The innovative city culture of Florence was the crucible within which Renaissance ideas first caught fire. With its soaring cathedral dome and its classically-inspired palaces and piazzas, it is perhaps the finest single expression of a society that is still at its heart an urban one. For, as Brian Jeffrey Maxson reveals, it is above all the city-state - the walled commune which became the chief driver of European commerce, culture, banking and art - that is medieval Italy's enduring legacy to the present. Charting the transition of Florence from an obscure Guelph republic to a regional superpower in which the glittering court of Lorenzo the Magnificent became the pride and envy of the continent, the author authoritatively discusses a city that looked to the past for ideas even as it articulated a novel creativity. Uncovering passionate dispute and intrigue, Maxson sheds fresh light too on seminal events like the fiery end of oratorical firebrand Savonarola and Giuliano de' Medici's brutal murder by the rival Pazzi family. This book shows why Florence, harbinger and heartland of the Renaissance, is and has always been unique.

Offering a comprehensive discussion into regime change in Italy during the Early Modern period, this book will appeal to students and researchers alike interested in the dynamics between politics, military, and culture in Europe during this crucial era.

This book offers a major contribution for understanding the spread of the humanist movement in Renaissance Florence. Investigating the connections between individuals who were part of the humanist movement, Maxson reconstructs the networks that bound them together. Overturning the problematic categorization of humanists as either professional or amateurs, a distinction based on economics and the production of original works in Latin, he offers a new way of understanding how the humanist movement could incorporate so many who were illiterate in Latin, but who nonetheless were responsible for an intellectual and cultural paradigm shift. The book demonstrates the massive appeal of the humanist movement across socio-economic and political groups, and argues that the movement became so successful and widespread because by the 1420s-30s the demands of common rituals began requiring humanist speeches. Over time, humanist learning became more valuable as social capital, which raised the status of the most learned humanists and helped disseminate humanist ideas beyond Florence.

The innovative city culture of Florence was the crucible within which Renaissance ideas first caught fire. With its soaring cathedral dome and its classically-inspired palaces and piazzas, it is perhaps the finest single expression of a society that is still at its heart an urban one. For, as Brian Jeffrey Maxson reveals, it is above all the city-state - the walled commune which became the chief driver of European commerce, culture, banking and art - that is medieval Italy's enduring legacy to the present. Charting the transition of Florence from an obscure Guelph republic to a regional superpower in which the glittering court of Lorenzo the Magnificent became the pride and envy of the continent, the author authoritatively discusses a city that looked to the past for ideas even as it articulated a novel creativity. Uncovering passionate dispute and intrigue, Maxson sheds fresh light too on seminal events like the fiery end of oratorical firebrand Savonarola and Giuliano de' Medici's brutal murder by the rival Pazzi family. This book shows why Florence, harbinger and heartland of the Renaissance, is and has always been unique.

Through the exploration of nine common myths about the history and culture of early modern Europe, roughly 1350–1700, this book uses common assumptions to introduce newcomers to the period and its key figures, developments, and events. Many myths about early modern Europe originated in the 19th and 20th centuries and continue to appear today across popular media. In recent years, such popular documentaries and television shows as Game of Thrones have tended to reinforce what we think we know about the world during the early modern period. Early modern Europe birthed the modern world—just not in the way we think it did. This installment in the Facts and Fictions series utilizes primary sources to interrogate popular beliefs about early modern Europe and reveal the true story behind such movements and events as the Scientific Revolution, the Crusades, and the European witch hunts. Focusing on how perceptions of these events have shifted and evolved through history, this book is an excellent resource for students of this period as well as general readers interested in understanding what really happened during this time. Provides readers with an introduction to early modern Europe Dispels common assumptions about the past Encourages readers to approach historical information based upon questions, evidence, and interpretations Includes a wide array of primary sources illustrating various myths and misconceptions

This book offers a major contribution for understanding the spread of the humanist movement in Renaissance Florence. Investigating the connections between individuals who were part of the humanist movement, Maxson reconstructs the networks that bound them together. Overturning the problematic categorization of humanists as either professional or amateurs, a distinction based on economics and the production of original works in Latin, he offers a new way of understanding how the humanist movement could incorporate so many who were illiterate in Latin, but who nonetheless were responsible for an intellectual and cultural paradigm shift. The book demonstrates the massive appeal of the humanist movement across socio-economic and political groups, and argues that the movement became so successful and widespread because by the 1420s-30s the demands of common rituals began requiring humanist speeches. Over time, humanist learning became more valuable as social capital, which raised the status of the most learned humanists and helped disseminate humanist ideas beyond Florence.