This is an unrivalled collection of source material on women in the ancient Greek world including literary, rhetorical, philosophical and legal sources, and papyri and inscriptions. The study of women in the ancient Mediterranean world is a topic of growing interest among classicists and ancient historians, and also students of history, sociology and women's studies. This volume is an essential resource supplying a compilation of source material in translation, with contextual commentaries, a glossary of key terms and an annotated bibliography. Texts come from literary, rhetorical, philosophical and legal sources, as well as papyri and inscriptions, and each text will be placed into the cultural mosaic to which it belongs. Ranging geographically from the ancient Near East through Egypt and Greece to Rome and its wider empire, the volume follows a clear chronological structure. Beginning in the eighth century BCE the coverage continues through archaic and Classical Athens, Etruscan Italy and the Roman Republic, concluding with the late Roman Empire and the advent of Christianity. "The Continuum Sources in Ancient History" series presents a definitive collection of source material in translation, combined with expert contextual commentary and annotation to provide a comprehensive survey of each volume's subject. Material is drawn from literary, as well as epigraphic, legal and religious, sources. Aimed primarily at undergraduate students, the series will also be invaluable for researchers, and faculty devising and teaching courses.

This sourcebook includes a rich and accessible selection of Roman original sources in translation ranging from the Regal Period through Republican and Imperial Rome to the late Empire and the coming of Christianity. From Roman goddesses to mortal women, imperial women to slaves and prostitutes, the volume brings new perspectives to the study of Roman women's lives. Literary sources comprise works by Livy, Catullus, Ovid, Juvenal and many others. Suggestions for further reading, a general bibliography, and an index of ancient authors and works are also included.

Although "grace" in today's secular usage often connotes beauty or good manners, to the ancient Greeks it was both an aesthetic and a moral concept central to social order--a transformative power grounded in favor, thanks, repayment, delight, pleasure, and, above all, reciprocity. Here Bonnie MacLachlan explores the Greek concept of grace, or charis, as depicted in poetic works from Homer to Aeschylus, to tap into the essential meaning behind the manifold uses of the term. She also relates it to other important concepts in the moral language of the eighth century \B.C.E. Examining epic, lyric, erotic, epinician, and tragic poetry, and the cult of the Charites themselves, MacLachlan shows how charis governed human relations of all sorts, from the battlefield to bed: Achilles sulks, and jeopardizes the Greek victory in the Trojan War, because there was no charis in Agamemnon's gesture of reconciliation; the young Telemachus, filled with the gift of charis, speaks persuasively before the assembly of Ithacans; young men and women in erotic poems shine with charis when they are sexually mature. In shaping her definition of charis as a mutually shared pleasure that breaks down the barriers of the self, MacLachlan seeks to elucidate many poetic passages that have long mystified the commentators. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is an unrivalled collection of source material on women in the ancient Greek world including literary, rhetorical, philosophical and legal sources, and papyri and inscriptions. The study of women in the ancient Mediterranean world is a topic of growing interest among classicists and ancient historians, and also students of history, sociology and women's studies. This volume is an essential resource supplying a compilation of source material in translation, with contextual commentaries, a glossary of key terms and an annotated bibliography. Texts come from literary, rhetorical, philosophical and legal sources, as well as papyri and inscriptions, and each text will be placed into the cultural mosaic to which it belongs. Ranging geographically from the ancient Near East through Egypt and Greece to Rome and its wider empire, the volume follows a clear chronological structure. Beginning in the eighth century BCE the coverage continues through archaic and Classical Athens, Etruscan Italy and the Roman Republic, concluding with the late Roman Empire and the advent of Christianity. "The Continuum Sources in Ancient History" series presents a definitive collection of source material in translation, combined with expert contextual commentary and annotation to provide a comprehensive survey of each volume's subject. Material is drawn from literary, as well as epigraphic, legal and religious, sources. Aimed primarily at undergraduate students, the series will also be invaluable for researchers, and faculty devising and teaching courses.

Although "grace" in today's secular usage often connotes beauty or good manners, to the ancient Greeks it was both an aesthetic and a moral concept central to social order--a transformative power grounded in favor, thanks, repayment, delight, pleasure, and, above all, reciprocity. Here Bonnie MacLachlan explores the Greek concept of grace, or "charis," as depicted in poetic works from Homer to Aeschylus, to tap into the essential meaning behind the manifold uses of the term. She also relates it to other important concepts in the moral language of the eighth century \B.C.E.

Examining epic, lyric, erotic, epinician, and tragic poetry, and the cult of the Charites themselves, MacLachlan shows how "charis" governed human relations of all sorts, from the battlefield to bed: Achilles sulks, and jeopardizes the Greek victory in the Trojan War, because there was no "charis" in Agamemnon's gesture of reconciliation; the young Telemachus, filled with the gift of "charis," speaks persuasively before the assembly of Ithacans; young men and women in erotic poems shine with "charis" when they are sexually mature. In shaping her definition of "charis" as a mutually shared pleasure that breaks down the barriers of the self, MacLachlan seeks to elucidate many poetic passages that have long mystified the commentators.

Originally published in 1993.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Emmet I. Robbins earned an international reputation as a scholar of ancient Greek poetry, possessing a broad cultural background and a command of many languages that allowed him to present sensitive and informed readings of poets from Homer to the tragedians. Thalia Delighting in Song assembles for the first time his work from 1975 through 1999, reflecting his close reading of the Greek texts and his firm grasp of their literary, historical and mythological contexts. Among the essays included in this volume are important reflections on the poetry of Homer, Alcman, Sappho, Pindar and Aeschylus. Also featured are Robbins' writings that situate Greek texts in their wider contexts, comparing Greek poetry and modern opera, for example, or assessing the enduring influence of myth in the Indo-European traditions, accounting for links between Greek literature and the poetry, sagas and songs of several other cultures. Thalia Delighting in Song ensures that the next generation of Classicists will continue to benefit from the insights of one of the foremost scholars in the field.

This sourcebook includes a rich and accessible selection of Roman original sources in translation ranging from the Regal Period through Republican and Imperial Rome to the late Empire and the coming of Christianity. From Roman goddesses to mortal women, imperial women to slaves and prostitutes, the volume brings new perspectives to the study of Roman women's lives. Literary sources comprise works by Livy, Catullus, Ovid, Juvenal and many others. Suggestions for further reading, a general bibliography, and an index of ancient authors and works are also included.