In an ancient Arab nation, one woman dares to be different.Buran cannot -- Buran will not-sit quietly at home and wait to be married to the man her father chooses. Determined to use her skills and earn a fortune, she instead disguises herself as a boy and travels by camel caravan to a distant city. There, she maintains her masculine disguise and establishes a successful business. The city's crown prince comes often to her shop, and soon Buran finds herself falling in love. But if she reveals to Mahmud that she is a woman, she will lose everything she has worked for.

Renowned contributors use the late work of this crucial figure to open new speculations on "materiality." A "material event," in one of Paul de Man's definitions, is a piece of writing that enters history to make something happen. This interpretation hovers over the publication of this volume, a timely reconsideration of de Man's late work in its complex literary, critical, cultural, philosophical, political, and historical dimensions. A distinguished group of scholars responds to the problematic of "materialism" as posed in Paul de Man's posthumous final book, Aesthetic Ideology. These contributors, at the forefront of critical theory, productive thinking, and writing in the humanities, explore the question of "material events" to illuminate not just de Man's work but their own. Prominent among the authors here is Jacques Derrida, whose extended essay "Typewriter Ribbon: Limited Inc (2)" returns to a celebrated episode in Rousseau's Confessions that was discussed by de Man in Allegories of Reading. The importance of de Man's late work is related to a broad range of subjects and categories and-in Derrida's provocative reading of de Man's concept of "materiality"-the politico-autobiographical texts of de Man himself. This collection is essential reading for all those interested in the present state of literary and cultural theory. Contributors: Judith Butler, UC Berkeley; T. J. Clark, UC Berkeley; Jacques Derrida, Ecole des Hautes Etudes en Sciences Sociales and UC Irvine; Barbara Johnson, Harvard U; Ernesto Laclau, U of Essex; Arkady Plotnitsky, Purdue U; Laurence A. Rickels, UC Santa Barbara; and Michael Sprinker.

This book is a marker of the astate of theorya today. Its rich array of wideranging essays explores the dimensions and implications of the work of J. Hillis Miller, one of the most eminent literary scholars in America. For nearly half a century, Miller has been known for his close and imaginative engagement with the implications of European philosophical thought and for his passionate advocacy of close reading.Building on this intellectual legacy, the contributors instantiate and extend the practice and ethics of sustained close reading that is Milleras hallmark. The book culminates in a moving piece by Jacques Derrida, Milleras close friend of forty years, who engages Milleras readings of Gerard Manley Hopkins in a historic encounter between French philosophy and American reading practices.A provocation to reading for new generations of students and teachers, these essays offer important resources for grasping the question of language in historical perspective and in contemporary lifeaa task essential for any democratic future. Barbara Cohen is Director of HumaniTech at the University of California, Irvine. She is co-editor of Material Events: Paul de Man and the Afterlife of Theory. Dragan Kujunzic is Professor of Russian and Comparative Literature and Director of Russian Studies at the University of California, Irvine. Among his publications is The Returns of History: Russian Nietzscheans after Modernity.

This book is a marker of the astate of theorya today. Its rich array of wideranging essays explores the dimensions and implications of the work of J. Hillis Miller, one of the most eminent literary scholars in America. For nearly half a century, Miller has been known for his close and imaginative engagement with the implications of European philosophical thought and for his passionate advocacy of close reading.Building on this intellectual legacy, the contributors instantiate and extend the practice and ethics of sustained close reading that is Milleras hallmark. The book culminates in a moving piece by Jacques Derrida, Milleras close friend of forty years, who engages Milleras readings of Gerard Manley Hopkins in a historic encounter between French philosophy and American reading practices.A provocation to reading for new generations of students and teachers, these essays offer important resources for grasping the question of language in historical perspective and in contemporary lifeaa task essential for any democratic future. Barbara Cohen is Director of HumaniTech at the University of California, Irvine. She is co-editor of Material Events: Paul de Man and the Afterlife of Theory. Dragan Kujunzic is Professor of Russian and Comparative Literature and Director of Russian Studies at the University of California, Irvine. Among his publications is The Returns of History: Russian Nietzscheans after Modernity.

A vigorous treatment of The Nun's Priest's Tale, The Pardoner's Tale, The Wife of Bath's Tale, and The Franklin's Tale. "This carefully researched and lively edition...is richly and beautifully produced....One could not ask for a more enticing introduction to Chaucer's world." -- Publishers Weekly.

This report provides a toolkit of standardized measurement tools for assessing various aspects of community food security. It includes a general guide to community assessment and focused materials for examining six basic assessment components related to community food security. These include guides for profiling general community characteristics and community food resources as well as materials for assessing household food security, food resource accessibility, food availability and affordability, and community food production resources. Data collection tools include secondary data sources, focus group guides, and a food store survey instrument. The toolkit was developed through a collaborative process that was initiated at the community Food Security Assessment Conference sponsored by ERS in June 1999. It is designed for use by community-based nonprofit organizations and business groups, local government officials, private citizens, and community planners.

"Fourth-grader Wade Thompson is having trouble adjusting to Kennedy, the new school where he has been transferred to a class for the gifted and talented. . . . With fast-moving dialogue, humor and sympathy, Cohen weaves a story of developing friendships and self-knowledge and once again demonstrates how well she understands a child's need for acceptance".--The Horn Book.

This dynamic collection documents the rich and varied history of social dance and the multiple styles it has generated, while drawing on some of the most current forms of critical and theoretical inquiry. The essays cover different historical periods and styles; encompass regional influences from North and South America, Britain, Europe, and Africa; and emphasize a variety of methodological approaches, including ethnography, anthropology, gender studies, and critical race theory. While social dance is defined primarily as dance performed by the public in ballrooms, clubs, dance halls, and other meeting spots, contributors also examine social dance's symbiotic relationship with popular, theatrical stage dance forms.
Contributors are Elizabeth Aldrich, Barbara Cohen-Stratyner, Yvonne Daniel, Sherril Dodds, Lisa Doolittle, David F. Garcia, Nadine George-Graves, Jurretta Jordan Heckscher, Constance Valis Hill, Karen W. Hubbard, Tim Lawrence, Julie Malnig, Carol Martin, Juliet McMains, Terry Monaghan, Halifu Osumare, Sally R. Sommer, May Gwin Waggoner, Tim Wall, and Christina Zanfagna.