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In eighteenth-century Europe, artistic production was characterised
by significant geographical and cultural transfer. For innumerable
musicians, composers, singers, actors, authors, dramatists and
translators - and the works they produced - state borders were less
important than style, genre and canon. Through a series of
multinational case studies a team of authors examines the
mechanisms and characteristics of cultural and artistic
adaptability to demonstrate the complexity and flexibility of
theatrical and musical exchanges during this period. By exploring
questions of national taste, so-called cultural appropriation and
literary preference, contributors examine the influence of the
French canon on the European stage - as well as its eventual
rejection -, probe how and why musical and dramatic materials
became such prized objects of exchange, and analyse the double
processes of transmission and literary cross-breeding in
translations and adaptations. Examining patterns of circulation in
England, France, the Netherlands, Germany, Scandinavia, Russia,
Bohemia, Austria, Italy and the United States, authors highlight:
the role of migrant musicians in breaching national boundaries and
creating a 'musical cosmopolitanism'; the emergence of a
specialised market in which theatre agents and local authorities
negotiated contracts and productions, and recruited actors and
musicians; the translations and rewritings of major plays such as
Sheridan's The School for scandal, Schiller's Die Rauber and
Kotzebue's Menschenhass und Reue; the refashioning of indigenous
and 'national' dramas in Europe under French Revolutionary and
imperial rule.
Kids can have a magical good time with the fairies in this kit,
which they can take everywhere they go. Inside this beautiful box
is a board book featuring a tender goodnight story, 20 game boards,
and 70 removable pieces for creating your own 3D fairy world. The
activities include several jigsaw puzzles, a memory card game, a
tree to decorate, and even pendant jewelry to assemble with the
included string.
This very original game-book is certain to entertain children of
all ages as well as their families! In its practical big-book
format, eight traditional board games are recreated in a Christmas
version with splendid illustrations. Children can detach and
assemble the cardboard figures at the back of the book to play The
Game of the Goose in the Gift Factory or to race to Santa's house
after throwing the dice. Claudia Bordin's precious, colourful
illustrations depict suggestive fantasy scenarios that will
transport both the young and the old to the most magical atmosphere
of the year.
By the fair hand of Claudia Bordin, an original concept that
combines a book and the joy of Christmas: a big format advent
calendar book that will accompany the young readers in their
countdown to the merriest season of all: for each day, from
December 1st to 24th, there is a flap to open, which will reveal an
activity, a fun song, a poem or a delicious Christmas recipe. In
addition, a Spotify playlist will be linked to the book for the
perfect soundtrack! The merriest countdown of them all: open one
flap a day to add a little Christmas magic to every day from 1st to
24th December.
Presenting original results from both theoretical and numerical
viewpoints, this text offers a detailed discussion of the
variational approach to brittle fracture. This approach views crack
growth as the result of a competition between bulk and surface
energy, treating crack evolution from its initiation all the way to
the failure of a sample. The authors model crack initiation, crack
path, and crack extension for arbitrary geometries and loads.
Presenting original results from both theoretical and numerical
viewpoints, this text offers a detailed discussion of the
variational approach to brittle fracture. The key to this approach
is viewing crack growth as the result of a competition between bulk
and surface energy. The variational approach that the authors
champion provides an incisive picture of initiation and propagation
whose features are detailed. It treats crack evolution from its
initiation all the way to the failure of a sample. The authors set
forth tested-and-proven models that you can use to gauge crack
initiation, crack path, and crack extension for arbitrary
geometries and loads. Although the material is mathematical in
nature, the authors avoid unnecessary technicalities. They also
connect the variational approach with more classical treatments of
fracture, demonstrating the distinct results of each approach in
simple test settings and via relevant numerical simulations.
This is the first full-length book on the work of 'global Igbo'
writer Chris Abani. The volume dedicates a chapter to each of
Abani's fiction books, the two novellas Becoming Abigail (2006) and
Song for Night (2007), the three novels GraceLand (2004), The
Virgin of Flames (2007), and The Secret History of Las Vegas
(2014), which are read against the grain of Abani's most important
essays and poetical production. By combining close readings and
more theoretical reflections, this volume provides a significant
insight for both scholars and students interested in the literature
produced by the emerging African voices in the twentieth-first
century, in the debate about human rights, and in general in how
aesthetics is deeply linked with ethics. -- .
The book gathers a group of scholars interested in both public
international law and EU law to cover different facets of the
relationship between the European Union and customary international
law. Considering the distinct perspectives taken by international
law and EU law, while also looking into the space in between the
two, individual chapters tackle complex questions such as whether
and on what bases the European Union is bound by customary
international law as a matter of international law and EU law; how
the European Union contributes to the development of international
custom; and how different stakeholders - the Court of Justice of
the European Union, the EU's political organs and EU citizens -
rely upon customary rules. The book thus offers a systematic
account of the relevance of customary international law for the
external relations and internal functioning of what is no doubt the
most remarkable regional international organization of our time.
This is the latest volume in the acclaimed series that depicts
medicine as depicted in art throughout history. This sumptuously
illustrated volume offers a visual history of the depiction of
illness and healing in Western culture, ranging from Egyptian wall
carvings to medieval manuscripts and from paintings and sculpture
by the great masters of the Renaissance to 20th century artists
such as Matisse & Magritte. Thematic chapters cover the
examination of patients and their maladies, healing and medical
treatments, and the sufferings and hopes of patients awaiting cure
and recovery. Psychological anguish, represented by Masaccio's The
Expulsion of Adam and Eve, and Munch's The Scream, are also treated
along with more obvious physical manifestations.
This is a new release of the original 1925 edition.
A history of the island of Saint-Barthelemy from 1100 to the 1970s.
Not just a historical treasure trove but also a wonderful tale of
savage Indians, adventuresome colonists, marauding pirates,
selfless clergymen, and most of all a brave lineage of St. Barth
people who, over several hundred years, have made up the history
and heritage of this unique island. All proceeds to benefit
nonprofits on St. Barth. ENGLISH LANGUAGE VERSION.
This is the story of my family's presence in Alaska, beginning 114
years ago when my grandfather, August Tobin, a Swedish immigrant
turned gold-seeker at the turn of the century. He flipped a coin
with his brother-in-law to see who would go to the Alaska gold
fields in 1898. He endured severe hardships with unwavering stamina
as one of the "stampeders" in the northern gold fields,
particularly around the Wiseman district. The family story
continues with his son and my father and mother, Emory and Clara
Tobin, the founders of the well-known Alaska Sportsman Magazine in
the 1930s. The last section is a personal memoir of my growing up
in the magazine business in Ketchikan, Alaska, marrying Gordon
Bordine, and happily raising a wonderful family to round out 114
years of our family presence in Alaska.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
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