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This book argues that the transformation of our world into a global society is causing a resurgence of tribalism at the same time that it is inspiring the ideology of political holism - the understanding of human society as an evolving global system of interdependent individuals, cultures and nations. Betty Jean Craige examines the "patriotic" resistance to globalization in the United States by examining a number of recent historical events, including the Persian Gulf War, the 1988 presidential campaign, and the Iran-Contra scandal.
Written in 1929--1930, when Federico Garcia Lorca was visiting Columbia University, Poet in New York stands as one of the great Waste Land poems of the 20th century. It expresses, as Betty Jean Craige writes in this volume,"a sudden radical estrangement of the poet from his universe" -- an an estrangement graphically delineated in the dissonant, violent imagery which the poet derives from the technological world of New York. Craige here describes -- through close analysis of the structure, style, and themes of individual works in Poet in New York -- the chaos into which this world plunges the poet, and the process whereby he is able, gradually, to recover his identity with the regenerative forces of nature. Her study demonstrates that, though seemingly unique in form and motifs, Poet in New York is integral with Lorca's overall poetic achievement.
"Literature, Language, and Politics" brings together papers drawn
from and inspired by the controversial, landmark symposium on
"Politics and the Discipline" held at the 1987 Modern Language
Association meeting in San Francisco.
In a world where the acceptance of relativism has caused erosion in the tradition of Cartesian dualism, representationalism in the arts has come under serious questioning. The contributors to this book seek new standards for defining and evaluating works of art. "Relativism in the Arts" brings together thinkers in the fields of music, art criticism, literary criticism, philosophy, and the "history of consciousness" to confront the problems of relativist aesthetics. Their essays range from theoretical discussions of the definition of art in our times to close examinations of particular artworks or art forms. The introduction by Betty Jean Craige presents reasons for the cultural self-reflectivity that gives rise to the peculiarities of modern art.
Cultural Writing. Current Affairs. Essays. A year after the attack on the United States, women of varied ethnic and religious backgrounds examine this question. Many of these writers grew up outside the U.S. and bring a world perspective to their responses. Some are U.S.-born but have been shaped by multi-cultural experiences. Consequently, the collection creates a unique mirror that reflects the U.S. from both inside and out, revealing the clash between the economically driven force of globalization embodied by the U.S. and the stateless, transnational terrorist organization that feeds on religious fundamentalism, poverty and hatred of the United States. These writers share a desire to open a world dialogue between cultures, between sexes, so we can prevent anything like the events of 9/11 from happening again anywhere in the world. Contributors include Toni Morrison, Julia Alvarez, Laura Nakazawa, Bipsi Sidhwa, Judy Dworkin Mahnaz Afkhami and others.
Students of nature around the world revere Eugene Odum (1913-2002) as a founder and pioneer of ecosystem ecology. This holistic approach is perhaps best summarized by Odum's oft-quoted statement that "the ecosystem is greater than the sum of its parts." Odum's textbook Fundamentals of Ecology is a classic, published in numerous editions and translations worldwide. Betty Jean Craige depicts the intellectual growth, creativity, and vision of the scientist who made the ecosystem concept central to his discipline and translated the principles of ecosystem ecology into lessons in preserving the natural environment.
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