Michael Winterbottom directs this graphically violent thriller based on the novel by Jim Thompson. Casey Affleck stars as Deputy Sheriff Lou Ford, a pillar of the community in the small Texas town of Central City. However, Ford is not quite the upstanding citizen he appears to be, as becomes apparent after he is ordered to evict local prostitute Joyce Lakeland (Jessica Alba) and ends up embroiled in a torrid affair with her. When his fiance Amy (Kate Hudson) becomes suspicious, the consequences are bloody and brutal as the dark secrets of Ford's past are finally brought to light.

I was immediately drawn to Bill's The Wild Hunt as this kind of play; but with something completely new and original. In The Wild Hunt there is a central idea that we have lost our stories and that we desperately need a new mythology to explain the changes in our world. And we do not have this story and we are therefore lost. The central character of Bill's play is a young woman who seems to have some kind of deep understanding and the power of premonition almost a Cassandra like power to foretell a future that she does not understand. Bill's play captures a feeling, a time, a condition we are living in of disconnection and fear. Perhaps we have lost the basic understanding of the meaning of our lives and ignored to find that again we need to find new myths to explain our new world. The Wild Hunt for me is an attempt to reconnect us to each other, to the world in crisis and perhaps most importantly to ourselves.

Jennifer Lynch directs this thriller starring Julia Ormond and Bill Pullman as two FBI agents posted to a remote police station in Santa Fe to investigate a series of gruesome murders carried out by a mysterious masked gang. As the agents interrogate various witnesses and victims, the testimonies diverge more and more wildly as the seedy underbelly of the community - complete with corrupt police officers, drug addicts and sadistic sexual deviants - is grimly revealed.