'The text speaks for itself. It is a vivid, scholarly and sensitive view.' - The Archaeologist

'As a specialist, I found Ancestral Geographies unusually enjoyable as well as stimulating, and I think it will work well for other kinds of readers at different stages and with different interests. For a sense of how life might have been both in daily spheres and at unusual monuments in the Early Neolithic, this is a brilliant introduction.' - Landscape History

'This is a wonderful book, beautifully written, and elegant summary of Edmonds' own views and of the conclusions of an exciting new generation of British prehistorians.' - Ian Hodder, Cambridge Archaeological Journal

The causewayed enclosures of the neolithic era were the first monumental structures in the British Isles. But the uses to which these vast concentric rings of raised walkways were put remains confused. Archaeological evidence suggests that these sites had many different, and often contradictory functions, and there may have been other uses for which no evidence survives. How can archaeologists present an effective interpretation, with the consciousness that both their own subjectivity, and the variety of conflicting views will determine their approach. Because these sites have become a focus for so much controversy, the problem of presenting them to the public assumes a critical importance. The authors raise central issues which occur in all archaeological interpretation, especially in sites that have been put to a variety of uses over time. The authors have not tried to provide a comprehensive review of the archaeology of all these causewayed sites in Britain, but rather to use them as case studies in the development of an arcaheological interpretation. These techniques and approaches can be applied to sites of many periods.

This book represents an innovative experiment in presenting the results of a large-scale, multidisciplinary archaeological project. The well-known authors and their team examined the Neolithic and Bronze Age landscapes on Bodmin Moor of Southwest England, especially the site of Leskernick. The result is a multivocal, multidisciplinary telling of the stories of Bodmin Moor-both ancient and modern-using a large number of literary genres and academic disciplines. Dialogue, storytelling, poetry, photo essays and museum exhibits all appear in the volume, along with contributions from archaeologists, anthropologists, sociologists, geologists, and ecologists. The result is a major synthesis of the Bronze Age settlements and ritual sites of the Moor, contextualized within the Bronze Ages of southwestern and central Britain, and a tracing of the changing meaning of this landscape over the past five thousand years. Of obvious interest to those in British prehistory, this is a substantial presentation of a groundbreaking project that will also be of interest to many concerned with the interpretation of social landscapes and the public presentation of archaeology.

This book represents an innovative experiment in presenting the results of a large-scale, multidisciplinary archaeological project. The well-known authors and their team examined the Neolithic and Bronze Age landscapes on Bodmin Moor of Southwest England, especially the site of Leskernick. The result is a multivocal, multidisciplinary telling of the stories of Bodmin Moor-both ancient and modern-using a large number of literary genres and academic disciplines. Dialogue, storytelling, poetry, photo essays and museum exhibits all appear in the volume, along with contributions from archaeologists, anthropologists, sociologists, geologists, and ecologists. The result is a major synthesis of the Bronze Age settlements and ritual sites of the Moor, contextualized within the Bronze Ages of southwestern and central Britain, and a tracing of the changing meaning of this landscape over the past five thousand years. Of obvious interest to those in British prehistory, this is a substantial presentation of a groundbreaking project that will also be of interest to many concerned with the interpretation of social landscapes and the public presentation of archaeology.

Landscapes are not just backdrops to human action; people make them and are made by them. How people understand and engage with their material world depends upon particularities of time and place. These understandings are dynamic, variable, contradictory and open-ended. Landscapes are thus always evolving and are often volatile and contested. They are also always on the move - people may or may not be rooted, but they have 'legs'. From prehistoric times onwards people have travelled, but the process of people-on-the-move - as tourists, or on global business, as migrant workers or political or economic refugees - has vastly accelerated.
How and why do people who share the same landscape have different and often violently opposed ways of understanding its significance? How do people-on-the-move make sense of the unfamiliar? How do they create a sense of place? How do they rework the memories of places left behind? There is nothing easeful about the landscapes discussed in this book, which are often harsh-edged and troubled both socially and politically. The contributors tackle contested notions of landscape to explain the key role it plays in creating identity and shaping human behaviour.
This landmark study offers an important contribution towards an understanding of the complexity of landscape.

The term 'landscape' was coined in an emergent capitalist world to evoke a particular set of elite experiences - a particular 'way of seeing'. But other people also have landscapes. The authors of this book are Geographers, Anthropologists and Archaeologists, and they explore landscape as something subjective, something experienced, something that alters through time and space, that is created by, and creative of, historical conditions and geographical emplacement. The articles range in time from 6000 BC to the present, and in space from Alaska and Melanesia to Belfast and Berlin. They show how the cultural and political analysis of landscape cuts across many disciplinary boundaries and how perceptions of the land and its history are created, negotiated and contested.

This book is an imaginative exploration of a place that has fascinated, intrigued and perplexed visitors for centuries. Instead of seeing Stonehenge as an isolated site, the author sets the stones within a wider landscape and explores how use and meaning have changed from prehistoric times right through to the present. Throughout the millennia, the Stonehenge landscape has been used and re-used, invested with new meanings, and has given rise to myths and stories. The author creatively explores how the landscape has been appropriated and contested, and invokes the debates and experiences of people who have very different and often conflicting experiences of the same place. Today, heritage managers, archaeologists, local people, free festivallers, and druids come to the place with entirely different understandings and agendas. The book demonstrates that the creation of spaces and places for people to express divergent viewpoints is powerfully constrained by social and political forces that allow some voices to be heard while others are marginalized. With dialogues and illustrations that range from the conventional to the cartoon strip, this multi-vocal book not only presents a wide range of views in an innovative way, but provides important new insights on how people shape and are shaped by landscape.

This book is an imaginative exploration of a place that has fascinated, intrigued and perplexed visitors for centuries. Instead of seeing Stonehenge as an isolated site, the author sets the stones within a wider landscape and explores how use and meaning have changed from prehistoric times right through to the present. Throughout the millennia, the Stonehenge landscape has been used and re-used, invested with new meanings, and has given rise to myths and stories. The author creatively explores how the landscape has been appropriated and contested, and invokes the debates and experiences of people who have very different and often conflicting experiences of the same place. Today, heritage managers, archaeologists, local people, free festivallers, and druids come to the place with entirely different understandings and agendas. The book demonstrates that the creation of spaces and places for people to express divergent viewpoints is powerfully constrained by social and political forces that allow some voices to be heard while others are marginalized. With dialogues and illustrations that range from the conventional to the cartoon strip, this multi-vocal book not only presents a wide range of views in an innovative way, but provides important new insights on how people shape and are shaped by landscape.

Prehistoric war-god, seventeenth century marvel, or living monument? In 1996, a 'trial' was held in Cerne Abbas Village Hall to discuss the origin of the Giant - prehistoric/Romano-British, medieval/post-medieval, or significant for the very fact that he exists, regardless of age. This is the book of the trial: after a preliminary briefing, the witnesses for the three cases present their evidence which ranges from detailed factual information about the archaeology and history of the monument through to its folklore and continuing role as the inspiration for all sorts of activity from local poetry to national advertising. An epilogue contains the jury's decision and an account of the trial's filming for regional BBC programme.