This book explores the emerging EU-China relationship with a focus on the impact of the Belt and Road Initiative. It takes a narrative approach to understanding the EU-China relationship as a means to highlight how scholars in the EU and China interpret the narrativization of EU-China bilateral relations and to how this bilateral relationship is refracted through relations with third parties. The volume brings together scholars from China and Europe in the fields of Chinese foreign policy, EU studies, and strategic communication. The empirical focus cuts across policy, publics and media, and across history, political economy and diplomacy. The Belt and Road Initiative, alongside the other policy areas addressed in the chapters, offers ways for people in Europe and China to get to know one another in new ways, and for the EU and its member states and the Chinese state to forge new partnerships.

Communication is central to how we understand international affairs. Political leaders, diplomats, and citizens recognize that communication shapes global politics. This has only been amplified in a new media environment characterized by Internet access to information, social media, and the transformation of who can communicate and how. Soft power, public diplomacy 2.0, network power - scholars and policymakers are concerned with understanding what is happening. This book is the first to develop a systematic framework to understand how political actors seek to shape order through narrative projection in this new environment. To explain the changing world order - the rise of the BRICS, the dilemmas of climate change, poverty and terrorism, the intractability of conflict - the authors explore how actors form and project narratives and how third parties interpret and interact with these narratives. The concept of strategic narrative draws together the most salient of international relations concepts, including the links between power and ideas; international and domestic; and state and non-state actors. The book is anchored around four themes: order, actors, uncertainty, and contestation. Through these, Strategic Narratives shows both the possibilities and the limits of communication and power, and makes an important contribution to theorizing and studying empirically contemporary international relations. International Studies Association: International Communication Best Book Award

This book examines the circulation and effects of radical discourse by analysing the role of mass media coverage in promoting or hindering radicalisation and acts of political violence. There is a new environment of conflict in the post-9/11 age, in which there appears to be emerging threats to security and stability in the shape of individuals and groups holding or espousing radical views about religion, ideology, often represented in the media as oppositional to Western values. This book asks what, if anything is new about these radicalising discourses, how and why they relate to political acts of violence and terror, and what the role of the mass media is in promoting or hindering them. This includes exploring how the acts themselves and explanations for them on the web are picked up and represented in mainstream television news media or Big Media, through the journalistic and editorial uses of words, phrases, graphics, images, and videos. It analyses how interpretations of the term 'radicalisation' are shaped by news representations through investigating audience responses, understandings and misunderstandings. Transnational in scope, this book seeks to contribute to an understanding of the connectivity and relationships that make up the new media ecology, especially those that appear to transcend the local and the global, accelerate the dissemination of radicalising discourses, and amplify media/public fears of political violence. This book will be of interest to students of security studies, media studies, terrorism studies, political science and sociology.

This book examines the circulation and effects of radical discourse by analysing the role of mass media coverage in promoting or hindering radicalisation and acts of political violence. There is a new environment of conflict in the post-9/11 age, in which there appears to be emerging threats to security and stability in the shape of individuals and groups holding or espousing radical views about religion, ideology, often represented in the media as oppositional to Western values. This book asks what, if anything is new about these radicalising discourses, how and why they relate to political acts of violence and terror, and what the role of the mass media is in promoting or hindering them. This includes exploring how the acts themselves and explanations for them on the web are picked up and represented in mainstream television news media or Big Media, through the journalistic and editorial uses of words, phrases, graphics, images, and videos. It analyses how interpretations of the term 'radicalisation' are shaped by news representations through investigating audience responses, understandings and misunderstandings. Transnational in scope, this book seeks to contribute to an understanding of the connectivity and relationships that make up the new media ecology, especially those that appear to transcend the local and the global, accelerate the dissemination of radicalising discourses, and amplify media/public fears of political violence. This book will be of interest to students of security studies, media studies, terrorism studies, political science and sociology.

Forging the World brings together leading scholars in International Relations (IR) and Communication Studies to investigate how, when, and why strategic narratives shape the structure, politics, and policies of the global system. Put simply, strategic narratives are tools that political actors employ to promote their interests, values, and aspirations for the international order by managing expectations and altering the discursive environment. These narratives define ""who we are" and "what kind of world order we want.

This book explores the emerging EU-China relationship with a focus on the impact of the Belt and Road Initiative. It takes a narrative approach to understanding the EU-China relationship as a means to highlight how scholars in the EU and China interpret the narrativization of EU-China bilateral relations and to how this bilateral relationship is refracted through relations with third parties. The volume brings together scholars from China and Europe in the fields of Chinese foreign policy, EU studies, and strategic communication. The empirical focus cuts across policy, publics and media, and across history, political economy and diplomacy. The Belt and Road Initiative, alongside the other policy areas addressed in the chapters, offers ways for people in Europe and China to get to know one another in new ways, and for the EU and its member states and the Chinese state to forge new partnerships.

Spaces of War, War of Spaces provides a rich, international and multi-disciplinary engagement with the convergence of war and media through the conceptual lens of 'space'. 'Space' offers a profound, challenging and original framework through which notions of communication, embodiment, enactment, memory and power are interrogated not only in terms of how media spaces (traditional, digital, cultural, aesthetic, embodied, mnemonic) transform the conduct, outcomes and consequences of war for all involved, but how 'war' actors (political, military, survivors, victims) recreate space in a manner that is transformative across political, social, cultural and personal spheres. Foregrounding the work of artists, activists and practitioners alongside more traditional scholarly approaches Spaces of War, War of Spaces engages with the 'messiness' of war and media through the convergence of practice and theory, where showing and embodying is made explicit.

Communication is central to how we understand international affairs. Political leaders, diplomats, and citizens recognize that communication shapes global politics. This has only been amplified in a new media environment characterized by Internet access to information, social media, and the transformation of who can communicate and how. Soft power, public diplomacy 2.0, network power - scholars and policymakers are concerned with understanding what is happening. This book is the first to develop a systematic framework to understand how political actors seek to shape order through narrative projection in this new environment. To explain the changing world order - the rise of the BRICS, the dilemmas of climate change, poverty and terrorism, the intractability of conflict - the authors explore how actors form and project narratives and how third parties interpret and interact with these narratives. The concept of strategic narrative draws together the most salient of international relations concepts, including the links between power and ideas; international and domestic; and state and non-state actors. The book is anchored around four themes: order, actors, uncertainty, and contestation. Through these, Strategic Narratives shows both the possibilities and the limits of communication and power, and makes an important contribution to theorizing and studying empirically contemporary international relations.

Forging the World brings together leading scholars in International Relations (IR) and Communication Studies to investigate how, when, and why strategic narratives shape the structure, politics, and policies of the global system. Put simply, strategic narratives are tools that political actors employ to promote their interests, values, and aspirations for the international order by managing expectations and altering the discursive environment. These narratives define “who we are” and “what kind of world order we want.”

Spaces of War, War of Spaces provides a rich, international and multi-disciplinary engagement with the convergence of war and media through the conceptual lens of 'space'. 'Space' offers a profound, challenging and original framework through which notions of communication, embodiment, enactment, memory and power are interrogated not only in terms of how media spaces (traditional, digital, cultural, aesthetic, embodied, mnemonic) transform the conduct, outcomes and consequences of war for all involved, but how 'war' actors (political, military, survivors, victims) recreate space in a manner that is transformative across political, social, cultural and personal spheres. Foregrounding the work of artists, activists and practitioners alongside more traditional scholarly approaches Spaces of War, War of Spaces engages with the 'messiness' of war and media through the convergence of practice and theory, where showing and embodying is made explicit.