Bruce Ross knew something was wrong. He felt displaced and isolated from friends, family, and society. He had no one to turn to, and so he tried to cope with it himself. The fact that he had a disease called depression never entered his mind. He, like so many people, thought that only other people suffered from depression, not someone who appeared to be a well-adjusted, middle class person.

"From Dawn to Dusk to Daylight" chronicles Ross's journey and struggles with depression, from his high school years until middle age. During this time, his promising start in life transformed into a dusk, in which Ross lived twenty-four hours of each day in a gloomy and unsettled existence. With eloquence and charm, he recaptures the joys of his childhood in Dartmouth, growing up with his buddies. Gradually, those times faded, and he found himself in the middle of his teenage years and the beginnings of his depression.

Ross lived with the pain of depression and its "twin sister," Generalized Anxiety Disorder (GAD), for more than thirty-five years before achieving a breakthrough thanks to the experimental procedure known as Deep Brain Stimulation (DBS). This exciting advancement in medical science shows great promise for depression sufferers in North America and around the world.

"From Dawn to Dusk to Daylight" is the candid and revealing story of the trials and tribulations of living with depression and the relief DBS finally brought.

Stunning Sentences, Powerful Paragraphs, and Riveting Reports

A source book of proven tips and techniques to make your writing clearer, simpler, and more memorable.

Whether it's a Web page on the Internet or a chapter in an annual budget report, readers today have less time to spend wading through text-they want the writing they read to be articulate and to the point. Effective Writing will help writers at any level of proficiency produce clear, concise writing structured around the messages they want to convey to their audience, and supported with strong, well-developed paragraphs and sentences.

Written in plain language and a relaxed style, this book is easily adaptable to a wide variety of writing styles and tasks, and will be helpful at any stage of the process: conceptuali-zation, writing, or editing.

• Any writer weary from the battle with words will be grateful for the no-nonsense, straightforward approach in this book: no pronouncements on the nature of writing, no lists of rules, but clear recommendations backed by a wealth of examples.
• Also available in three individual paperback volumes

"And it should be known that I, Galbert, a notary, though I had no suitable place for writing, set down on tablets a summary of events... and in the midst of so much danger by night and conflict by day. I had to wait for moments of peace during the night or day to set in order the present account of events as they happened, and in this way, though in great straits, I transcribed for the faithful what you see and read."-From "The Murder of Charles the Good"

On March 12, 1127, Charles the Good, Count of Flanders, was slain in the church of Saint Donatian in Bruges in a plot devised by an embittered noble family. Known for creating laws to protect and help the poor, Charles the Good's assassination sent ripples throughout Europe, affecting the balance of power between England, France, and the Holy Roman Empire. It also threw Flemish society into chaos as this prosperous region became engulfed in a brutal struggle for power. With a journalistic eye, Galbert of Bruges, a notary and cleric, presents a riveting portrait of the day-to-day political and social unrest that followed in the wake of Charles's murder and the military battles to control Flanders.

Historians have long recognized "The Murder of Charles the Good" as a remarkable point of entry for understanding the most important political, legal, and social issues that confronted medieval Europe: definitions of freedom and servility; the competing claims of national and royal sovereignty; and the rise of the bourgeoisie.

Bruce Ross knew something was wrong. He felt displaced and isolated from friends, family, and society. He had no one to turn to, and so he tried to cope with it himself. The fact that he had a disease called depression never entered his mind. He, like so many people, thought that only other people suffered from depression, not someone who appeared to be a well-adjusted, middle class person.

"From Dawn to Dusk to Daylight" chronicles Ross's journey and struggles with depression, from his high school years until middle age. During this time, his promising start in life transformed into a dusk, in which Ross lived twenty-four hours of each day in a gloomy and unsettled existence. With eloquence and charm, he recaptures the joys of his childhood in Dartmouth, growing up with his buddies. Gradually, those times faded, and he found himself in the middle of his teenage years and the beginnings of his depression.

Ross lived with the pain of depression and its "twin sister," Generalized Anxiety Disorder (GAD), for more than thirty-five years before achieving a breakthrough thanks to the experimental procedure known as Deep Brain Stimulation (DBS). This exciting advancement in medical science shows great promise for depression sufferers in North America and around the world.

"From Dawn to Dusk to Daylight" is the candid and revealing story of the trials and tribulations of living with depression and the relief DBS finally brought.

Essential passages form the works of more than 100 fifteenth-and sixteenth-century thinkers and writers, including Erasmus, Cervantes, Boccaccio, Montaigne, Bodin, Dürer, Machiavelli, Guicciardini, Rabelais, Leonardo, Cellini, Copernicus, Galileo, Savonarola, Luther, and Calvin.

Haiku, Other Arts, and Literary Disciplines investigates the genesis and development of haiku in Japan and determines the relationships of haiku with other arts, such as essay, painting, and music, as well as the backgrounds of haiku, such as literary movements, philosophies, and religions that underlie haiku composition. By analyzing the poets who played major roles in the development of haiku and its related geners, these essays illustrate how Japanese haiku poets, and American writers such as Emerson and Whitman, were inspired by nature, especially its beautiful scenes and seasonal changes. Western poets had a demonstrated affinity for Japanese haiku, which bled over into other art mediums, as these chapters discuss.

American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound's well-known haiku-like poem, "In A Station of the Metro," published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac's Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel's Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy's haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013). Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).

In today's society, a wealth of information can be obtained at the touch of a button. But while information is abundant, time, unfortunately, is not. How do you present your material in a way that grabs--and holds--the attention of your audience? Whether you are writing a report, drafting email, creating a Power Point presentation, or building a Web site, this book shows how to use language that is easily accessible, never oppressive. It explains how to organize content in progressive, digestible detail, allowing readers to navigate a document's contents and to move quickly to areas of interest. And it describes how to link ideas within a document and across the mediums of print, Internet, and CD-ROM. Each two-page spread covers one subject and is linked to other subjects for further study. More than one hundred sets of recommendations, backed by concrete examples, cover everything from common grammatical mistakes to the basics of using charts and tables.

Covers everything from the first spark of inspiration to the final draft. Writers will see how a series of careful questions will lead them to the messages of their reports, and will learn how to let those messages drive the structure of the piece. From this foundation they will be able to create a paragraph-by-paragraph plan of their entire report. A final chapter explains the author's techniques for editing reports of any length.

Explores the essentials of solid, point-based paragraphs, with chapters on unifying each paragraph around one point, developing paragraphs in a variety of interesting ways, binding sentences within the paragraph, and creating smooth transitions. A catalog of exemplary paragraph patterns, supported with clear diagrams, gives readers models to follow and options to consider.

Offers more than 100 model sentence types in a catalog format, giving writers many interesting and provocative ways to say what they mean. Writers looking for a more striking way to open a sentence will find these options: the announcement, the editorial opening, the opening appositive, the opening absolute, and the conjunction opening, among others. Examples of each sentence type ensure the reader's understanding of the concepts.

"And it should be known that I, Galbert, a notary, though I had no suitable place for writing, set down on tablets a summary of events... and in the midst of so much danger by night and conflict by day. I had to wait for moments of peace during the night or day to set in order the present account of events as they happened, and in this way, though in great straits, I transcribed for the faithful what you see and read."-From "The Murder of Charles the Good"

On March 12, 1127, Charles the Good, Count of Flanders, was slain in the church of Saint Donatian in Bruges in a plot devised by an embittered noble family. Known for creating laws to protect and help the poor, Charles the Good's assassination sent ripples throughout Europe, affecting the balance of power between England, France, and the Holy Roman Empire. It also threw Flemish society into chaos as this prosperous region became engulfed in a brutal struggle for power. With a journalistic eye, Galbert of Bruges, a notary and cleric, presents a riveting portrait of the day-to-day political and social unrest that followed in the wake of Charles's murder and the military battles to control Flanders.

Historians have long recognized "The Murder of Charles the Good" as a remarkable point of entry for understanding the most important political, legal, and social issues that confronted medieval Europe: definitions of freedom and servility; the competing claims of national and royal sovereignty; and the rise of the bourgeoisie.