Five years ago, popular blogger Brandi Doming of The Vegan 8 became a vegan, overhauling the way she and her family ate after a health diagnosis for her husband. The effects have been life-changing.

Her recipes rely on refreshingly short ingredient lists that are ideal for anyone new to plant-based cooking or seeking simplified, wholesome, family-friendly options for weeknight dinners. All of the recipes are dairy-free and most are oil-free, gluten-free, and nut-free (if not, Brandi offers suitable alternatives), and ideally tailored to meet the needs of an array of health conditions. Each of the 100 recipes uses just 8 or fewer ingredients (not including salt, pepper, or water) to create satisfying, comforting meals from breakfast to dessert that your family--even the non-vegans--will love.

Try Bakery-Style Blueberry Muffins, Fool 'Em "Cream Cheese" Spinach-Artichoke Dip, Cajun Veggie and Potato Chowder, Skillet Baked Mac n' Cheese, No-Bake Chocolate Espresso Fudge Cake and more...

My brother's best friend broke my heart... what happens when his new teammate wants to put it back together?

For years, I've dreamt of what college life could bring and while some things changed, there was always one constant. It didn't matter how wild I allowed my imagination to run, my future was clear, and he was it. Until suddenly, he wasn't.

Now there's a new man in my life, one who isn't afraid to go after what he wants, and what he wants ... is me.

They say first loves last forever... I hope they're wrong.

Divorce is not the end of your story Some seasons of life can seem far more difficult than one human should have to endure. For Brandi Wilson, that was the year her husband--and a megachurch pastor--walked away from her and her family. Suddenly, her church community dissolved, and her dreams and identity were shattered. Yet God transformed this heartbreaking time into an invaluable lesson on the gift of healing. And now, Brandi beautifully tells her courageous story of confronting grief and heartache head-on and learning how to rise from the pain. Filled with aha moments and laugh-out-loud humor, this book reminds you that your story is always evolving and that you can move forward with hope after divorce. Brandi helps you: · rely on and find comfort in the promises of God · begin a new journey toward healing · find freedom in your new identity While your life looks drastically different now, there is hope for renewed joy and redemption. Your pain doesn't get the final say. Through God's grace and healing power, you will be better than okay. "A worthy guide on a journey you never thought you'd have to take."--HOLLY FURTICK, Elevation Church "A fresh perspective on healing from heartbreak."--PUBLISHERS WEEKLY

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Edited by National Book Award finalist Ibi Zoboi, Black Enough is an essential collection of captivating stories about what it’s like to be young and black.

“A powerful collection that opens the reader’s eyes to the breadth and diversity of contemporary experience in America” June Sarpong, author of DIVERSIFY

Black is male, Black is female, Black is straight, Black is gay, Black is urban, Black is rural, Black is rich. And poor. Black is mixed-race, Black is immigrants, Black is more.

There are countless ways to be BLACK ENOUGH.

Featuring some of the most acclaimed bestselling American black authors writing for teens today, Black Enough is an essential collection of captivating stories about what it’s like to be young and black. Whether you are in America, the UK, or anywhere across the globe, this powerful collection of stories will remind you of our shared humanity.

This comprehensive guide captures important trends in international relations (IR) pedagogy, paying particular attention to innovations in active learning and student engagement for the contemporary International Relations (IR) classroom. This book is organized into three parts: IR course structures and goals; techniques and approaches to the classroom; and assessment and effectiveness. It is up-to-date with teaching practices highlighted by leading journals and conferences sponsored by the International Studies Association (ISA) and the American Political Science Association (APSA). Collectively, the chapters contribute to continuing dialogues on pedagogy in the field and serve as a critical resource for faculty in IR, political science, and social science.

Bastian Bishop. That's his name. He's rough, rugged, and utterly unpredictable. Silent and steady one second, and a nightmare the next. He's an outsider and in my world outsiders don't belong. But he doesn't seem to care. After one night of reckless rebellion, the tattooed tyrant keeps coming back, sneaking into my world without permission, and causing trouble I can't allow. I should end it before my father discovers my existence and does it for me. But Bastian says, like it or not ... I am his now, that nothing and no one will stand in his way. What he refuses to understand is I'm a Girl of Greyson, a coveted queen of sorts in the underground crime world. He's a nobody with nothing to his name. We could never be. Or so I thought I did, until betrayal burns so deep that suddenly nothing makes sense. Nothing but him...

Lessons in life from the fabulous, fearless, and phenomenal world of drag Drag is a world of larger-than-life personalities, glamorous looks, and attitude to die for. When you feel lacking in confidence, unsure of yourself, or just plain unhappy, who better to give you a boost of self-esteem than the queens and kings of the drag world? With their firm belief that anyone can be who they want to be, they are living proof that you can change what you don't like about your life and even yourself. With the help of real-life drag stories, Brandi Amara Skyy shows you how to follow the rules of drag, to be the most fabulous you that you can be. 

'Razor-sharp . . . Biting and compulsive' GRAZIA I clean the offices and bathrooms and lobby five nights a week, but my actual job is to take care of everyone. They need so much help. At night, in a corporate office block in an unnamed metropolitan city, a cleaner begins her shift. As she cleans Sad Intern's desk, she throws away some of her more alarming health supplements, and leaves her healthy snacks instead. Mr Buff's desk is immaculate, but he seems to have a secret smoking habit - not conducive to his fitness journey - which she's going to help him kick. She confiscates the knitted coaster that attractive, sensitive Yarn Guy has given to Cola Woman - someone who clips her nails in the office doesn't deserve his gifts. But tonight, while scrolling through your emails, she'll discover the secret you've been hiding - the one that will threaten her job, and the jobs of everyone she takes care of. And you're about to find out that, sometimes, your most powerful enemy is the one you don't even see.

This comprehensive guide captures important trends in international relations (IR) pedagogy, paying particular attention to innovations in active learning and student engagement for the contemporary International Relations (IR) classroom. This book is organized into three parts: IR course structures and goals; techniques and approaches to the classroom; and assessment and effectiveness. It is up-to-date with teaching practices highlighted by leading journals and conferences sponsored by the International Studies Association (ISA) and the American Political Science Association (APSA). Collectively, the chapters contribute to continuing dialogues on pedagogy in the field and serve as a critical resource for faculty in IR, political science, and social science.

A history and appreciation of the fabulous world of drag Drag is the ultimate form of queer expression and art, and with the success of TV's Drag Race, it's now more widely known and popular than ever. Brandi Amara Skyy is the perfect guide to all kinds of drag under the rainbow umbrella. Brandi's inclusive appreciation of every form of drag enables them to explain the history, importance and life-affirming qualities of drag for everyone. Starting with the question "What is drag?" Brandi explores where the term really comes from, and debunks the myths about it. The history of drag is covered next, including drag as subversion, as an art form and in popular culture. Drag has evolved over the years and been adopted into the mainstream, including TV and films – but has it lost its edge, and where will it go next? Finally a resources section covers drag terminology, how to become a drag artist and what to read and watch to find out more about drag. Profiles of the different kinds of drag artist feature throughout.

Multireligious Reflections on Friendship: Becoming Ourselves in Community presents a multi-religious discussion of spiritual and ethical formation through friendship. Contributors discuss the positive effects of friendship and some of the culturally diverse ways that friendships develop. Friends help us co-exist in diverse societies, live sustainably in our ecosystems, heal from trauma, develop inner virtues, engage wisely in social action, and connect with the divine. While friendship is a core human value, cultural traditions have used different tools to build friendships. For example, Indigenous communities emphasize reciprocity on the land; Jewish traditions encourage respect for study partners; Buddhist teachers suggest discernment in befriending; Christian texts speak of bringing God’s love into community. The fifteen scholars contributing to this book draw on the teachings of six different global traditions: Indigenous, Hindu, Jewish, Buddhist, Islamic, and Christian. Each scholar applies the tools of their tradition—reciprocity, respect, discernment, love, and more—to discuss how we might become our best selves in community.

Research Perspectives on Social Media Influencers and Brand Communication examines the myriad ways in which social media and the unique characteristics of the internet have changed brand communication for both brands and consumers, focusing on the social media influencer as a brand communicator. As brands have noticed the rise of social media influencers as tastemakers and leaders in public opinion, they have increasingly begun to incorporate social media influencers into their brand communication strategies. Each chapter of this book represents a unique theoretical and methodological approach to examining the emergence and growing legitimacy of the social media influencer as a brand communicator from a variety of perspectives and contexts, discussing challenges and opportunities afforded to brands by social media influencers and providing an overview of the current research on the use of these branding approaches. Scholars of media studies, communication, and marketing will find this book particularly useful.

Research Perspectives on Social Media Influencers and their Followers argues that the brands that find the most success on social media are the ones that acknowledge the real key to social media marketing-it's all about the followers. This collection, edited by Brandi Watkins, explores how social media has shifted power dynamics away from brands and toward the consumers themselves-the social media users who choose to like, share, and engage with brands online. This dynamic has paved the way for the rise of the social media influencer (SMI); a unique category of social media user who has a large platform and compelling content that attracts a number of loyal and devoted followers.. It's the followers that make SMI relevant and appealing to brands as a marketing strategy. Contributors discuss emerging trends in research related to the SMI and their followers; as the influencer marketing industry continues to grow and evolve, they argue, so too should our understanding of the influencer-follower relationship that makes this marketing strategy successful. Each chapter of this collection presents a variety of research perspectives, questions, and methodologies that can be used to analyze this trend. Scholars of media studies, communication, technology studies, celebrity studies, marketing, and economics will find this book particularly useful.

This collection, edited by Daniel S. Strasser, was unearthed from the demand for more inclusive and expansive dialogues on intersectional identities, ethnicity, neuro-diversity, physical ability, religion, sexual orientation, class, and gender performance in academia. The autoethnographic and narrative accounts within Communication and Identity in the Classroom: Intersectional Perspectives of Critical Pedagogy offer personal, experiential perspectives on the power of identity to influence educators in classroom and mentoring spaces. The multiple perspectives offered here promote dialogue about how personal experience provides the ground upon which we build more dynamic relationships and communities. The contributors' experiences offer examples for a more expansive understanding of privilege, oppression, and identity. These seeds for conversation nourish discourses that build new communicative bridges between educators and students as we prepare to face the next interaction, class, and challenges and opportunity for resilience. This collection invites educators to be critical of their bodies, of their politics, of their intersecting identities, and acknowledge in words and actions that our bodies are political. Throughout this collection the contributors expand upon theories and methods of critical communication scholarship, radical love, and intersectionality using their embodied pedagogical experiences to ground the scholarship.