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The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.
The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.
This book is a study of women's involvement in occult practices in Weimar Germany. Women during the Weimar period experienced an unprecedented level of liberation. This included a greatly increased role in the work force as well as participation in other realms that were traditionally the province of men. They were also given the liberty to be more outwardly sexualized. Women engaging in occult practices during this period present an interesting example of the liberated woman. The occult woman reversed all traditional gender roles by the pretense of possessing powers that threatened male dominance. The book investigates the significance of the occult in the Weimar period by drawing on popular, scientific, and legal writings of women's involvement in the occult. In addition to examining reports of women engaging in actual occult practices (expressive dance, mediumism, and witchcraft), this book also considers various fictional depictions of women as demonic or as possessing supernatural powers (ghosts, vampires, and monsters). The author contends that both actual practices, as well as fictional depictions, constructed an imaginary female identity as a dangerous and grotesque monster.
New essays examining the differences and commonalities between late Weimar-era and early Nazi-era German cinema against a backdrop of the crises of that time. Hitler's Machtergreifung, or seizure of power, on January 30, 1933, marked the end of the Weimar Republic and the beginning of the Third Reich, and German film scholarship has generally accepted this date as the break between Weimar and Nazi-era film as well. This collection of essays interrogates the continuities and discontinuities in German cinema before and after January 1933 and their relationship to the various crises of the years 1928 to 1936in seven areas: politics, the economy, concepts of race and ethnicity, the making of cinema stars, genre cinema, film technologies and aesthetics, and German-international film relations. Focusing both on canonical and lesser-known works, the essays analyze a representative sample of films and genres from the period. This book will be of interest to scholars and students of Weimar and Third Reich cinema and of the sociopolitical, economic, racial, artistic, and technological spheres in both late Weimar and the early Third Reich, as well as to film scholars in general. Contributors: Paul Flaig, Margrit Froelich, Barbara Hales, Anjeana Hans, Bastian Heinsohn, Brook Henkel,Kevin B. Johnson, Owen Lyons, Richard W. McCormick, Kalani Michell, Mihaela Petrescu, Christian Rogowski, Valerie Weinstein, Wilfried Wilms. Barbara Hales is Associate Professor of History at the University of Houston-Clear Lake. Mihaela Petrescu is Visiting Lecturer at the University of Pittsburgh. Valerie Weinstein is Assistant Professor of Women's, Gender, and Sexuality Studies and German Studies at the University of Cincinnati.
Content has evolved into an online business' most valuable resource. With the right content, you can encourage website traffic, build customer trust, and increase revenues. Content, as the pundits are fond of saying, really is king. This is all fine but for newcomers, content marketing can seem overwhelming. Discover the solutions to the following problems: What kind of content do you need? Should you develop your content in-house or hire an outside source? What roles do blogs, forums, and social media play in successful content marketing? Best-selling author and content marketing guru Barbara Hales, MD, provides a simple, sequential guide to the exciting world of content marketing. "Content Copy Made Easy" arms you with all the information needed to develop a successful business plan, identify and publish relevant content, attract and retain readers, and convert your readership into paying customers. Content is king, and with Hales' step-by-step process, you can reap the benefits of royalty.
This book gives you 14 simple tactics to implement which will explode your sales. It is a comprehensive resource for generating profit that you can use right away and for as long as you have your business. This book is rich with emerging 21st Century sales tactics that rely on new technology and reflect the world as it is today.
The healthcare system that we're familiar with is in total collapse. Emerging from the ashes is the newly acquired ability for patients to choose their own treatment and head their own medical team. As we come to a crossroad in our approach to treatments in healthcare, this book provides an antidote to the confusion and stress that lie ahead. You will discover new ways to see your healthcare as we embark upon this journey together.
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