"Wider Boundaries of Daring: The Modernist Impulse in Canadian Women's Poetry" announces a bold revision of the genealogy of Canadian literary modernism by foregrounding the originary and exemplary contribution of women poets, critics, cultural activists, and experimental prose writers Dorothy Livesay, P.K. Page, Miriam Waddington, Phyllis Webb, Elizabeth Brewster, Jay Macpherson, Anne Wilkinson, Anne Marriott, and Elizabeth Smart. In the introduction, editor Di Brandt champions particularly the achievements of Livesay, Page, and Webb in setting the visionary parameters of Canadian and international literary modernism.

The writers profiled in "Wider Boundaries of Daring" are the real founders of Canadian modernism, the contributors of this volume argue, both for their innovative aesthetic and literary experiments and for their extensive cultural activism. They founded literary magazines and writers' groups, wrote newspaper columns, and created a new forum for intellectual debate on public radio. At the same time, they led busy lives as wives and mothers, social workers and teachers, editors and critics, and competed successfully with their male contemporaries in the public arena in an era when women were not generally encouraged to hold professional positions or pursue public careers.

The acknowledgement of these writers' formidable contribution to the development of modernism in Canada, and along with it "wider boundaries of daring" for women and other people previously disadvantaged by racial, ethnic, or religious identifications, has profound implications for the way we read and understand Canadian literary and cultural history and for the shape of both national and international modernisms.

Winner of the 1979 Governor General's Award for fiction, Antonine Maillet's virtuoso creation, The Tale of Don L'Orignal, is now back in print. Maillet's tale begins one day, not so very long ago but back in the youth of the world, when a hay-covered island materialized off shore, an island populated by fleas who soon took human form. The leader of this uncouth crew of have-nots, Don l'Orignal, wore a moose-antler crown as his badge of office. At his right hand were his brave lieutenants: his son, Noume, and his general, Michel-Archange. The general's wife, the doughty charwoman, spy, and rabble-rouser La Sagouine, had one finger in every pie and one raised to her neighbour, La Sainte. The Flea Islanders were constantly at odds with the almost as clever but far more civilized upper crust of the mainland village: the mayoress, the schoolteacher, the merchant, the banker. When they invaded and tried to steal a keg of molasses, the outcome of the mock-heroic battle was unclear, except that La Sainte's son, the hapless young Citrouille, and Adeline, the merchant's lovely daughter, had fallen in love. With the insider's accumulation of oral history, gossip, and shrewd hindsight, Antonine Maillet has conjured up a fictional Acadia that her ancestors would relish. Perhaps those who could read it would have even understood it: she wrote Don l'Orignal in a version of 16th-century domestic French that she adapted for modern readers. In this far-fetched, but always entertaining fable, Maillet holds up a mirror to Acadian history and to an all too fallible human nature.