From an acclaimed cultural critic, a narrative and social history of the Great American Songwriting era.
Everybody knows and loves the American Songbook. But it's a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn't Gershwin, Porter, and Berlin, but "Come on-a My House" and "How Much Is That Doggie in the Window?" Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In "The B Side," acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews--the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra.
"The B Side" is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It's destined to become a classic of American musical history.

The challenge is great. Despite all the talk about "family values," the family is besieged. The percentage of children living below the poverty line rose 49 percent from 1973 to 1992; American children are less likely to be immunized than those of any other developed nation; and many corporations still lag behind in areas such as maternity leave, while rewarding workers for long hours away from home. Moreover, the skyrocketing divorce rate and boom in the out-of-wedlock birth rate has relegated the "traditional family" to the realm of myth. Against this grim backdrop, Dr. Westheimer sees tremendous hope. She argues that the family is actually redefining itself in ways that will become more important - and more accepted - in the 21st Century. She points to changes in social attitudes and corporate and governmental policies that will allow for more unconventional but functioning family units, such as "step-" or "blended" families, and families headed by a gay single parent or couple. In addition, she sees generations pulling together for the sake of today's children, as more and more grandparents become active in their grandchildren's lives. In this book, help is available. Compiling an exhaustive list of family programs, resources, and self-help groups around the country and on the Internet, Dr. Westheimer tells parents how to get help for themselves and their children. And, sternly taking issue with new governmental legislation that claims to be "pro-family," she points our leaders in a bold new direction.

In writing, style matters. Our favorite writers often entertain, move, and inspire us less by what they say than by how they say it. In The Sound on the Page, acclaimed author, teacher, and critic Ben Yagoda offers practical and incisive help for writers on developing and discovering their own style and voice. This wonderfully rich and readable book features interviews with more than 40 of our most important authors discussing their literary style, including: Dave BarryHarold BloomSupreme Court Justice Stephen BreyerBill BrysonMichael ChabonAndrei CodrescuJunot DiazAdam GopnikJamaica KincaidMichael KinsleyElmore LeonardElizabeth McCracken Susan OrleanCynthia OzickAnna QuindlenJonathan RabanDavid ThomsonTobias Wolff

"How to Not Write Bad "uses this basic tenet -- what Ben Yagoda calls "not-writing-badly" -- to illustrate how we can all write better, clearer, and for a wider readership. Yagoda offers advice on crafting sentences that are correct in terms of spelling, diction, punctuation, and grammar and that display clarity, precision, and grace. He then moves on to the art of constructing whole paragraphs--focusing on cadence, consistency of tone, word repetition, sentence transitions, and length. In a fun, comprehensive guide, Yagoda lays out the simple steps that we all can take to make our writing more effective, more interesting--and just plain better. As "lolspeak" and texts take over our linguistic consciousness, Yagoda emphasizes the lost art of grammar and the well-constructed sentence. He provides clear grammatical rules to help students and writers everywhere write better; this is a book for anyone who wants to improve his or her writing.

From Augustine's "Confessions" to Augusten Burroughs's "Running with Scissors," from Julius Caesar to Ulysses S. Grant, from Mark Twain to David Sedaris, the art of memoir has had a fascinating life, and deserves its own biography. "As Yagoda says: 'Memoir has become the central form of the culture: not only the way stories are told, but the way arguments are put forth, products and properties marketed, ideas floated, acts justified, reputations constructed or salvaged. How did we come to this pass? The only way to answer that question is to go back a couple of thousand years and tell the story from the beginning, '" which is just what Yagoda does in this "excellent" history ("The Washington Post").

Not since "School House Rock" have adjectives, adverbs, articles, conjunctions, interjections, nouns, prepositions, pronouns, and verbs been explored with such infectious exuberance.