds how many children to have . . . I am in my 80s and moving towards the end of my life. But in a more actual sense, I have moved from my dear home of 50 odd years into another . . . the home where I will be until the end. Writing here of how it has happened is in a sense a reconciliation with what cannot be avoided, but which can be confronted When Joan Bakewell, Labour Peer, author and famous champion of the older people's right to a good and fruitful life, decided that she could no longer remain in her old home, she had to confront what she calls 'the next segment of life.' Disposing of things accumulated during a long life, saying goodbye to her home and the memories of more than fifty years, thinking about what is needed for downsizing - all suddenly became urgent and emotional tasks. And then there was managing family expectations. Some new projects such as planning the colours and layout of a new, smaller flat, were exciting and some things - the ridding herself of books, paintings, memento - took courage. So much of the world is on the move- voluntarily or not - and so many people are living to a great old age. In using the tale of her own life , Joan Bakewell tells us a story of our times and how she is learning to live to the sound and tune of The Tick of Two Clocks: the old and the new.