This clever and funny inversion on a classic fairytale from award-winning author Bethan Stevens tells the laugh-out-loud story of a damsel who does not need saving! Once upon a time, hidden deep in a valley in a magical land far away, there was a very tall tower. And trapped at the very top of that very tall tower there was a damsel . . . In distress! The only problem is, the damsel is not in distress. She keeps telling the narrator that she's perfectly fine. The "terrifying beasts" in the moat are a family of ducklings. The "prickly brambles" are her rose garden. And the "wicked old witch" is actually her grandma! But the narrator just won't listen. When a scary, fire-breathing dragon comes to visit, it's up to the damsel to take charge of her story and save the day for everyone.  Characterful illustrations transport readers to the magical world of the damsel's kingdom, and easy to read text is perfect for young readers. This funny follow-up to the prize-winning Grumpy Fairies is perfect for any young damsel—or prince charming—who wants to be the hero of their own story.

Winner of the Waterstones Children's Book Prize, Best Illustrated Book Category in 2021. Deep in the darkest forests, under rustling leaves, live the fairies. You probably think that fairies are good, kind and sweet. Well, a lot of them are. These helpful fairies take care of the forest and they're happy to do it. But I'm sorry to tell you that some of the fairies, particularly the littlest ones, are GRUMPY. I meanproper grumpy. I mean foot-stompy, frowny, bottom-lip-sticking-outy kind of grumpy. I mean 'it's just one of those days' grumpy. But these grumpy fairies better watch out. There's a goblin about, and grumpy fairies happen to be a goblin's favourite food... Characterful illustrations transport readers to the animal-filled world of the fairy's forest, and easy to read text is perfect for young readers. This wonderful, funny debut will bring a smile to the smallest (and grumpiest) of children.

The wood engravers' self-portrait tells the story of the image-making firm Dalziel Brothers, investigating and interpreting a unique archive from the British Museum. The study takes a creative-critical approach to illustration, alongside detailed investigation of print techniques and history. Five siblings ran the wood engraving firm Dalziel Brothers: George, Edward, Margaret, John and Thomas Dalziel. Prospering through five decades of work, Dalziel became the major capitalist image makers of Victorian Britain. This book, based on AHRC-funded research, outlines the achievements of these remarkable siblings and uncovers the histories of some of the 36 unknown artisan employees that worked alongside them. Dalziel Brothers made works of global importance: illustrations to Lewis Carroll's Alice books, novels by Charles Dickens, and landmark Pre-Raphaelite prints, as well as other, brilliant works that are published here for the first time since their initial creation. -- .

The second edition of The Nobile Folios is prefaced by Wendy Baron, the prime authority on Walter Sickert s work and life. Vernet s "Dance Hall" was painted by Sickert during the winter of 1920 21, most probably in Dieppe, and presents Sickert at his most ambiguous. Clues are virtually nonexistent, shapes are eccentric. Wendy Baron suggests that the painting does not depend on our understanding of the subject, and that it is much more interesting if it is seen as a gateway to the intriguing insights it affords into the uncompromising objectivity of Sickert s eye and his mischievous intelligence.It is these qualities that Bethan Stevens addresses so successfully in her short story Daily Mirror . Presented as a set of letters written to "The Daily Mirror" by an Appreciator of the paper, a haunting story unravels that says as much about the early 20th-century music halls as Sickert s painting."