Arguing about the merits of players is the baseball fan's second favorite pastime and every year the Hall of Fame elections spark heated controversy. In a book that's sure to thrill--and infuriate--countless fans, Bill James takes a hard look at the Hall, probing its history, its politics and, most of all, its decisions.

The man who revolutionized the way we think about baseball examines our cultural obsession with murder--delivering a unique, engrossing, brilliant history of tabloid crime in America.
Celebrated writer and contrarian Bill James has voraciously read true crime throughout his life and has been interested in writing a book on the topic for decades. With "Popular Crime, "James takes readers on an epic journey from Lizzie Borden to the Lindbergh baby, from the Black Dahlia to O. J. Simpson, explaining how crimes have been committed, investigated, prosecuted and written about, and how that has profoundly influenced our culture over the last few centuries--even if we haven't always taken notice.
Exploring such phenomena as serial murder, the fluctuation of crime rates, the value of evidence, radicalism and crime, prison reform and the hidden ways in which crimes have shaped, or reflected, our society, James chronicles murder and misdeeds from the 1600s to the present day. James pays particular attention to crimes that were sensations during their time but have faded into obscurity, as well as still-famous cases, some that have never been solved, including the Lindbergh kidnapping, the Boston Strangler and JonBenet Ramsey. Satisfyingly sprawling and tremendously entertaining, "Popular Crime "is a professed amateur's powerful examination of the incredible impact crime stories have on our society, culture and history.

Assistant Chief Constable Desmond Iles's absence from a police undercover conference sets the stage for the moral and practical dilemmas faced by one of his colleagues, ACC Esther Davidson, as she works to bring down the largest gang operating in her sector. The role of undercover agents-or "out-located" officers-is brought into sharp focus as James masterfully unfolds the story of Davidson's decision to infiltrate the gang against the events of the resulting court case.

There s intrigue right from the start of this new entry in Bill James s Harpur and Iles series: A houseful of paintings is stolen and the body of a finely dressed stranger is discovered. Villainous drug dealers fight for dominance on Constable Iles and Detective Harpur s turf. While the kingpins maneuver and scheme, Harpur is helped-or hindered?-by his very persistent daughters and by Iles s irregular and perhaps illicit methods. In this fast-paced thriller, there s no telling who will catch the next bullet."

For years Panicking Ralph Ember and Mansel Shale have run profitable drugs empires in peaceful cooperation with each other, and ACC Iles will blind-eye their trade as long as it keeps violence off the streets. But this happy arrangement is threatened by foreign dealers moving in and offering not just drugs, but punters exploited girls from Eastern Europe. And bloody gang warfare threatens as a scrabble for territory ensues."

For years drug baron Ralph Ember has run his crooked enterprises peacefully enough alongside those of his rival, Mansel Shale. Their empires have been tolerated by Assistant Chief Constable Desmond Iles as a way of keeping violence off the streets. But are things changing? Karl Marx s bleak theory that all capitalists including drug tycoons lust for monopoly seems to be coming true. Do Ember and Shale long for sole control of the trade and the profits? Ember fears that Shale now wants to kill him and take over his firm. Shale, on the other hand, is about to get remarried and believing in keeping his (so-called) friends close and his enemies closer has asked Ember to be his best man. Will Ember be appallingly exposed as he stands with Shale at the altar? Or will Shale? Ember wonders whether he should act first to protect himself; one of his people has already been gunned down and the killer has not yet been caught. Iles and Detective Chief Superintendent Colin Harpur have picked up hints of this acutely dangerous shift in the Ember-Shale relationship and must urgently try to head off the inevitable carnage."

When a major drugs dealer seeks vengeance for the death of his family, policemen Harpur and Iles must do all they can to prevent a bloodbath Following the murder of his wife and son, tycoon drugs dealer Mansel Shale is determined to get vengeance - and he wants another drugs baron, Ralph Ember, to help him. Having heard of the movie Strangers on a Train, in which two men agree to undertake each other's murders as a way of preventing detection, Shale suggests he and Ralph should have a similar arrangement - and Ralph is in no position to refuse. When he learns of the plan, Assistant Chief Constable Desmond Iles fears that if things go wrong, the hard-won peace he and Harpur have established in the city will be seriously threatened. The two top policemen find they have their work cut out to limit the damage and restore tranquillity.

Detective Constable Sharon Mayfield is on routine surveillance when she spots, outside his house, a dead man in a car. The locks had been sealed with superglue and Claude Huddart's face has been mutilated. As with most murders, there's a jigsaw puzzle to be solved. But here the pieces don't fit. Why is an informant, Jeremy Dince, if that is his real name, being almost exceptionally polite and helpful? And there's just something that doesn't feel right about the grieving Alice Huddart. For Sharon, pub and clubs remain the best potential source of information where an over-the-top and aged Ronald Blenny attempts to pick her up on the pretext of sharing some information about the killing. Then there's the younger and more sinister Philip Otton, acquaintance of the bereaved Alice, and known to both Blenny and Dince. Sharon cannot fathom why she is being warned off and cannot work out the connection between the protagonists until her police officer boyfriend Luke drops strange hints about the case and about her commanding officers. The climax is swift, shocking and unexpected. Once again, Bill James has drawn a fiercely believable picture of police on the beat and the struggles they face.

When Bill James published his original Historical Baseball Abstract in 1985, he produced an immediate classic, hailed by the Chicago Tribune as the "holy book of baseball." Now, baseball's beloved "Sultan of Stats" (The Boston Globe) is back with a fully revised and updated edition for the new millennium.

Like the original, The New Bill James Historical Baseball Abstract is really several books in one. The Game provides a century's worth of American baseball history, told one decade at a time, with energetic facts and figures about How, Where, and by Whom the game was played. In The Players, you'll find listings of the top 100 players at each position in the major leagues, along with James's signature stats-based ratings method called "Win Shares," a way of quantifying individual performance and calculating the offensive and defensive contributions of catchers, pitchers, infielders, and outfielders. And there's more: the Reference section covers Win Shares for each season and each player, and even offers a Win Share team comparison. A must-have for baseball fans and historians alike, The New Bill James Historical Baseball Abstract is as essential, entertaining, and enlightening as the sport itself.

When a major drugs dealer seeks vengeance for the death of his family, policemen Harpur and Iles must do all they can to prevent a bloodbath Following the murder of his wife and son, tycoon drugs dealer Mansel Shale is determined to get vengeance - and he wants another drugs baron, Ralph Ember, to help him. Having heard of the movie Strangers on a Train, in which two men agree to undertake each other's murders as a way of preventing detection, Shale suggests he and Ralph should have a similar arrangement - and Ralph is in no position to refuse. When he learns of the plan, Assistant Chief Constable Desmond Iles fears that if things go wrong, the hard-won peace he and Harpur have established in the city will be seriously threatened. The two top policemen find they have their work cut out to limit the damage and restore tranquillity.

"The past is an inescapable noose around a young man s neck, in this blackly comic, satirical novel from renowned crime writer Bill James"
Britain, 1956. A young actress seemingly tries to commit suicide over a tangled love affair, but is taken to hospital and her life saved. The story is just the sort of thing that journalist Ian Charteris likes to cover: a poignant mix of near tragedy, possible thwarted romance, and glamour, needing sensitive but of course dramatic treatment. It should be a routine assignment, a welcome assignment. It would be, if it wasn t for the identity of the young woman. She may just may be Ian s sister.
The unwelcome reminder of the past drags Ian back into memories of places and events he d rather forget. As far as Ian is concerned, the past is a foreign country. And not just foreign. Fundamentally and cantankerously hostile. Vengeful, war-torn, dangerous.
It is impossible to escape the past; the noose is already around Ian s neck, and every step he takes it tightens . . . And this is not the only noose."

Harpur & Iles uncover a trail of illegal art trading and money laundering. "I found I had a flair for tag-along, street level stealth. It thrilled me. It killed me. Do you mind if I tell you how?" Thomas Wells Hart drifted into a dodgy career as a private investigator and grew clever at tailing suspects and all the other tricks of the game. Not quite clever enough, however. Coming across Hart's shot-up body, Detective Chief Superintendent Colin Harpur and Assistant Chief Constable Des Iles have to work out their own explanation as to how he came to be executed behind the wheel of a Ford Focus in a quiet suburban street. The trail will lead them through illegal art trading, big-bucks money laundering - and more murder. As ever, Iles suspects Harpur is hiding essential facts from him. As ever, Harpur is hiding essential facts from his boss. Will the mismatched pair manage to close the case?

Detective Chief Superintendent Colin Harpur and his boss, Assistant Chief Constable Desmond Iles, worry about the safety of one of the big-time crooks on their ground, Ralph Ember, sometimes known as Panicking Ralph. Yes, Ralph is a villain, but he's a local villain, and Harpur and Iles feel a kind of bizarre affection for him. And in any case, Ralph helps Iles keep the city reasonably peaceful. But now some awkward repercussions from Ralph's lawless past seem to bring danger. Ralph is aware of this new peril and has installed a bulletproof steel barrier to protect himself in the club he owns - but will this be enough to keep him safe? Harpur thinks not. Surely the upcoming party at the club will provide the perfect moment for a gunman to do for Ralph? The only way Harpur can be sure of protecting Ralph is to attend the party himself . . .

Bill James is on top form in this sharply satirical black comedy set behind the scenes at a museum George Lepage, the new Director of the Hulliborn Regional Museum and Gallery, has great hopes that his tenure in the post will be short and profitable. He has visions of early retirement, and perhaps - like his predecessor, and his predecessor's predecessor - a knighthood. But circumstances do their best to snatch his happy dreams away from him. First a deranged former staff member causes a riot in the Folk Department, and then three recently purchased, ruinously expensive paintings of dubious authenticity are stolen, putting the museum's security - and judgement - into question. The fate of the upcoming Japanese Ancient Surgical Skills exhibition, and its astonishing collection of tonsil excision implements, hangs dangerously in the balance. And over everything hangs the grim specter of the former Director, "Flounce" Butler-Minton, whose body may be most definitely dead but whose legacy lives on. And with every day that passes, the rumours of what Flounce did behind the Iron Curtain - and how the haversack straps, the whippet and the legendary Mrs Cray were involved - grow, threatening to erupt into a scandal that may cost the museum, and Lepage himself, everything . . .

"The past is an inescapable noose around a young man s neck, in this blackly comic, satirical novel from renowned crime writer Bill James"
Britain, 1956. A young actress seemingly tries to commit suicide over a tangled love affair, but is taken to hospital and her life saved. The story is just the sort of thing that journalist Ian Charteris likes to cover: a poignant mix of near tragedy, possible thwarted romance, and glamour, needing sensitive but of course dramatic treatment. It should be a routine assignment, a welcome assignment. It would be, if it wasn t for the identity of the young woman. She may just may be Ian s sister.
The unwelcome reminder of the past drags Ian back into memories of places and events he d rather forget. As far as Ian is concerned, the past is a foreign country. And not just foreign. Fundamentally and cantankerously hostile. Vengeful, war-torn, dangerous.
It is impossible to escape the past; the noose is already around Ian s neck, and every step he takes it tightens . . . And this is not the only noose."

A woman and her stepson are gunned down while driving to school on a quiet residential street. An former bodyguard kills himself by firing two pistols simultaneously. Was the killer really aft er the woman s husband, the notorious drug baron Mansel Shale? And what possible connection could Shale s collection of pre-Raphaelite works of art have to the killings? Nothing in Bill James s latest Harpur & Iles thriller is as it seems. When the police chase the shooting suspect into a busy second-hand shop the action quickly turns into a deadly cat-and-mouse standoff . As the siege unfolds, with more than just gunplay in the mix, events threaten to take down more than the gunman and his hostages. Will this spell the end of Detective Harpur and his troubled boss, Assistant Chief Constable Iles?

This important volume brings together key writings from one of the most influential education scholars of our time. In this collection of her seminal essays on critical race theory (CRT), Gloria Ladson-Billings seeks to clear up some of the confusion and misconceptions that education researchers have around race and inequality. Beginning with her groundbreaking work with William Tate in the mid-1990s up to the present day, this book discloses both a personal and intellectual history of CRT in education. The essays are divided into three areas: Critical Race Theory, Issues of Inequality, and Epistemology and Methodologies. Ladson-Billings ends with an afterword that looks back at her journey and considers what is on the horizon for other scholars of education. Having these widely cited essays in one volume will be invaluable to everyone interested in understanding how inequality operates in our society and how race affects educational outcomes.Featured Essays: 1. Toward a Critical Race Theory of Education with William F. Tate IV 2. Critical Race Theory: What It Is Not! 3. From the Achievement Gap to the Education Debt: Understanding Inequality in U.S. Schools 4. Through a Glass Darkly: The Persistence of Race in Education Research and Scholarship 5. New Directions in Multicultural Education: Complexities, Boundaries, and Critical Race Theory 6. Landing on the Wrong Note: The Price We Paid for Brown 7. Racialized Discourses and Ethnic Epistemologies 8. Critical Race Theory and the Post-Racial Imaginary with Jamel K. Donner

An Edgar Award finalist for Best Fact Crime, this "impressive...open-eyed investigative inquiry wrapped within a cultural history of rural America" (The Wall Street Journal) shows legendary statistician and baseball writer Bill James applying his analytical acumen to crack an unsolved century-old mystery surrounding one of the deadliest serial killers in American history. Between 1898 and 1912, families across the country were bludgeoned in their sleep with the blunt side of an axe. Jewelry and valuables were left in plain sight, bodies were piled together, faces covered with cloth. Some of these cases, like the infamous Villasca, Iowa, murders, received national attention. But few people believed the crimes were related. And fewer still would realize that all of these families lived within walking distance to a train station. When celebrated baseball statistician and true crime expert Bill James first learned about these horrors, he began to investigate others that might fit the same pattern. Applying the same know-how he brings to his legendary baseball analysis, he empirically determined which crimes were committed by the same person. Then after sifting through thousands of local newspapers, court transcripts, and public records, he and his daughter Rachel made an astonishing discovery: they learned the true identity of this monstrous criminal. In turn, they uncovered one of the deadliest serial killers in America. Riveting and immersive, with writing as sharp as the cold side of an axe, The Man from the Train paints a vivid, psychologically perceptive portrait of America at the dawn of the twentieth century, when crime was regarded as a local problem, and opportunistic private detectives exploited a dysfunctional judicial system. James shows how these cultural factors enabled such an unspeakable series of crimes to occur, and his groundbreaking approach to true crime will convince skeptics, amaze aficionados, and change the way we view criminal history.

Assistant Chief Constable Iles finds himself suspected of murder in the fast-paced 35th installment of the popular Harpur and Iles police procedural series. Tensions in the community are mounting following the gruesome deaths of two men, both of whom were accused yet acquitted of the murder of an undercover police officer. It looks like vigilante justice, but who is responsible? Alarmingly, suspicion falls on Assistant Chief Constable Iles. Matters escalate when a TV show investigating the murders is aired, further implicating Iles. Iles seems at ease with the accusations, as are his superiors in the police force. But others are not feeling so secure. Local crime bosses Ralph Ember and Mansel Shale fear reprisals against Iles will result in their own businesses suffering. And so they begin to plan how to remove potential troublemakers from their path . . .

Policemen Harpur and Iles get mixed up in the criminal world of fine art dealing Detective Chief Superintendent Colin Harpur feels a sort of warmth towards Jack Lamb, a brilliantly prosperous but profoundly dodgy fine arts dealer. Lamb is the greatest informant Harpur has ever dealt with - might be the greatest informant any police officer has ever dealt with - and although Jack ended this arrangement some time ago, Harpur still feels indebted to him. Lamb's posh manor house is stuffed with expensive paintings, ripe for the pinching ...and small-time thief George Dinnick and his crew intend to relieve him of a few. But their plans are complicated by local big-time crook Ralph Ember, who is on the lookout for some art to elevate his gentleman's club, The Monty; and who else would he visit to procure this art but Jack Lamb? Add to the mix odd-job man and stolen-art procurer Basil Gordon Loam - aka Enzyme - who Harpur and Iles would very much like to see locked up, and things start to get complicated indeed.

A well-dressed corpse found shot in the sand and gravel wharf sparks trouble for Detective Chief Superintendent Colin Harpur and his unpredictable boss, Assistant Chief Constable Iles. "A must-read for devotees of British procedurals" - Booklist Starred Review The man is found dead in the local dockyard, shot from behind. Colin Harpur, examining the impeccably dressed corpse on his hands and knees, predicts the execution spells imminent trouble - and not just the unexpected arrival of his spiteful, brilliant boss, ACC Iles, at the two a.m. slaughter scene. Iles's progressive attitude towards the local drugs trade has kept gang warfare off the streets, but now it seems jealous outsiders may be coveting the safe, ordered community he has so brilliantly created. Coveting, too, the local property - for instance, drug lord Ralph Ember's luxurious mansion, Low Pastures, home to his unparalleled collection of china and porcelain. Harpur and Iles are determined to protect their set-up at all costs - which includes protecting 'Panicking' Ralph. But Ralph has his own plans, and there are dark rumours about Iles on the wind . . . Blackly humorous, delightfully eccentric and packed with sharp-tongued wit, this gritty British police procedural is a must-read for fans of Bill James' critically acclaimed long-running Harpur and Iles series.

A well-dressed corpse found shot in the sand and gravel wharf sparks trouble for Detective Chief Superintendent Colin Harpur and his unpredictable boss, Assistant Chief Constable Iles. "A must-read for devotees of British procedurals" - Booklist Starred Review The man is found dead in the local dockyard, shot from behind. Colin Harpur, examining the impeccably dressed corpse on his hands and knees, predicts the execution spells imminent trouble - and not just the unexpected arrival of his spiteful, brilliant boss, ACC Iles, at the two a.m. slaughter scene. Iles's progressive attitude towards the local drugs trade has kept gang warfare off the streets, but now it seems jealous outsiders may be coveting the safe, ordered community he has so brilliantly created. Coveting, too, the local property - for instance, drug lord Ralph Ember's luxurious mansion, Low Pastures, home to his unparalleled collection of china and porcelain. Harpur and Iles are determined to protect their set-up at all costs - which includes protecting 'Panicking' Ralph. But Ralph has his own plans, and there are dark rumours about Iles on the wind . . . Blackly humorous, delightfully eccentric and packed with sharp-tongued wit, this gritty British police procedural is a must-read for fans of Bill James' critically acclaimed long-running Harpur and Iles series.

As the Olympic spectacle grows, broadcast coverage becomes bigger, more complex, and more sophisticated. Part sporting event, part reality show, and part global festival, the Olympics can be seen as both intensely nationalistic and a celebration of a shared sense of international community. This book sheds new light on how the Olympic experience has been shaped by television and expanded across multiple platforms and formats. Combining a multitude of approaches ranging from interviews to content analyses to audience surveys, the book explores the production, influence, and significance of Olympic media in contemporary society. Built on a central case study of NBC's coverage of the Rio Games in 2016, which is then placed within 20 years of content analyses, the book focuses on the entire Olympic television process from production to content to effects. Touching on key themes such as race, gender, history, consumerism, identity, nationalism, and storytelling, Olympic Television: Broadcasting the Biggest Show on Earth is fascinating reading for any student or scholar with an interest in sport, media, and the global impact of mega-events.

As the Olympic spectacle grows, broadcast coverage becomes bigger, more complex, and more sophisticated. Part sporting event, part reality show, and part global festival, the Olympics can be seen as both intensely nationalistic and a celebration of a shared sense of international community. This book sheds new light on how the Olympic experience has been shaped by television and expanded across multiple platforms and formats. Combining a multitude of approaches ranging from interviews to content analyses to audience surveys, the book explores the production, influence, and significance of Olympic media in contemporary society. Built on a central case study of NBC's coverage of the Rio Games in 2016, which is then placed within 20 years of content analyses, the book focuses on the entire Olympic television process from production to content to effects. Touching on key themes such as race, gender, history, consumerism, identity, nationalism, and storytelling, Olympic Television: Broadcasting the Biggest Show on Earth is fascinating reading for any student or scholar with an interest in sport, media, and the global impact of mega-events.

Policemen Harpur and Iles get mixed up in the criminal world of fine art dealing Detective Chief Superintendent Colin Harpur feels a sort of warmth towards Jack Lamb, a brilliantly prosperous but profoundly dodgy fine arts dealer. Lamb is the greatest informant Harpur has ever dealt with - might be the greatest informant any police officer has ever dealt with - and although Jack ended this arrangement some time ago, Harpur still feels indebted to him. Lamb's posh manor house is stuffed with expensive paintings, ripe for the pinching . . . and small-time thief George Dinnick and his crew intend to relieve him of a few. But their plans are complicated by local big-time crook Ralph Ember, who is on the lookout for some art to elevate his gentleman's club, The Monty; and who else would he visit to procure this art but Jack Lamb? Add to the mix odd-job man and stolen-art procurer Basil Gordon Loam - aka Enzyme - who Harpur and Iles would very much like to see locked up, and things start to get complicated indeed.