Tsuda Umeko was one of five young Japanese girls sent to the United States in 1871 by their government to be trained in the lore of domesticity. The new Meiji rulers defined a "true woman" as one who had learned to rear children who would be loyal and obedient to the state, and they looked to the "superior culture" of the West as the place to obtain such training. Eleven years later, Tsuda returned to Japan and presented herself as an authority on female education and women's roles. After some frustration and another trip to America to attend Bryn Mawr College, she established one of the first schools in Japan to offer middle-class women a higher education. This readable biography sets her life and achievements in the context of the women's movements and the ideology of female domesticity in America and Japan at the turn of the century. Barbara Rose presents Tsuda Umeko's experiences as illustrative of the profound contradictions and ironies behind Japan's changing views of women and the West. Tsuda was sent abroad to absorb what could be of benefit to Japanese women, but she was denied any official distinction on her return to Japan both because she was female and because the Western culture she had adopted was no longer in favor. In Japan, Tsuda had to adapt to the increasingly narrow confines of the official definition of the domestic ideal as the only proper role for women. By characterizing women's work in the home as a vocation and by expanding women's educational horizons, Tsuda and others of her generation hoped to enhance women's self-respect and gain for them a measure of independence. But domesticity, though empowering, was finally limiting; it restricted women to a lifewithin the imposed boundaries of a single sphere of action.

Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church is a musical ethnography of a religious community. After the end of socialism, different ethnic groups in Hungary harbored antagonism toward one another. In one Pentecostal church in Pecs, Hungary, however, both Hungarians and Roma (Gypsies) worshipped and made music together. Three musical repertoires coexisted, each with a separate historical background and complex social meanings: Romani religious song; nineteenth-century gospel hymns originally from the United States; and contemporary Christian pop from the United States. Church members accommodated cultural and musical differences by developing several distinct performance styles.

In Local Fusions, author Barbara Rose Lange explores musical life in Hungary, Slovakia, and Austria between the end of the Cold War and the world financial crisis of 2008. With case studies from Budapest, Bratislava, and Vienna, the book looks at the ways that artists generated social commentary and tried new ways of working together as the political and economic atmosphere shifted during this time. Drawn from a variety of sources, the case studies illustrate how young musicians redefined a Central European history of elevating the arts by fusing poetry, local folk music, and other vernacular music with jazz, Asian music, art music, and electronic dance music. Their projects rejected exclusion based on ethnic background or gender prevalent in Central Europe's present far-right political movements, and instead embraced diverse modes of expression. Through this, the musicians asserted woman power, broadened masculinities, and declared affinity with regional minorities such as the Romani people.

South and Central Asia is a region of extraordinary cultural and environmental diversity and home to nearly one-quarter of the earth's population. Among these diverse peoples are some whose ways of life are threatened by the accelerating assault of forces of change including environmental degradation, population growth, land loss, warfare, disease, and the penetration of global markets. This volume examines twelve Asian groups whose way of life is endangered. Some are "indigenous" peoples, some are not; each group represents a unique answer to the question of how to survive and thrive on the planet earth, and illustrates both the threats and the responses of peoples caught up in the struggle to sustain cultural meaning, identity, and autonomy. Each chapter, written by an expert scholar for a general audience, offers a cultural overview, explores both threats to survival and the group's responses, and provokes discussion and further research with "food for thought." This powerful documentation of both tragedy and hope for the twenty-first-century survival of centuries-old cultures is a key reference for anyone interested in the region, in cultural survival, or in the interplay of diversification and homogenization.

The first edition of Life and Death Matters was a breakthrough text, centralizing the experiences of those on the front lines of environmental crises and forging new paradigms for understanding how crises emerge and how different groups of actors respond to them. This second edition, fully updated with both expanded and new chapters, once again provides a benchmark for the field and opens important pathways for further research. Authors reassess the state of scholarship and grassroots activism in a new century when social and environmental systems are being reconceptualised within post-9/11 security and biosecurity frameworks, when global warming and resource scarcity are not fears but realities, when global power and politics are being realigned, and when ecocide, ethnocide, and genocide are daily tragedies. This bold new edition of Life and Death Matters will be a widely used textbook and essential reading for students, scholars, and policy makers.

The first edition of Life and Death Matters was a breakthrough text, centralizing the experiences of those on the front lines of environmental crises and forging new paradigms for understanding how crises emerge and how different groups of actors respond to them. This second edition, fully updated with both expanded and new chapters, once again provides a benchmark for the field and opens important pathways for further research. Authors reassess the state of scholarship and grassroots activism in a new century when social and environmental systems are being reconceptualised within post-9/11 security and biosecurity frameworks, when global warming and resource scarcity are not fears but realities, when global power and politics are being realigned, and when ecocide, ethnocide, and genocide are daily tragedies. This bold new edition of Life and Death Matters will be a widely used textbook and essential reading for students, scholars, and policy makers.

Humans are good at making war-and much less successful at making peace. Genocide, torture, slavery, and other crimes against humanity are gross violations of human rights that are frequently perpetrated and legitimized in the name of nationalism, militarism, and economic development. This book tackles the question of how to make peace by taking a critical look at the primary political mechanism used to "repair" the many injuries suffered in war. With an explicit focus on reparations and human rights, it examines the broad array of abuses being perpetrated in the modern era, from genocide to loss of livelihood. Based on the experiences of anthropologists and others who document abuses and serve as expert witnesses, case studies from around the world offer insight into reparations proceedings; the ethical struggles associated with attempts to secure reparations; the professional and personal risks to researchers, victims, and human rights advocates; and how to come to terms with the political compromises of reparations in the face of the human need for justice. Waging War, Making Peace promises to be a major contribution to public policy, political science, international relations, and human rights and peace research.

Humans are good at making war--and much less successful at making peace. Genocide, torture, slavery, and other crimes against humanity are gross violations of human rights that are frequently perpetrated and legitimized in the name of nationalism, militarism, and economic development. This book tackles the question of how to make peace by taking a critical look at the primary political mechanism used to "repair" the many injuries suffered in war. With an explicit focus on reparations and human rights, it examines the broad array of abuses being perpetrated in the modern era, from genocide to loss of livelihood. Based on the experiences of anthropologists and others who document abuses and serve as expert witnesses, case studies from around the world offer insight into reparations proceedings; the ethical struggles associated with attempts to secure reparations; the professional and personal risks to researchers, victims, and human rights advocates; and how to come to terms with the political compromises of reparations in the face of the human need for justice. Waging War, Making Peace promises to be a major contribution to public policy, political science, international relations, and human rights and peace research.

The hydrogen test-bomb Bravo, dropped on the Marshall Islands in 1954, had enormous consequences for the Rongelap people. Anthropologists Barbara Rose Johnston and Holly Barker provide incontrovertible evidence of physical and financial damages to individuals and cultural and psycho-social damages to the community through use of declassified government documents, oral histories and ethnographic research, conducted with the Marshallese community within a unique collaborative framework. Their work helped produce a $1 billion award by the Nuclear Claims Tribunal and raises issues of bioethics, government secrecy, human rights, military testing, and academic activism. The report, reproduced here with accompanying materials, should be read by everyone concerned with the effects of nuclear war and is an essential text for courses in history, environmental studies, bioethics, human rights, and related subjects.

The hydrogen test-bomb Bravo, dropped on the Marshall Islands in 1954, had enormous consequences for the Rongelap people. Anthropologists Barbara Rose Johnston and Holly Barker provide incontrovertible evidence of physical and financial damages to individuals and cultural and psycho-social damages to the community through use of declassified government documents, oral histories and ethnographic research, conducted with the Marshallese community within a unique collaborative framework. Their work helped produce a $1 billion award by the Nuclear Claims Tribunal and raises issues of bioethics, government secrecy, human rights, military testing, and academic activism. The report, reproduced here with accompanying materials, should be read by everyone concerned with the effects of nuclear war and is an essential text for courses in history, environmental studies, bioethics, human rights, and related subjects.

South and Central Asia is a region of extraordinary cultural and environmental diversity and home to nearly one-quarter of the earth's population. Among these diverse peoples are some whose ways of life are threatened by the accelerating assault of forces of change including environmental degradation, population growth, land loss, warfare, disease, and the penetration of global markets. This volume examines twelve Asian groups whose way of life is endangered. Some are "indigenous" peoples, some are not; each group represents a unique answer to the question of how to survive and thrive on the planet earth, and illustrates both the threats and the responses of peoples caught up in the struggle to sustain cultural meaning, identity, and autonomy. Each chapter, written by an expert scholar for a general audience, offers a cultural overview, explores both threats to survival and the group's responses, and provokes discussion and further research with "food for thought." This powerful documentation of both tragedy and hope for the twenty-first-century survival of centuries-old cultures is a key reference for anyone interested in the region, in cultural survival, or in the interplay of diversification and homogenization.

Larry Poons (b. 1937) shot to fame while still in his twenties, on the strength of his “dot paintings,” in which dots or ellipses were meticulously arranged on brightly coloured fields, creating a rhythmic, pulsating effect. But within a few years, Poons first loosened the hard-edged precision of the dot paintings and then abandoned them entirely for an organic mode of abstraction based on vertical drips of flung paint. This marked the beginning of an uncompromising five-decade evolution that has finally led the artist back to a more intimate mode of painting with brushes — and his own hands. At every stage, Poons's career has compelled the attention of critics and, in particular, other artists. This handsome volume, the first full-length biocritical monograph on Poons, reproduces more than 140 of his most important works in full colour, some as spectacular gatefolds. The incisive text — a collaboration between four leading critics and historians — traces the development of the artist’s extraordinary career. Larry Poons is a necessary addition to the library of anyone with an interest in American art.

In Local Fusions, author Barbara Rose Lange explores musical life in Hungary, Slovakia, and Austria between the end of the Cold War and the world financial crisis of 2008. With case studies from Budapest, Bratislava, and Vienna, the book looks at the ways that artists generated social commentary and tried new ways of working together as the political and economic atmosphere shifted during this time. Drawn from a variety of sources, the case studies illustrate how young musicians redefined a Central European history of elevating the arts by fusing poetry, local folk music, and other vernacular music with jazz, Asian music, art music, and electronic dance music. Their projects rejected exclusion based on ethnic background or gender prevalent in Central Europe's present far-right political movements, and instead embraced diverse modes of expression. Through this, the musicians asserted woman power, broadened masculinities, and declared affinity with regional minorities such as the Romani people.

Over the centuries, man's journey on his way home to God has been characterized by many memorable and immortal events. From Noah's Ark to the Ark of the Covenant, from the Annunciation to Calvary, our salvation history is rich with people, places, promises, and extraordinary miracles. This fascinating history comes alive for each generation of God's children as the past is never more real in any area of our lives as it is in matters of religion and faith. This is especially true for Christians, because we trust in Scripture's words concerning what must come to fulfillment before the end of the world. Thus, we are always waiting, searching and hoping for God to reveal Himself and the unfolding of His plan in our lifetimes. The revelations in this book from God the Father to Barbara Centilli appear to embrace these truths and to add new understanding to the entire subject of eschatology. From new insights into the meaning of some of the promises contained in the Old and New Testaments, to a greater and more profound understanding of what Christ taught about our Eternal Father, Seeing With the Eyes of the Soul is a masterpiece of spirituality, rich and unparalleled in its impact on the reader. Most significantly, the Eternal Father's revelations to Barbara teach us how love and sin can make or break us and how love and sin will now either make or break the world. Seeing with the Eyes of the Soul also teaches us about our present life and eternity and how inevitably both are shaped and determined by the choices we make in our journey back home to The Father. This book is a stairway to that home and is destined to be a classic in Catholic mysticism.

Painting after Postmodernism: Belgium - USA investigates why so many believed Marcel Duchamp when he made his infamous statement of 1918: that painting was dead. After all, as this book goes on to show, Duchamp was wrong. In the decades before and after World War II, Picasso, Matisse, Miro and the New York School continued to make monumental mural scale paintings on the level of the greatest art of the past. However, in the politically radical 1960s and 1970s it once again became fashionable to toll the death knell for painting, now perceived as the product of bourgeois culture. In its place galleries and museums defined the avant-garde as conceptual art, video, mixed media and installations, all of which denied painting its position of pre-eminence. Painting was reduced to just another form of Postmodernist endeavour. Barbara Rose investigates how contemporary artists rediscovered the art of painting, juxtaposing works from Belgian and American artists to create a cross-cultural dialogue.

Ad Reinhardt is probably best known for his black paintings, which aroused as much controversy as admiration in the American art world when they were first exhibited in the 1950s. Although his ideas about art and life were often at odds with those of his contemporaries, they prefigured the ascendance of minimalism. Reinhardt's interest in the Orient and in religion, his strong convictions about the value of abstraction, and his disgust with the commercialism of the art world are as fresh and valid today as they were when he first expressed them.

THE NOVEL THAT PROVES THERE'S PLENTY OF LIFE-- AND HOT SEX--AFTER SIXTY
Just because Anny Applebaum qualifies for a senior discount doesn't mean she's ready for retirement. But if she wants to keep her job at the "San Francisco Times, "she'll have to find a way to spice up her lifestyle column. Even if it means posting her profile as an eligible single on JDate .com. Sure, Anny's a little out of practice. She hasn't been with a man since she found Viagra in her ex-husband's suit pocket, and he wasn't taking it for her. But she's got her friends to help her fumble her way through the strange and intriguing world of online dating.
After hearing cautionary tales from the trenches--about "boomer oldies" who drag around pictures of their dead wives and fixed-income misers who wine and dine their dates at chain restaurants--Anny is relieved to meet Marv Rothstein, a charming . . . 75-year-old diamond dealer. Unfortunately, he's also a Digital Age Don Juan who prowls singles sites for younger women. Not be outdated by this "Serial JDater," Anny realizes Marv is the perfect subject for her flagging column and chronicles his sexcapades for the reading public. But when the new column becomes an overnight hit, Anny can't help but feel conflicted--because now she's having sex with Mr. X . . . and it's nothing less than extraordinary.