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Felix Dobbert has been devoting himself to flowers in his
photographs since 2014. The publication presents four very
different series. The medium of photography itself is interrogated
again and again when, for instance, the active participation of
algorithms in designing the pictures is addressed or when
three-dimensional effects are produced directly by apps. The range
extends from pictures of the past to minimalist still lifes that
link the artificiality of our consumer world with the artificial
aesthetics of hydrangea: “Natural, but extremely artificial, more
leaf than bloom, and documented with no superficial symbolism.”
Text in English and German.
Kunstgeschichte und Bildung: Mit der Sektion zu diesem Thema auf
dem 31. Kunsthistorikertag in Wurzburg 2011 hat sich der Verband
Deutscher Kunsthistoriker vorgenommen, nach dem Beitrag und nach
der Verantwortung der Kunstgeschichte sowie nach dem Potential der
Kunstwerke in Bildungsprozessen zu fragen. Der Band umfasst
Beitrage zur Wissenschaftsgeschichte, zum Verhaltnis von
Kunstgeschichte und Kunstpadagogik sowie zu Legitimation und
Erfordernissen von Kunstgeschichte in Bildungskontexten und stellt
schliesslich Best-practice-Beispiele kunstgeschichtlicher Bildung
vor
The 75th anniversary of the liberation of Auschwitz was
commemorated in 2020. While the final survivors are now rapidly
disappearing, mass tourism phenomena can be perceived in Auschwitz
at the same time. In light of these changes, it is important to
discuss the concept of remembrance and also to ask: What do the
crowds of visitors see? In 2017 and 2018, Frederic Mougenot
photographed the two extermination camps and locations in the
so-called "Interessengebiet" (area of interest), which was largely
forgotten after 1945. What is thus shown in the photographs is an
invisible boundary that separates the culture of remembrance from
gradual disappearance.
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