This is a provocative collection exploring the different types of violence and how they relate to one another, examined through the integration of several disciplines, including forensic psychotherapy, psychiatry, sociology, psychosocial studies and political science. By examining the 'violent states' of mind behind specific forms of violence and the social and societal contexts in which an individual act of human violence takes place, the contributors reveal the dynamic forces and reasoning behind specific forms of violence including structural violence, and conceptualise the societal structures themselves as 'violent states'. Other research often stops short at examining the causes and risk factors for violence, without considering the opposite states that may not only mitigate, but allow for a different unfolding of individual and societal evolution. As a potential antidote to violence, the authors prescribe an understanding of these 'creative states' with their psychological origins, and their importance in human behaviour and meaning-seeking. Making a call to move beyond merely mitigating violence to the opposite direction of fostering creative potential, this book is foundational in its capacity to cultivate social consciousness and effect positive change in areas of governance, policy-making, and collective responsibility. Volume 2: Human Violence and Creative Humanity explores violent states of mind, behavioural or subjective, interpersonal violence (including self-injury) and the fine distinctions between violent and creative states of mind.

This is a provocative collection exploring the different types of violence and how they relate to one another, examined through the integration of several disciplines, including forensic psychotherapy, psychiatry, sociology, psychosocial studies and political science. By examining the 'violent states' of mind behind specific forms of violence and the social and societal contexts in which an individual act of human violence takes place, the contributors reveal the dynamic forces and reasoning behind specific forms of violence including structural violence, and conceptualise the societal structures themselves as 'violent states'. Other research often stops short at examining the causes and risk factors for violence, without considering the opposite states that may not only mitigate, but allow for a different unfolding of individual and societal evolution. As a potential antidote to violence, the authors prescribe an understanding of these 'creative states' with their psychological origins, and their importance in human behaviour and meaning-seeking. Making a call to move beyond merely mitigating violence to the opposite direction of fostering creative potential, this book is foundational in its capacity to cultivate social consciousness and effect positive change in areas of governance, policy-making, and collective responsibility. Volume 1: Structural Violence and Creative Structures covers structural and symbolic violence, with violent states and State violence, and with creative responses and creative states at the local and global levels.

Regardless of field, from the art world to healthcare delivery, there is a growing need for practically useful theory and theoretically informed practice. The time is ripe for a collaborative, creative conversation among thinkers and doers who are concerned about the larger world and our role in it. Making Sense: Beauty, Creativity, and Healing is a collection of essays and creative expressions written and produced in relation to a colloquium that tried to address these matters at the Whitney Humanities Center of Yale University. Beginning with a powerful essay on the individually and globally therapeutic qualities of art and beauty by Elaine Scarry of Harvard University, this volume brings together a diversity of theoretically minded scholars, scientists, artists, and healers. In the form of critical and reflective essays, alongside images, poetry, and fiction, this book allows the reader to experience the bursts of ideas and sensory triggers that respond to and extend the artistic installations and performances of the colloquium - and welcomes the reader into the conversation.