Immerse yourself in the chilling world of Bram Stoker's iconic novel, Dracula, with this captivating edition. Follow the gripping tale of the infamous vampire as he unleashes terror on Victorian England. A must-have for fans of gothic literature and supernatural suspense.

Enter a world of fear and fascination

• Bram Stoker's timeless classic, Dracula, in a captivating edition.
• Experience the spine-chilling tale of the iconic vampire.
• Dive into the dark world of gothic horror and supernatural suspense.
• Perfect for fans of classic literature and suspenseful storytelling.
• A haunting addition to any book collection, keeping readers enthralled till the last page.

HarperCollins is proud to present its new range of best-loved, essential classics. 'We are in Transylvania; and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things.' Earnest and naive solicitor Jonathan Harker travels to Transylvania to organise the estate of the infamous Count Dracula at his crumbling castle in the ominous Carpathian Mountains. Through notes and diary entries, Harker keeps track of the horrors and terrors that beset him at the castle, telling his fiance Mina of the Count's supernatural powers and his own imprisonment. Although Harker eventually manages to escape and reunite with Mina, his experiences have led to a mental breakdown of sorts. Meanwhile in England, Mina's friend Lucy has been bitten and begins to turn into a vampire. With the help of Professor Van Helsing, a previous suitor of Lucy's, Seward, and Lucy's fiance Holmwood attempt to thwart Count Dracula and his attempts on Lucy and consequently Mina's life. Arguably the most enduring Gothic novel of the 19th Century, Bram Stoker's Dracula is as chilling today in its depiction of the vampire world and its exploration of Victorian values as it was at its time of publication.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Written in 1897, Stoker's novel introduces the iconic character of the vampire Count Dracula. Through a series of letters and diary entries, the novel tells the story of Dracula's attempt to move from Transylvania to England, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing. Although Stoker did not invent the vampire, he defined its modern form as we know it today.

The continuing and accelerating process of European integration impacts on European legal education, or ought to have its impact on our ideas about legal education in Europe. Although legal education in Europe is mainly national and usually conducted in the national language, there are initiatives that seek to break through the national barriers and move towards a truly European legal education. The Maastricht European Law School, which focuses on European Union law, international law and comparative law, fully taught in English, is one of these initiatives. In this edited volume we have endeavoured to reflect upon European Legal education in the light of that program, which has been on offer for a couple of years now and which attracts a great deal of students from all over Europe and the world as well, and to offer to interested readers ways forward as well as obstacles and points to ponder. This books pays attention to the developments in European law and the effects these have on legal education in general as well as in other fields. Drawing from their own experiences, the authors describe the current state of law, offer perspectives on future developments and explain how they translate these developments in the law school curriculum. All the contributions in this book have in common that each author seeks to better prepare students for a future in a more integrated Europe. It is our purpose to generate a European debate about the subject and to move the European discussion forward to concrete steps to effectively establish European legal education for new generations of lawyers that will work in an increasingly Europeanised legal domain.

This is the classic novel brought to life in full colour! Bram Stoker's gothic masterpiece was first published in 1897, and has spawned so many classic films, all based on the character he invented when Queen Victoria was on the throne. Like "Frankenstein", the films have pushed the characters into the very fabric of our society, so it is with great pride that we bring you a visual treatment that is true to the original - made even more exciting by the wonderous talent that is Staz Johnson!

'I knew the site of the hut and the hill behind it up which I had rushed, and in the flickering glow the eyes of the rats still shone with a sort of phosphorescence.' Beyond the genre-defining influence of Dracula, Bram Stoker was also a master of the short story form. This new collection of the author’s tales represents his diverse interests in the macabre and uncanny, ranging from the hallucinatory and dreamlike in ‘The Shadow Builder’ and ‘In the Valley of the Shadow’ to the more overtly horrifying in the mini- masterpieces of ‘The Judge’s House’ and ‘The Burial of the Rats’. Alongside acknowledged classics of the horror short story canon, this new volume also includes obscurities such as the darkly comic ‘Old Hoggen: A Mystery’ and the morbid fairy tale ‘The Castle of the King’ to reflect the full brilliance of the legendary writer.

This book is the first to explore the rich festival culture of late sixteenth- and early seventeenth-century France as a tool for diplomacy. Bram van Leuveren examines how the late Valois and early Bourbon rulers of the kingdom made conscious use of festivals to advance their diplomatic interests in a war-torn Europe and how diplomatic stakeholders from across the continent participated in and responded to the theatrical and ceremonial events that featured at these festivals. Analysing a large body of multilingual eyewitness and commemorative accounts, as well as visual and material objects, Van Leuveren argues that French festival culture operated as a contested site where the diplomatic concerns of stakeholders from various national, religious, and social backgrounds fought for recognition.