For Human Sexuality courses in psychology, sociology, anthropology, health and biology departments. (SP0801) This appealing, readable and humanistic guide to human sexuality achieves a sound balance between facts and understanding, giving students the information they need to make responsible decisions and helping them feel comfortable about themselves while learning about their sexuality. The text continues its reputation as the best value for the money with a built-in study guide at the end of each chapter. This new edition comes in an attractive, new four color design.

This revised and updated introduction to the novels and non-fiction of V.S. Naipaul will be of interest to students, specialists and general readers. Chronological chapters examine the structure, significance and development of Naipaul's writing, setting the texts in their autobiographical, philosophical, social and political, colonial and post-colonial contexts. New chapters in the second edition include an expanded biographical introduction, and discussion of the recent novels A Way in the World and Half a Life, Naipaul's writings on Islam, and the criticism of Naipaul by writers and post-colonial theorists.

Besides essays on such individual dramatists as Wole Soyinka, Derek Walcott, David Williamson, Louis Nowra, Athol Fugard, George Walker, Sharon Pollock and Judith Thompson, there are surveys of the dramatic literature and developments in the theatre in Australia, Canada, India, New Zealand, South Africa, Papua New Guinea, Ghana, Nigeria, Jamaica and Trinidad. Canadian women dramatists and the new radical South African theatre are also among the topics. Bruce King's introduction discusses the comparative development of Commonwealth drama since the late 1940s.

The essays in this book examines such topics as the autobiographical basis of Nadine Gordimer's fiction, her relationship to feminism, the place of the white woman in black Africa, the ambiguity of revolutionary politics, her ambivalent relationship to Judaism, her use of irony, the symbolism of landscape, and the ways in which she has revised recurring topics throughout her career as a writer. There are essays on "The Conservationist", "Burger's Daughter", "July's People", "A Sport of Nature" and "My Son's Story" and the later short fiction. The editor provides an introduction to the reasons why Gordimer's work has changed so radically.

The book examines the intersection of two philosophical developments which define define contemporary life in the liberal democratic west, considering how democracy has become the only legitimate and publicly defensible regime, while also considering how modern democracy attempts to solve what Leo Strauss called the "theologico-political problem."

The intense current interest in the development of solar energy as a viable energy alternative comes as no surprise in view of the widespread awareness of impending world-wide energy shortages. After all, the magnitude of energy available from the sun is impressive, its diffuseness and intermittent nature notwithstanding. The fact that, as a source, it represents a constant and inex haustible supply of energy is alluring. The fact that most solar application schemes are nonpolluting in nature is an attractive bonus. In spite of these impressive attributes, research and development in the area of solar energy is in its infancy, owing largely to the prior lack of any need to exploit such diffuse sources. Indeed efforts in this area have traditionally been within the province of solid-state physics and engineering. The problems associated with efficient light harvesting and storage, however, are not simply technological ones. Effec tive solutions to these problems appear to lie beyond the current forefront of the chemical sciences. Consequently input fr9m scientists previously engaged in fundamental chemistry has begun to emerge. Thus many of the contributions in this volume represent input from research groups with a relatively short history of involvement in solar energy. On the other hand, the long-standing and perceptive commitment of Professor Melvin Calvin to research involving solar energy represents the other extreme. This volume covers a variety of approaches to the problem of efficiently converting and storing solar energy."

The intense current interest in the development of solar energy as a viable energy alternative comes as no surprise in view of the widespread awareness of impending world-wide energy shortages. After all, the magnitude of energy available from the sun is impressive, its diffuseness and intermittent nature notwithstanding. The fact that, as a source, it represents a constant and inex haustible supply of energy is alluring. The fact that most solar application schemes are nonpolluting in nature is an attractive bonus. In spite of these impressive attributes, research and development in the area of solar energy is in its infancy, owing largely to the prior lack of any need to exploit such diffuse sources. Indeed efforts in this area have traditionally been within the province of solid-state physics and engineering. The problems associated with efficient light harvesting and storage, however, are not simply technological ones. Effec tive solutions to these problems appear to lie beyond the current forefront of the chemical sciences. Consequently input fr9m scientists previously engaged in fundamental chemistry has begun to emerge. Thus many of the contributions in this volume represent input from research groups with a relatively short history of involvement in solar energy. On the other hand, the long-standing and perceptive commitment of Professor Melvin Calvin to research involving solar energy represents the other extreme. This volume covers a variety of approaches to the problem of efficiently converting and storing solar energy."

The objective of this book is to present for the first time the complete algorithm for roots of the general quintic equation with enough background information to make the key ideas accessible to non-specialists and even to mathematically oriented readers who are not professional mathematicians. The book includes an initial introductory chapter on group theory and symmetry, Galois theory and Tschirnhausen transformations, and some elementary properties of elliptic function in order to make some of the key ideas more accessible to less sophisticated readers. The book also includes a discussion of the much simpler algorithms for roots of the general quadratic, cubic, and quartic equations before discussing the algorithm for the roots of the general quintic equation. A brief discussion of algorithms for roots of general equations of degrees higher than five is also included.

"If you want something truly unusual, try this book] by R. Bruce King, which revives some fascinating, long-lost ideas relating elliptic functions to polynomial equations."

--New Scientist

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more.
Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers.
In the future will there be a literary history of England, or will it be an English-language literary history? This important volume in the new Oxford English Literary History covers colonial, postcolonial, and immigrant writers since 1948. After the wave of decolonization following World War II and the growth of large immigrant communities in England, Bruce King asks the questions: Can we still talk of the English nation as a cultural unit? What does it mean to be British, English, or national? In his broad-ranging discussion, he covers such topics as Black British Poetry and Drama, Commonwealth Literature, and British African Literature, and looks in depth at writers such as V. S. Naipaul, Salman Rushdie, Hanif Kureishi, and Zadie Smith.
King writes from the conviction that it is wrong to assume that national cultures are finished. As he lucidly and persuasively demonstrates, a large, accomplished, socially significant body of writing in England sits between and overlaps with an older British tradition and its various sub-divisions, new national literatures, a post-imperial Commonwealth tradition, and contemporary global literature.

Nobel Prizewinner Nadine Gordimer's novels and short stories from The Conservationist to Jump have been her best and most controversial work. This new book examine such topics as the autobiographical basis of her fiction, her relationship to feminism, the place of the white woman in black Africa, the ambiguity of revolutionary politics, her ambivalent relationship to Judaism, her use of irony, the symbolism of landscape, and the ways in which she has revised recurring topics throughout her career as a writer.

Post-Colonial English Drama is the first critical survey of contemporary Commonwealth drama. Besides essays on such individual dramatists as Wole Soyinka, Derek Walcott, David Williamson, Louis Nowra, Athol Fugard, George Walker, Sharon Pollock and Judith Thompson there are surveys of the dramatic literature and developments in the theatre in Australia, Canada, India, New Zealand, South Africa, Papua New Guinea, Ghana, Nigeria, Jamaica and Trinidad. Canadian woman dramatists and the new radical South African theatre are also among the topics.

Soak up carbon into beautiful, healthy buildings that heal the climate "Green buildings" that slash energy use and carbon emissions are all the rage, but they aren't enough. The hidden culprit is embodied carbon - the carbon emitted when materials are mined, manufactured, and transported - comprising some 10% of global emissions. With the built environment doubling by 2030, buildings are a carbon juggernaut threatening to overwhelm the climate. It doesn't have to be this way. Like never before in history, buildings can become part of the climate solution. With biomimicry and innovation, we can pull huge amounts of carbon out of the atmosphere and lock it up as walls, roofs, foundations, and insulation. We can literally make buildings out of the sky with a massive positive impact. The New Carbon Architecture is a paradigm-shifting tour of the innovations in architecture and construction that are making this happen. Office towers built from advanced wood products; affordable, low-carbon concrete alternatives; plastic cleaned from the oceans and turned into building blocks. We can even grow insulation from mycelium. A tour de force by the leaders in the field, The New Carbon Architecture will fire the imagination of architects, engineers, builders, policy makers, and everyone else captivated by the possibility of architecture to heal the climate and produce safer, healthier, and more beautiful buildings.

“Net Zero” has been an effective rallying cry for the green building movement, signalling a goal of having every building generate at least as much energy as it uses. Enormous strides have been made in improving the performance of every type of new building, and even more importantly, renovating the vast and energy-inefficient collection of existing buildings in every country. If we can get every building to net-zero energy use in the next few decades, it will be a huge success, but it will not be enough. In Build Beyond Zero, carbon pioneers Bruce King and Chris Magwood re-envision buildings as one of our most practical and affordable climate solutions instead of leading drivers of climate change. They provide a snapshot of a beginning and map towards a carbon-smart built environment that acts as a CO2 filter. Professional engineers, designers, and developers are invited to imagine the very real potential for our built environment to be a site of net carbon storage, a massive drawdown pool that could help to heal our climate. The authors, with the help of other industry experts, show the importance of examining what components of an efficient building (from windows to solar photovoltaics) are made with, and how the supply chains deliver all those products and materials to a jobsite. Build Beyond Zero looks at the good and the bad of how we track carbon (Life Cycle Assessment), then takes a deep dive into materials (with a focus on steel and concrete) and biological architecture, and wraps up with education, policy and governance, circular economy, and where we go in the next three decades. In Build Beyond Zero, King and Magwood show how buildings are culprits but stand poised to act as climate healers. They offer an exciting vision of climate-friendly architecture, along with practical advice for professionals working to address the carbon footprint of our built environment.

The book examines the intersection of two philosophical developments which define define contemporary life in the liberal democratic west, considering how democracy has become the only legitimate and publicly defensible regime, while also considering how modern democracy attempts to solve what Leo Strauss called the "theologico-political problem."

From New National to World English Literature offers a personal perspective on the evolution of a major cultural movement that began with decolonisation, continued with the assertion of African, West Indian, Commonwealth, and other literatures, and has evolved through postcolonial to world or international English literature. Bruce King's extensive Introduction discusses the personalities, writers, issues, and contexts of what he considers the most important change in culture since Modernism. The Introduction also explains the forty-five essays and reviews he has selected from his publications to illustrate the development, stages, and major national literatures, authors, and themes. Special attention is given to Nigerian, West Indian, Australian, Indian, and Pakistani literature. Topics and issues include: "Derry" Jeffares organising Commonwealth and Anglo-Irish studies, the emergence and aesthetics of African literature, the question of the existence of a "Nigerian literature", the place of the new universities in decolonising culture, the influence of the Rockefeller Foundation, the contrasting models of American and Irish literatures, ethnicity as response , the changing nature of exile and diasporas, the role of Jewish writers, minorities, Muslim objections to free speech, The Satanic Verses controversy, traditionalism versus modernism, the dangers of cultural assertion, and the relationships between nationalism and internationalism. Authors discussed include Chinua Achebe, Ahmed Ali, Margaret Atwood, David Dabydeen, K N Daruwalla, Nissim Ezekiel, Abdulrazak Gurnah, Almagir Hashmi, Attia Hosain, A D Hope, Adil Jussawalla, Arun Kolatkar, Hanif Kureishi, Dom Moraes, Frank Moorhouse, V S Naipaul, Abioseh Nicol, Gabriel Okara, Mike Phillips, Mordechai Richler, Salman Rushdie, Wole Soyinka, Garth St Omer, Kamila Shamsie, Randolph Stow, Jeet Thayil, and Derek Walcott.

New National and Post-colonial Literatures provides a comprehensive and up-to-date survey of colonial, post-colonial and new national literatures, and related criticism, which will prove invaluable for beginners and specialists alike. The essays range from discussion of colonial literatures through nationalism to the internationalization of literature, multiculturalism, writing by post-colonial women, and analysis of the literature of the native peoples of Canada, Australia, and New Zealand. The collection also centres upon the problems of categorizing literatures, and their politicization, and recognizes that in a time of massive migration, rapid international communication, and increased demands by minorities, national cultures are less stable than in the past and the very notion of national identity is changing.

In the future, what will 'English Literary History' mean? A literary history of England, or one with much looser boundaries, defined only by a communality of language, not by location or history? In this, the latest volume in the Oxford English Literary History, Bruce King discusses the literature written by those who have chosen to make England their home since 1948. With decolonization following World War II, and the growth of large immigrant communities in England, came a wave of colonial, postcolonial, and immigrant writers whose entry onto the British cultural landscape forces us to consider what it is to be British, English, or national now that England is multiracial and part of a global economy. King addresses these new trends in English literature and the questions they raise in the first wide-ranging and comprehensive account of immigrant literature set in a social context. Ranging through Black and Asian British prose, poetry and drama, and writers including V. S. Naipaul, Salman Rushdie, Hanif Kureishi, and Zadie Smith, King reveals the development of the literature from writing about immigration to becoming English. Now that the literature of England includes Sri Lankans, Egyptians, and British Nigerians, does this mean that we can no longer talk of the English nation as a cultural unit? King concludes persuasively that it does not. We have not seen the demise of national cultures, but rather, a new, accomplished, and socially significant body of writing in England is influenced by the interaction between foreign cultures and British traditions. This bold and challenging account of British culture will shape debate for future generations.

This is the first literary biography of Nobel Prize-winning poet and dramatist Derek Walcott. Bruce King works from published and unpublished sources, personal interviews and correspondence to draw a detailed picture of Walcott: from his life in the West Indies to his move to New York, and the implications of this relocation for his life and work. This is an unrivalled account of Walcotts life as a writer: his career, friendships, ideas, art, and influences.

Written at Derek Walcott's suggestion, and based on interviews with the playwright and actors, this is the first detailed study of a post-colonial theatre company and the problems of creating `serious' theatre in the former colonies. The book shows how Walcott strove to create a world class theatre ensemble in the West Indies - a Trinidadian Brecht Berliner ensemble - and traces his life and career in West Indian theatre, and the history of the Trinidad Theatre Workshop. Beginning with an actors' studio and the vision of a West Indian theatre company of international standards with its own style of acting, Derek Walcott developed the most important theatre company in the West Indies. This was the company which first performed his Dream on Monkey Mountain, the musical version of Ti-Jean and his Brothers, The Joker of Seville, and O Babylon! A major contribution to West Indian history and theatre, Bruce King's study reveals the heroic will of Derek Walcott and his actors, and their determination to prove that West Indian drama was a force with which to be reckoned.

Finally, Bruce King, acclaimed literary critic, presents his autobiography and offers fascinating insights into his life as bon vivant and literary critic.