This book opens new dimensions on race in Latin America by examining the extreme caste groups of colonial Mexico. In tracing their experiences, a broader understanding of the connection between mestizaje (Latin America's modern ideology of racial mixture) and the colonial caste system is rendered. Before mestizaje emerged as a primary concept in Latin America, an earlier precursor existed that must be taken seriously. This colonial form of racial hybridity, encased in an elastic caste system, allowed some people to live through multiple racial lives. Hence, the great fusion of races that swept Latin America and defined its modernity, carries an important corollary. Mestizaje, when viewed at its roots, is not just about mixture, but also about dissecting and reconnecting lives. Such experiences may have carved a special ability for some Latin American populations to reach across racial groups to relate with and understand multiple racial perspectives. This overlooked, deep history of mestizaje is a legacy that can be built upon in modern times.

Virgil Richardson blazed his own unique trail through the twentieth century: a co-founder of Harlem's American Negro Theater, 1930s radio personality, World War II pilot, and expatriate for most of his life. In Flight, this remarkable man tells his story in his own vivid words. Educated in Texas, Richardson set out for New York City in 1938 to build a career on the stage. Just when he was on the brink of success as an actor, World War II broke out and he was drafted into the army. After overcoming numerous obstacles, Richardson became a Tuskegee cadet in 1943, and later saw action flying over the battlefields of Europe. Upon returning to the racially divided U.S., he decided to move to Mexico, where he encountered a society quite different from the one he had left behind. Compellingly told and historically fascinating, this is the story of a determined individual unwilling to accept the limited options of Jim Crow America.

This book opens new dimensions on race in Latin America by examining the extreme caste groups of colonial Mexico. In tracing their experiences, a broader understanding of the connection between mestizaje (Latin America's modern ideology of racial mixture) and the colonial caste system is rendered. Before mestizaje emerged as a primary concept in Latin America, an earlier precursor existed that must be taken seriously. This colonial form of racial hybridity, encased in an elastic caste system, allowed some people to live through multiple racial lives. Hence, the great fusion of races that swept Latin America and defined its modernity, carries an important corollary. Mestizaje, when viewed at its roots, is not just about mixture, but also about dissecting and reconnecting lives. Such experiences may have carved a special ability for some Latin American populations to reach across racial groups to relate with and understand multiple racial perspectives. This overlooked, deep history of mestizaje is a legacy that can be built upon in modern times.

Virgil Richardson blazed his own unique trail through the twentieth century: a co-founder of Harlem's American Negro Theater, 1930s radio personality, World War II pilot, and expatriate for most of his life. In Flight, this remarkable man tells his story in his own vivid words. Educated in Texas, Richardson set out for New York City in 1938 to build a career on the stage. Just when he was on the brink of success as an actor, World War II broke out and he was drafted into the army. After overcoming numerous obstacles, Richardson became a Tuskegee cadet in 1943, and later saw action flying over the battlefields of Europe. Upon returning to the racially divided U.S., he decided to move to Mexico, where he encountered a society quite different from the one he had left behind. Compellingly told and historically fascinating, this is the story of a determined individual unwilling to accept the limited options of Jim Crow America.

The essays in this collection build upon a series of conversations and papers that resulted from "New Directions in North American Scholarship on Afro-Mexico," a symposium conducted at Pennsylvania State University in 2004. The issues addressed include contested historiography, social and economic contributions of Afro-Mexicans, social construction of race and ethnic identity, forms of agency and resistance, and contemporary inquiry into ethnographic work on Afro-Mexican communities. Comprised of a core set of chapters that examine the colonial period and a shorter epilogue addressing the modern era, this volume allows the reader to explore ideas of racial representation from the sixteenth century into the twenty-first.
Contributors:
Joan Bristol, George Mason University, Fairfax, Virginia
Patrick Carroll, Texas A & M University, Corpus Christi
Andrew B. Fisher, Carleton College, Northfield, Minnesota
Nicole von Germeten, Oregon State University, Corvallis
Laura A. Lewis, James Madison University, Harrisonburg, Virginia
Jean-Philibert Mobwa Mobwa N'djoli, Congolese native living in Mexico City
Frank "Trey" Proctor III, Denison University, Granville, Ohio
Alva Moore Stevenson, University of California, Los Angeles
Bobby Vaughn, Notre Dame de Namur University, Belmont, California