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Typographorum Emblemata - The Printer's Mark in the Context of Early Modern Culture (Hardcover)
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Typographorum Emblemata - The Printer's Mark in the Context of Early Modern Culture (Hardcover)
Series: Schriftmedien - Kommunikations- und buchwissenschaftliche Perspektiven
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This collection of specially commissioned articles aims to shed
light on the Early Modern printer's mark, a very productive Early
Modern word-image so far only occasionally noted outside the domain
of book history. This collection of 17 specially commissioned
articles aims to shed light on the European printer's mark, a very
productive Early Modern word-image genre so far only occasionally
noted outside the domain of book history. It does so from the
perspectives of book history, literary history, especially emblem
scholarship, and art history. The various contributions to the
volume address issues such as those of the adoption of printer's
devices in the place of the older heraldic printer's marks as a
symptom of the changing self-image of the representatives of the
Early Modern printing profession, of the mutual influence of
emblems and printer's marks, of the place of Classical learning in
the design of Humanist printer's marks, of the economic factors
involved in the evolution of Early Modern printer's marks, the
pictorial topics of the Early Modern printer's mark, and the
printer's mark as a result of the 'Verburgerlichung' of the device
of Early Modern nobility. Special care was taken to account for the
similarities and differences of the printer's marks produced and
used in different regional and cultural contexts. The printer's
mark thus becomes visible as a European phenomenon that invites
studying some of the most significant shared aspects of Early
Modern culture. Preface/ Beginnings and Provenances: A.
Wolkenhauer: Sisters, or Mother and Daughter? The Relationship
between Printer's Marks and Emblems during the First Hundred Years/
A. Bassler: Ekphrasis and Printer's Signets/ L. Houwen: Beastly
Devices: Early Printers' Marks and Their Medieval Origins/ H.
Meeus: From Nameplate to Emblem. The Evolution of the Printer's
Device in the Southern Low Countries up to 1600/ Regions and
Places: K. Sp. Staikos: Heraldic and Symbolic Printer's Devices of
Greek Printers in Italy (15th-16th century)/ A. Jakimyszyn-Gadocha:
Jewish Printers' Marks from Poland (16th-17th centuries)/ J. A.
Tomicka: Fama typographica. In Search of the Emblem Form of
Printer's Devices. The Iconography and Emblem Form of Printer's
Devices in 16th- and 17th-Century Poland/ P. Hoftijzer: Pallas
Nostra Salus. Early-Modern Printer's Marks in Leiden as Expressions
of Professional and Personal Identity/ D. Peil: Early Modern Munich
Printer's Marks (and Related Issues)/ K. Lundblad: The Printer's
Mark in Early Modern Sweden/ S. Hufnagel: Iceland's Lack of
Printer's Devices: Filling a Functional and Spatial Void in Printed
Books during the Sixteenth Century/ Concepts, Historical and
Systematic: B.F. Scholz: The Truth of Printer's Marks: Andrea
Alciato On 'Aldo's Anchor', 'Froben's Dove' and 'Calvo's Elephant'.
A Closer Look at Alciato's Concept of the Printer's Mark./ V.
Hayaert: The Legal Significance and Humanist Ethos of Printers'
Insignia/ J. Kilianczyk-Zieba: The Transition of the Printer's
Device from a Sign of Identification to a Symbol of Aspirations and
Beliefs/ Judit Vizkelety-Ecsedy: Mottos in Printers' Devices -
Thoughts about the Hungarian Usage/ M. Simon: European Printers'
and Publishers' Marks in the 18th Century. The Three C's:
Conformity, Continuity and Change/ B.F. Scholz: In Place of an
Afterword: Notes on Ordering the Corpus of the Early Modern
Printer's Mark/ Research Bibliography: The Early Modern Printer's
Mark in its Cultural Contexts/ Index (Names, Places, Motti).
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