How contemporary novels use narrative time to counter cultural homogenization and historical flattening. In From Empire to Anthropocene, Betty Joseph celebrates how contemporary fiction contributes to a novel framing of world literature by playing with our understanding of time. Bringing together an unusual constellation of writers—including Jamaica Kincaid, Teju Cole, Hari Kunzru, and Barbara Kingsolver—Joseph traces how the novelistic interplay of concrete and abstract temporalities offers a new theory of critical globality. Joseph examines time in contemporary life through five conceptual metaphors that have captivated literary, critical, and cultural studies: specters, attachments, networks, markets, and assemblages. Joseph demonstrates how these terms are embedded with their own temporal structures and linguistic complexity. She develops a mode of reading that she calls "conceptual-metaphorical performances," which embody the writers' complex chronopolitical commitments and their refusal to concede to the political paralysis implied in the synchronous and flattened world-time of globality. Time, rather than space, is the axis along which contemporary fiction challenges us to imagine forms of coexistence and social collectivity under the precarious conditions of global capitalism and environmental damage. From Empire to Anthropocene convincingly dispels the notion that so-called English-language "world literature" precludes the possibility of historical analysis and social collectivity. Bringing postcolonialism and Marxist theory into conversation with critical global and ecological perspectives, this book paves the way for a new literary theorization of contemporary Anglophone literature and contributes a fresh perspective to the field of cultural studies.

`... this book, which along with the many other contributions Hanna Segal has made to psychoanalysis in the course of a long and productive professional life, will stand as a further testament to her creative capacity. - Psychoanalytic Quarterly Vol 3 Vol LXII

In this profound and subtle study, a practising psychoanalyst explores the dynamics of the interaction between the patient and the analyst. Michael Feldman draws the reader into experiencing how the clinical interaction unfolds within a session. In doing so, he develops some of the implications of the important pioneering work of such analysts as Klein, Rosenfeld and Joseph, showing in fine detail some of the ways in which the patient feels driven to communicate to the analyst, not only in order to be understood by him, but also in order to affect him.
The author's detailed descriptions of the clinical process allow the reader to follow the actual process that enables the patient to get into contact with thoughts and feelings of which he or she was previously unconscious or only vaguely aware.
Feldman makes the reader aware of the constant dynamic interaction between the patient and the analyst, each affecting the other. He shows how the analyst has to find a balance between doubt, uncertainty and confusion in himself and through this process may arrive at an understanding of what is happening, and by formulating this understanding the analyst can make a significant contribution to the process of psychic change.

This collection of essays not only throws light on fascinating questions of technique, but also reflects on elements that are fundamental to psychoanalytic work. It is essential reading for practising psychoanalysts and those in training, as well as anyone with a general interest in the psychoanalytic relationship between the client and the therapist in the consulting room.

Hanna Segal's work, especially on symbolism, aesthetics, dreams, and the exploration of psychotic thinking, has established her as an outstanding figure in psychoanalysis, particularly in psychoanalysis of the Kleinian tradition. In Dream, Phantasy and Art she reworks her ideas on these topics and brings them vividly alive in a new integration which links them afresh to the work of Freud, Klein, and Bion. Throughout the book, the clinical illustrations the author has selected brilliantly spotlight the theory, touching the imagination, and fixing even the most difficult ideas permanently in the reader's mind. In a mutually enhancing relationship, theory and clinical example are combined, and then applied, to create the author's new and original theories of art and aesthetics. As Betty Joseph notes in her foreword, Segal's writing, and in particular this book, does much to enrich psychoanalysis not only because of the clarity and intelligence but also because of the depth and breadth of her interests and her clinical imagination.

Study of diasporas provides a useful frame for reimagining locations, movements, identities, and social formations. This volume explores diaspora as historical experience and as a category of analysis. Using case studies drawn from African and Asian diasporas and immigration in the U.S., the contributors interrogate ideas of displacement, return, and place of origin as they relate to diasporic identity. They also consider how practices of commensality become grounds for examining identity and difference and how narrative and aesthetic forms emerge through the context of diaspora.

How contemporary novels use narrative time to counter cultural homogenization and historical flattening. In From Empire to Anthropocene, Betty Joseph celebrates how contemporary fiction contributes to a novel framing of world literature by playing with our understanding of time. Bringing together an unusual constellation of writers—including Jamaica Kincaid, Teju Cole, Hari Kunzru, and Barbara Kingsolver—Joseph traces how the novelistic interplay of concrete and abstract temporalities offers a new theory of critical globality. Joseph examines time in contemporary life through five conceptual metaphors that have captivated literary, critical, and cultural studies: specters, attachments, networks, markets, and assemblages. Joseph demonstrates how these terms are embedded with their own temporal structures and linguistic complexity. She develops a mode of reading that she calls "conceptual-metaphorical performances," which embody the writers' complex chronopolitical commitments and their refusal to concede to the political paralysis implied in the synchronous and flattened world-time of globality. Time, rather than space, is the axis along which contemporary fiction challenges us to imagine forms of coexistence and social collectivity under the precarious conditions of global capitalism and environmental damage. From Empire to Anthropocene convincingly dispels the notion that so-called English-language "world literature" precludes the possibility of historical analysis and social collectivity. Bringing postcolonialism and Marxist theory into conversation with critical global and ecological perspectives, this book paves the way for a new literary theorization of contemporary Anglophone literature and contributes a fresh perspective to the field of cultural studies.

Rigorously inventive and revelatory in its adventurousness, 1650-1850 opens a forum for the discussion, investigation, and analysis of the full range of long-eighteenth-century writing, thinking, and artistry. Combining fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy, 1650-1850 delivers a comprehensive but richly detailed rendering of the first days, the first principles, and the first efforts of modern culture. Its pages open to the works of all nations and language traditions, providing a truly global picture of a period that routinely shattered boundaries. Volume 27 of this long-running journal is no exception to this tradition of focused inclusivity. Readers will travel through a blockbuster special feature on the topic of worldmaking and other worlds-on the Enlightenment zest for the discovery, charting, imagining, and evaluating of new worlds, envisioned worlds, utopian worlds, and worlds of the future. Essays in this enthusiastically extraterritorial offering escort readers through the science-fictional worlds of Lady Cavendish, around European gardens, over the high seas, across the American frontiers, into forests and exotic ecosystems, and, in sum, into the unlimited expanses of the Enlightenment mind. Further enlivening the volume is a cavalcade of full-length book reviews evaluating the latest in eighteenth-century scholarship.

In this profound and subtle study, a practising psychoanalyst explores the dynamics of the interaction between the patient and the analyst. Michael Feldman draws the reader into experiencing how the clinical interaction unfolds within a session. In doing so, he develops some of the implications of the important pioneering work of such analysts as Klein, Rosenfeld and Joseph, showing in fine detail some of the ways in which the patient feels driven to communicate to the analyst, not only in order to be understood by him, but also in order to affect him.
The author's detailed descriptions of the clinical process allow the reader to follow the actual process that enables the patient to get into contact with thoughts and feelings of which he or she was previously unconscious or only vaguely aware.
Feldman makes the reader aware of the constant dynamic interaction between the patient and the analyst, each affecting the other. He shows how the analyst has to find a balance between doubt, uncertainty and confusion in himself and through this process may arrive at an understanding of what is happening, and by formulating this understanding the analyst can make a significant contribution to the process of psychic change.

This collection of essays not only throws light on fascinating questions of technique, but also reflects on elements that are fundamental to psychoanalytic work. It is essential reading for practising psychoanalysts and those in training, as well as anyone with a general interest in the psychoanalytic relationship between the client and the therapist in the consulting room.

In "Reading the East India Company," Betty Joseph offers an innovative account of how archives--and the practice of archiving--shaped colonial ideologies in Britain and British-controlled India during the eighteenth and nineteenth centuries.
Drawing on the British East India Company's records as well as novels, memoirs, portraiture and guidebooks, Joseph shows how the company's economic and archival practices intersected to produce colonial "fictions" or "truth-effects" that strictly governed class and gender roles--in effect creating a "grammar of power" that kept the far-flung empire intact. And while women were often excluded from this archive, Joseph finds that we can still hear their voices at certain key historical junctures. Attending to these voices, Joseph illustrates how the writing of history belongs not only to the colonial project set forth by British men, but also to the agendas and mechanisms of agency--of colonized Indian, as well as European women. In the process, she makes a valuable and lasting contribution to gender studies, postcolonial theory, and the history of South Asia.