Nobel Prizewinner Nadine Gordimer's novels and short stories from
The Conservationist to Jump have been her best and most
controversial work. This new book examine such topics as the
autobiographical basis of her fiction, her relationship to
feminism, the place of the white woman in black Africa, the
ambiguity of revolutionary politics, her ambivalent relationship to
Judaism, her use of irony, the symbolism of landscape, and the ways
in which she has revised recurring topics throughout her career as
a writer.
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