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Moving scenes - the circulation of music and theatre in Europe, 1700-1815 (Paperback)
Loot Price: R2,925
Discovery Miles 29 250
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Moving scenes - the circulation of music and theatre in Europe, 1700-1815 (Paperback)
Series: Oxford University Studies in the Enlightenment, 2018:02
Expected to ship within 12 - 17 working days
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In eighteenth-century Europe, artistic production was characterised
by significant geographical and cultural transfer. For innumerable
musicians, composers, singers, actors, authors, dramatists and
translators - and the works they produced - state borders were less
important than style, genre and canon. Through a series of
multinational case studies a team of authors examines the
mechanisms and characteristics of cultural and artistic
adaptability to demonstrate the complexity and flexibility of
theatrical and musical exchanges during this period. By exploring
questions of national taste, so-called cultural appropriation and
literary preference, contributors examine the influence of the
French canon on the European stage - as well as its eventual
rejection -, probe how and why musical and dramatic materials
became such prized objects of exchange, and analyse the double
processes of transmission and literary cross-breeding in
translations and adaptations. Examining patterns of circulation in
England, France, the Netherlands, Germany, Scandinavia, Russia,
Bohemia, Austria, Italy and the United States, authors highlight:
the role of migrant musicians in breaching national boundaries and
creating a 'musical cosmopolitanism'; the emergence of a
specialised market in which theatre agents and local authorities
negotiated contracts and productions, and recruited actors and
musicians; the translations and rewritings of major plays such as
Sheridan's The School for scandal, Schiller's Die Rauber and
Kotzebue's Menschenhass und Reue; the refashioning of indigenous
and 'national' dramas in Europe under French Revolutionary and
imperial rule.
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