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Painting After Postmodernism: Belgium - USA (Hardcover)
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Painting After Postmodernism: Belgium - USA (Hardcover)
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Painting after Postmodernism: Belgium - USA investigates why so
many believed Marcel Duchamp when he made his infamous statement of
1918: that painting was dead. After all, as this book goes on to
show, Duchamp was wrong. In the decades before and after World War
II, Picasso, Matisse, Miro and the New York School continued to
make monumental mural scale paintings on the level of the greatest
art of the past. However, in the politically radical 1960s and
1970s it once again became fashionable to toll the death knell for
painting, now perceived as the product of bourgeois culture. In its
place galleries and museums defined the avant-garde as conceptual
art, video, mixed media and installations, all of which denied
painting its position of pre-eminence. Painting was reduced to just
another form of Postmodernist endeavour. Barbara Rose investigates
how contemporary artists rediscovered the art of painting,
juxtaposing works from Belgian and American artists to create a
cross-cultural dialogue.
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