Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Cette uvre (edition relie) fait partie de la serie TREDITION CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie dans la serie TREDITION CLASSICS des ouvrages anciens de plus de deux millenaires. Ils etaient pour la plupart epuises ou uniquement disponible chez les bouquinistes. La serie est destinee a preserver la litterature et a promouvoir la culture. Avec sa serie TREDITION CLASSICS, tredition a comme but de mettre a disposition des milliers de classiques de la litterature mondiale dans differentes langues et de les diffuser dans le monde entier.

Benjamin Constant (1767-1830) was born in Switzerland and became one of France's leading writers, as well as a journalist, philosopher, and politician. His colourful life included a formative stay at the University of Edinburgh; service at the court of Brunswick, Germany; election to the French Tribunate; and initial opposition and subsequent support for Napoleon, even the drafting of a constitution for the Hundred Days. Constant wrote many books, essays, and pamphlets. His deepest conviction was that reform is hugely superior to revolution, both morally and politically. While Constant's fluid, dynamic style and lofty eloquence do not always make for easy reading, his text forms a coherent whole, and in his translation Dennis O'Keeffe has focused on retaining the 'general elegance and subtle rhetoric' of the original. Sir Isaiah Berlin called Constant 'the most eloquent of all defenders of freedom and privacy' and believed to him we owe the notion of 'negative liberty', that is, what Biancamaria Fontana describes as "the protection of individual experience and choices from external interferences and constraints." To Constant it was relatively unimportant whether liberty was ultimately grounded in religion or metaphysics -- what mattered were the practical guarantees of practical freedom -- "autonomy in all those aspects of life that could cause no harm to others or to society as a whole." This translation is based on Etienne Hofmann's critical edition of Principes de politique (1980), complete with Constant's additions to the original work.

This volume contains the definitive version of the second of the five volumes of Benjamin Constant's major study entitled "De la Religion, considA(c)rA(c)e dans sa source ...." Its unusually extensive annexes assemble a selection of manuscripts illustrating the working methods and strategies employed by the author. Further, the volume contains a general introduction, a chronology and a detailed critical apparatus comprising explanatory notes, biographical details of the persons referred to, a bibliography, and an index of proper names. As such it gives a graphic idea of the astounding originality displayed by Constant in his approach to research on religion.

The volume of the "OEuvres ComplA]tes de Benjamin Constant," which marks the starting point of this important publication, contains all the material relating to "The Hundred Days," the most controversial episode in the career of Benjamin Constant, the politician. After having cricised Napoleon very severely in the press during the march on Paris, Constant rallied to the support of the Emperor on his return to power. He then agreed to work on the publication of the "Acte Additionnel aux Constitutions de l'Empire." Following the battle of Waterloo, Constant felt bound to offer an explanation for his conduct and he prepared the volume which appeared, between 1820 and 1822, under the title "MA(c)moires sur les Cent-Jours." Volume 14 of the "OEuvres ComplA]tes de Benjamin Constant," which has been carefully edited by Kurt Kloocke of the University of TA1/4bingen and AndrA(c) Cabanis of the University of Toulouse, includes all the texts which relate to the "MA(c)moires," together with all the drafts left by Constant.