At the tail end of the 1960s, the thirteen-year-old Michelino spends his summers at his grandparents' modest estate in Nasca, near Lake Maggiore, losing himself in the tales of horror, adventure, and mystery shelved in his grandfather's library. The greatest mystery he's ever encountered, however, doesn't come from a book - it's the groundskeeper, Felice, a sometimes frightening, sometimes gentle, always colourful man of uncertain age who speaks an enchanting dialect and whose memory gets worse with each passing day. When Michelino volunteers to help the old man by providing him with clever mnemonic devices to keep his memory alive, the boy soon finds himself obsessed with piecing together the eerie hodgepodge of Felice's biography . . . a quest that leads to the uncovering of skeletons in Nazi uniforms in the attic, to Felice's admission that he can hear the voices of the dead, and to a new perspective on Felice's endless war against the insatiable local slugs, who are by no means merely a horticultural threat. And yet nothing could be more fascinating to Michelino than Felice's own secret origins. Where did he come from? Is he the victim or the villain of his story? Is he a noble hero, a holy fool, or perhaps the very thing that Michelino most wants and fears: a real-life monster.

Italy's great chronicler of the macabre and hilarious terrors of growing up geeky arrives in English at last. Long before the latest vogue for autofiction, Michele Mari, one of Italy's most beloved authors, cast his mind back to the days of his own childhood, and found it crawling with monsters. Raised on comic books and science fiction, the young Mari constructed an alternate universe for himself untouched by uncomprehending grownups or sadistic peers. Compared to the horrors of real life, Long John Silver and Cthulhu made for positively cuddly company; but little boys raised by beasts may well grow up beastly-or never grow up at all. Waking or sleeping, the obsessions of Mari's youth seem to color his every adult thought. You, Bleeding Childhood stands as his first attempt to catalog this cabinet of wonders. Cult classics since their first publication, these loosely connected stories stand as the ideal introduction to an encyclopedic fantasist on a par with Kafka, Poe, and Borges.

This major new text provides an introduction to the interaction of culture and society with the landscape and environment. It offers a broad-based view of this theme by drawing upon the varied traditions of landscape interpretation, from the traditional cultural geography of scholars such as Carl Sauer to the 'new' cultural geography which has emerged in the 1990s. The book comprises three major, interwoven strands. First, fundamental factors such as environmental change and population pressure are addressed in order to sketch the contextual variables of landscapes production. Second, the evolution of the humanised landscape is discussed in terms of processes such as clearing wood, the impact of agriculture, the creation of urban-industrial complexes, and is also treated in historical periods such as the pre-industrial, the modern and the post-modern. From this we can see the cultural and economic signatures of human societies at different times and places. Finally, examples of landscape types are selected in order to illustrate the ways in which landscape both represents and participates in social change. The authors use a wide range of source material, ranging from place-names and pollen diagrams to literature and heritage monuments. Superbly illustrated throughout, it is essential reading for first-year undergraduates studying historical geography, human geography, cultural geography or landscape history.

Today's cities grew from the rural settlements still home to over half of the world's population. Excavating the changing forms and functions of these settlements, "Landscapes of Settlement" explores their origins, their social and economic development, and their prospects for the future.
Settlement is the physical reflection of the social organization of space. Starting with the human dwelling, settlements aggregate into farmsteads, hamlets, villages, towns, and cities. Emphasizing their impact on present day society, "Landscapes of" "Settlement" traces the course of rural development, deciphering from these contours the history of the land and its people. Out of detailed case studies in both the developed and developing worlds this book distills the underlying processes behind rural settlement systems, and then builds upon this to analyze settlement patterns on the continental and global scales.

Rural settlements underlie today's cities and still hold over half the world's population. This text excavates the changing forms and functions of these settlements, exploring their origins, development and their future. Settlement is the physical reflection of the social organization of space. Starting with the human dwelling, settlement aggregates into farmsteads, hamlets, villages, towns and cities. Patterns of development can be traced, contours by which a history of a land and its people can be read.;Illustrated with photographs, maps and figures, the book firstly presents detailed case studies of specific sites in both the developed and developing worlds in order to distill the underlying processes behind rural settlement systems, and then builds on this to analyze settlement patterns on the continental and global scales.

Forced back to her remote hometown by the war, Giulia is immediately drawn to a couple in a similar situation: graceful, spontaneous Ada and her husband Paolo, a sickly teacher and partisan in hiding. Joined from Turin by Giulia's husband Stefano, the two couples form an intense bond; as the Germans begin to occupy Italy, a subtle dance of attractions begins, intensified by their shared isolation and the muffled hum of threat over a long, hard winter. In prose of subtle, enigmatic atmospheres and acutely precise images, Lalla Romano evokes both the tension and the stillness of life in occupied Italy. Translated into English for the first time, A Silence Shared is a captivating classic novel that inhabits the silent spaces between historic events, depicting the mysterious luminosity of human relationships in extraordinary circumstances.

3 previously unpublished short stories by the great Patrick O'Brian - Noughts and Crosses, Two's Company and No Pirates Nowadays. Noughts and Crosses: When Sullivan and Ross decide to go shark fishing among the atolls of the Great Barrier Reef little do they know what awaits them. With their schooner beached for cleaning they take a small whaler out to sea, but when the very devil of a storm turns the whole of the sea white, it drives them to the nearest atoll for shelter. It is only when they set out once again that they discover the seas are now filled with sharks, driven to a bloodlust by the smell of their butchered fellows that clings to the whaler. Becalmed and surrounded by the world's most fearsome predators, Sullivan and Ross discover that the hunters have become the hunted. Two's Company: The lighthouse was one of the most lonely in the world, guarding a dangerous reef in the cold northern seas. It therefore seemed a good idea to Sullivan and Ross that they both be its keepers; after all, two's company. But long months of isolation and boredom can test even the stoutest of friendships. So when a great storm deposits the carcass of a huge whale on the rocks, attracting to it flocks of hungry seabirds and packs of deadly sharks, and later the arrival of two unexpected guests, it provides the two friends with a welcome distraction from their tedium. Yet as the months drag on, they find that there is only so long that man can live in peace with his fellow. No Pirates Nowadays: As their schooner inches through the dense yellow fog of the northern Pacific, Ross is beginning to regret agreeing to Sullivan's latest plan. Their search for the island of Sakhalien, to hunt for precious sea-otters, is leading them nowhere. The appearance of a fellow ship should be cause to lift their mood, yet the captain and swarthy Malay crew of the Santa Maria leave Ross feeling all the more uneasy. But when their paths cross once again it is Sullivan's nephew, Derrick, who has good cause to doubt that there are no pirates nowadays.

This major new text provides an introduction to the interaction of culture and society with the landscape and environment. It offers a broad-based view of this theme by drawing upon the varied traditions of landscape interpretation, from the traditional cultural geography of scholars such as Carl Sauer to the 'new' cultural geography which has emerged in the 1990s. The book comprises three major, interwoven strands. First, fundamental factors such as environmental change and population pressure are addressed in order to sketch the contextual variables of landscapes production. Second, the evolution of the humanised landscape is discussed in terms of processes such as clearing wood, the impact of agriculture, the creation of urban-industrial complexes, and is also treated in historical periods such as the pre-industrial, the modern and the post-modern. From this we can see the cultural and economic signatures of human societies at different times and places. Finally, examples of landscape types are selected in order to illustrate the ways in which landscape both represents and participates in social change. The authors use a wide range of source material, ranging from place-names and pollen diagrams to literature and heritage monuments. Superbly illustrated throughout, it is essential reading for first-year undergraduates studying historical geography, human geography, cultural geography or landscape history.

Originally published in 1977. This book is a comprehensive account of the state of knowledge about autism in the 1970s. Its main emphases are the special needs of autistic children and everyday aspects of dealing with them - how to manage, teach and 'treat' them. As such, it will be of particular value for teachers and parents, but equally important for GPs, paediatricians, child psychiatrists and psychologists and anyone else playing a role in the diagnosis and care of these children. In the opening chapters, the two editors discuss the diagnosis of autism and the specific techniques used when dealing with problems of learning and behaviour in autistic children from early childhood to adolescence. The various contributors, also specialists in the field, then draw on their own particular knowledge and expertise to cover research, the ancillary services which are available, and useful techniques for working with older autistic persons.

This book introduces and critically explores walking as an innovative method for doing social research, showing how its sensate and kinaesthetic attributes facilitate connections with lived experiences, journeys and memories, communities and identities. The book situates walking methods historically, sociologically, and in relation to biographical and arts-based research, as well as new work on mobilities, the digital, spatial, and the sensory. The book is organised into three sections: theorising; experiencing; and imagining walking as a new method for doing biographical research. There is a key focus upon the Walking Interview as a Biographical Method (WIBM) on the move to usefully explore migration, memory, and urban landscapes, as part of participatory, visual, and ethnographic research with marginalised communities and artists and as re-formative and transgressive. The book concludes with autobiographical walks taken by the authors and a discussion about the future of the walking interview as biographical method. Walking Methods combines theory with a series of original ethnographic and participatory research examples. Practical exercises and a guide to using walking as a method help to make this a rich resource for social science researchers, students, walking artists, and biographical researchers.

Originally published in 1977. This book is a comprehensive account of the state of knowledge about autism in the 1970s. Its main emphases are the special needs of autistic children and everyday aspects of dealing with them - how to manage, teach and 'treat' them. As such, it will be of particular value for teachers and parents, but equally important for GPs, paediatricians, child psychiatrists and psychologists and anyone else playing a role in the diagnosis and care of these children. In the opening chapters, the two editors discuss the diagnosis of autism and the specific techniques used when dealing with problems of learning and behaviour in autistic children from early childhood to adolescence. The various contributors, also specialists in the field, then draw on their own particular knowledge and expertise to cover research, the ancillary services which are available, and useful techniques for working with older autistic persons.

At the time of his death, Patrick O'Brian had begun to write a novel to follow on from Blue at the Mizzen. These are the chapters he had completed of the final voyage that have been recorded for the audiobook of Jack Aubrey and Stephen Maturin - the greatest friendship of modern literature For the first time ever Patrick O'Brian's famous and much-loved Aubrey-Maturin novels will be available on audio CD which have been split into seven collections. Follow the adventures of Jack Aubrey and his ship's surgeon Stephen Maturin. Theirs is one of the greatest friendships in all literature. These collections are a perfect tribute to such a literary achievement and a perfect gift for the O'Brian enthusiast. Collection Seven contains The Hundred Days, Blue at the Mizzen and The final Unfinished Voyage of Jack Aubrey, newly recorded for this collection and read by Sir Robert Hardy.

This book introduces and critically explores walking as an innovative method for doing social research, showing how its sensate and kinaesthetic attributes facilitate connections with lived experiences, journeys and memories, communities and identities. The book situates walking methods historically, sociologically, and in relation to biographical and arts-based research, as well as new work on mobilities, the digital, spatial, and the sensory. The book is organised into three sections: theorising; experiencing; and imagining walking as a new method for doing biographical research. There is a key focus upon the Walking Interview as a Biographical Method (WIBM) on the move to usefully explore migration, memory, and urban landscapes, as part of participatory, visual, and ethnographic research with marginalised communities and artists and as re-formative and transgressive. The book concludes with autobiographical walks taken by the authors and a discussion about the future of the walking interview as biographical method. Walking Methods combines theory with a series of original ethnographic and participatory research examples. Practical exercises and a guide to using walking as a method help to make this a rich resource for social science researchers, students, walking artists, and biographical researchers.

Beasts Royal is the second book written by Patrick O'Brian - made available, at last, for the first time since the 1930s and beautifully repackaged. Published when Patrick O'Brian was just nineteen, this is the enchanting, often bloodthirsty collection of twelve tales of animal adventure that would be published in 1934 as the author's second book. His first, Caesar, had been published in 1930 and was an instant success, seeing O'Brian hailed as the 'boy-Thoreau'. As with Caesar, Beasts Royal sheds fascinating light on the formation of the literary genius behind the Aubrey-Maturin series of historical adventure tales. With the dry wit and unsentimental precision O'Brian would come to be loved for, we see the tragedies of ...

Rooted in a long and diverse genealogy, biographical approaches have developed from a focus upon a single story, a life story and personal documents (e.g. diaries), to encompass (more routinely) autobiographical secondary and archival research and analysis - as well as multi-media, arts based creative multi-sensory methods. Biographical Research and practices as part of human understanding helps people to make sense of what has been and what is happening in their lives, cultures, communities and societies.

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Advances in Biographical Methods: Creative Applications" takes up these themes: theorising, doing and applying current "advances" in biographical methods. It demonstrates the momentum with which they areas are developing as a field of scholarship, especially in relation to creative innovations and applications, such as in new forms of interview and other practices, and debates on its interlinking with art, performance and digital methods."

Rooted in a long and diverse genealogy, biographical approaches have developed from a focus upon a single story, a 'life story' and personal documents (e.g. diaries), to encompass (more routinely) autobiographical secondary and archival research and analysis - as well as multi-media, arts based creative multi-sensory methods. Biographical Research and practices as part of human understanding helps people to make sense of what has been and what is happening in their lives, cultures, communities and societies. Advances in Biographical Methods: Creative Applications takes up these themes: theorising, doing and applying current advances in biographical methods. It demonstrates the momentum with which they areas are developing as a field of scholarship, especially in relation to creative innovations and applications, such as in new forms of interview and other practices, and debates on its interlinking with art, performance and digital methods.

As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast's most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group's songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women's rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America's musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America's capitalist order.

"Roberts is certainly successful in conveying a sense of the rich diversity of biographical research. This is a book based upon a formidably wide-ranging bibliography together with his own, by no means insignificant, contributions to the field...[the]...reader will be left in no doubt as to the central importance of biographical research and of its legitimate position within the social sciences" - David Morgan, Emeritus Professor of Sociology, Manchester University (former President, British Sociological Association), Auto/Biography, a BSA Study Group journal, 2002."Brian Roberts' book is a highly accessible introduction to biographical method...The author deftly and confidently addresses the available work in a variety of disciplines ranging from education through oral history, feminism to memory... I warmly recommend this book to any historian interested in biography and what its study can tell them about what they do'. - Alun Munslow, Professor of History, Staffordshire University (Editor, Rethinking History), Rethinking History, 7:3, pp. 451-5, October, 2003* What is biographical research? * Why has it attracted so much interest? * How can biographical research be carried out? Biographical Research reflects a rapid expansion of interest in the study of lives taking place within the social sciences. Life story, oral history, narrative, autobiography, biography and other approaches are being used more and more to explore how individuals interpret experiences and social relationships. This book examines the methodological and theoretical developments associated with research on lives in sociology, oral history, ethnography, biography, and narrative analysis. The author includes numerous examples of biographical research from his own work and other studies, and addresses important areas such as the collection and interpretation of materials, uses of biographical research, oral and written accounts, the interview relationship, the construction of the story, memory, audience, and the researcher's own biography. In conclusion it draws out common themes and emerging concerns. Biographical Research is a comprehensive guide to major issues in the study of lives for students and researchers in the social sciences and related fields.