This dynamic collection documents the rich and varied history of
social dance and the multiple styles it has generated, while
drawing on some of the most current forms of critical and
theoretical inquiry. The essays cover different historical periods
and styles; encompass regional influences from North and South
America, Britain, Europe, and Africa; and emphasize a variety of
methodological approaches, including ethnography, anthropology,
gender studies, and critical race theory. While social dance is
defined primarily as dance performed by the public in ballrooms,
clubs, dance halls, and other meeting spots, contributors also
examine social dance's symbiotic relationship with popular,
theatrical stage dance forms.
Contributors are Elizabeth Aldrich, Barbara Cohen-Stratyner, Yvonne
Daniel, Sherril Dodds, Lisa Doolittle, David F. Garcia, Nadine
George-Graves, Jurretta Jordan Heckscher, Constance Valis Hill,
Karen W. Hubbard, Tim Lawrence, Julie Malnig, Carol Martin, Juliet
McMains, Terry Monaghan, Halifu Osumare, Sally R. Sommer, May Gwin
Waggoner, Tim Wall, and Christina Zanfagna.
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