A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works - and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works - and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works - and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works - and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works - and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works.

The revival of interest in Arthurian legend in the 19th century was a remarkable phenomenon, apparently at odds with the spirit of the age. Tennyson was widely criticised for his choice of a medieval topic; yet The Idylls of the Kingwere accepted as the national epic, and a flood of lesser works was inspired by them, on both sides of the Atlantic. Elisabeth Brewer and Beverly Taylor survey the course of Arthurian literature from 1800 to the present day, and give an account of all the major English and American contributions. Some of the works are well-known, but there are also a host of names which will be new to most readers, and some surprises, such as J. Comyns Carr's King Arthur, rightly ignored as a text, but a piece oftheatrical history, for Sir Henry Irving played King Arthur, Ellen Terry was Guinevere, Arthur Sullivan wrote the music, and Burne-Jones designed the sets. The Arthurian works of the Pre-Raphaelites are discussed at length, as are the poemsof Edward Arlington Robinson, John Masefield and Charles Williams. Other writers have used the legends as part of a wider cultural consciousness: The Waste Land, David Jones's In Parenthesis and The Anathemata, and the echoes ofTristan and Iseult in Finnigan's Wake are discussed in this context. Novels on Arthurian themes are given their due place, from the satirical scenes of Thomas Love Peacock's The Misfortunes of Elphin and Mark Twain's A Connecticut Yankee at King Arthur's Court to T.H. White's serio-comic The Once and Future King and the many recent novelists who have turned away from the chivalric Arthur to depict him as a Dark Age ruler. The Return of King Arthurincludes a bibliography of British and American creative writing relating to the Arthurian legends from 1800 to the present day.

About the book revised Introduction to Nana's Tall Tales Enter the world of fantasy, your thoughts, dreams and imagination . Take a journey with us .Some stories are inspiring by children who helped in writing the book. Some stories will make you laugh, others will make your imagination flowing. Marvel at what animals do in their every day chores. Have a better understand and a new experience with each story as you continues your adventure, experience some of the enchanted places you may find in your yard own back yard as you read. Adventures in your yard. Or meet a two headed turtle called Timmy and Tommy written by her older sister. Children will be so fascinated as they listen to the tall tales.It's nice for a child to have that warm feeling of the love, and attention when they share time listening to a story and letting their imagination flow and find some of the mystical wonders they feel as sure as there are stars in the sky. This collect of stories was put together for the new generation whom some day will become grand parents also. Being a grandmother.She enjoyed sitting down with her grand children and reading them little stories and also listen to some of their own. You never know what a child will come up with for a story. So always take the time to listen. Beverly has welcome you to her world.And if your heart is young, and you have not lost the innocence of childhood.Then reach out and receive your honourary paper welcoming you to our world. Remember don't just read this book? Be a part of it. Lose yourself in its stories and I promise to lead you safely home, unharmed, but not untouched .

Beverly became interested in writing in her mid-fifties. She enjoyed writing all kinds of stories, and kept a journal on the ones she would like to do. In the summer she did volunteer work. Working with low income and disabled people, teaching them how to grow their own community garden, so they could better themselves and have a better life. (Beverly became the founder of the first community garden in Ont., Canada) She enjoyed working with people, and doing special things for people who have less than other. But her first love was writing, so in her late fifties, early sixties. Her first book that was published was done with AuthorHouse.The name of the book was Dragon Friend. Dragon Friend was written in collaboration with her husband, Larry Hine Sr.and herself. In Dragon Friend toward the end, Francer had a hatching son, and named him Kujaroy.In this story Krel asked his son to take his place to guide a group Under Ishgar. ( Krel is too large for some of the entrances.) While the group is Under Ishgar, they will keep a journal, where they went, how far and what happens while they are down there. Also keeping a map. Under Ishgar was a collaboration with Larry until his untimely death. Beverly continued to finish the book, with all the exciting advantages the group well have. While you read be one with the story, take the time to enjoy all the great things the group, see and experiences. Ishgar is a huge fantasy in itself. This book is also being published by AuthorHouse. It is an experience working with them. They help you understand every step of the way. Beverly has two other books in the works.. One is a child book called" Nana's Tall Tales." In it there is a short story called"Jigger bug Isles" She knows you will enjoy the story as much as she did writing it. The Jiggerbug's life on the Isle is an experience in itself. We as humans have forgotten how to enjoying life, and just being ourselves. The Jiggerbugs live each day like a new page in a book, each page brings new experiences and joy as you read the story you will know why. Second book is base on things that are still happening in the Amazon Forest and around it. The name of this story is called "Journey to Chasmoor" We will take a trip with Alf's wife Sara and Sara daughter Tracie and niece Jessica as they go visit Crystal. Read about their visit and what happens while they are there.visiting Crystal and her family who live in a Indian village, located at the bottom of Mount Groznone. Also we will take a trip with Crystal and her family to a special place of their own(this is later on when their children are older )We will enter into this secret cave, hidden underneath a beautiful waterfall, at the end of the cave, is where their friends the Sararetta live. If you can image what type a place this is you will be so overwhelm from the beauty of their land. What is a Sararetta you ask? I guess you will have to get the book to find this out There are other books in the making but these are ready to being published. Till the next stories enjoy your reading. And don't forget while you read be one with the story.

Here is a fairy tale for the Child in all of us, full of elements that fills us with wonder as a child and keep us young. No matter how many wrinkles you find looking into our mirrors in the morning. Within these pages we gaze with awe at majestic dragons, their adventures as you never experience before. Listen to wondrous tales, feel the chilled apprehension of a foxhole in a muddy battlefield facing an unknown enemy. Don

One of the leading poets of the nineteenth century, Elizabeth Barrett Browning had a profound influence on her contemporaries and on writers that followed her. This edition provides a rich and varied selection of Barrett Browning's poetry, including relatively neglected material from her early career and works never before included in editions of her poetry. The edition is comprehensively annotated and includes a critical introduction; detailed headnotes for each poem also provide the reader with a deep understanding of the historical, biographical, and literary contexts in which the poems were written. The extensive appendices include reviews and criticism and material on factory reform and slavery, as well as religion and the Italian Question.

This collection of original essays offers a broad and varied discussion of gender issues and treatments of sexuality in Victorian poetry, fiction, and visual arts. Featuring a representative selection of artists-poets, novelists, painters, sculptors, playwrights, and dancers-these critical analyses explore the ways in which women as artists, as subjects, and as icons function either to challenge and revise or to reify their society's gender ideologies. Enhanced by a diversity of approaches, the collection introduces revisionist readings of well-known literary works and examines interconnections between literature and the visual arts. In the first two parts, which address Victorian poetry and fiction, the readings illuminate previously unexplained features of poems and novels by such writers as Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, Christina Rossetti, A. C. Swinburne, Gerard Manley Hopkins, Anne Bront\u00eb, Charles Dickens, George Eliot, Rudyard Kipling, Thomas Hardy, Kate Chopin, and Oscar Wilde. The third part of the collection focuses on the themes of gender conventions and subversions that occur in visual representations-paintings and cartoons, sculpture and architectural reliefs, drama, opera, and music-hall dance. Rather than presenting literature and art as self-contained, the collection advances the assumption that creative works participate in a larger ideological current of society. Thus, where relevant, the contributors reference politics, economics, science, and other modes of cultural discourse. Such an approach retrieves the historical contexts surrounding the production and reception of the poetry, fiction, and visual arts examined.

The contributors to this volume represent acknowledged experts in the field as well as a number of promising young scholars. They provide a thorough examination of how Romantic authors grappled with the problem of describing the connections between consciousness, unconsciousness, and language in their endeavor to capture this interplay in their art. As this collection bears witness, the Romantics sought to discard old ideas about language and literature and to mold new forms in their search to recover, in both literature and life, the sense of human possiblity. The essays, while strikingly diverse in topic and approach, explore this broad issue and come to a surprisingly similar conclusion: for Romantic writers, genuine consciousness, whatever it might imply about self-awareness, not only made it possible for an individual to affiliate with something outside himself, but even made such bonding necessary.