During the Renaissance, horses--long considered the privileged, even sentient companions of knights-errant--gradually lost their special place on the field of battle and, with it, their distinctive status in the world of chivalric heroism. Parrots, once the miraculous, articulate companions of popes and emperors, declined into figures of mindless mimicry. Cats, which were tortured by Catholics in the Middle Ages, were tortured in the Reformation as part of the Protestant attack on Catholicism. And sheep, the model for Agnus Dei imagery, underwent transformations at once legal, material, and spiritual as a result of their changing role in Europe's growing manufacturing and trade economies. While in the Middle Ages these nonhumans were endowed with privileged social associations, personal agency, even the ability to reason and speak, in the early modern period they lost these qualities at the very same time that a new emphasis on, and understanding of, human character was developing in European literature.In "Animal Characters" Bruce Thomas Boehrer follows five species--the horse, the parrot, the cat, the turkey, and the sheep--through their appearances in an eclectic mix of texts, from romances and poetry to cookbooks and natural histories. He shows how dramatic changes in animal character types between 1400 and 1700 relate to the emerging economy and culture of the European Renaissance. In early modern European culture, animals not only served humans as sources of labor, companionship, clothing, and food; these nonhuman creatures helped to form an understanding of personhood. Incorporating readings of Shakespeare's plays, Milton's "Paradise Lost," Margaret Cavendish's "Blazing World," and other works, Boehrer's series of animal character studies illuminates a fascinating period of change in interspecies relationships.

After completing his conquest of the Persian empire, Alexander the Great maneuvered his army across the Hindu Kush and into India. During his two years there, he traveled from dry frigid mountains to humid tropical lowlands and then back across one of the most punishing deserts on the planet. He fought a series of desperate battles against strange foes mounted on war-elephants, suffering wounds that nearly killed him. And when he eventually turned homeward, he brought with him specimens of a rare, magical species, a bird that could speak with a human voice. Introduced to Europe by Alexander, parrots were quickly embraced by Western culture as exotic and astonishing, full of marvelous powers, and close to the gods. Over the centuries they would become objects of veneration or figures of folly, creatures prized for their wit-or their place on the dinner table. Ultimately, they would become emblematic of the West's interaction with the world at large. Identifying a deeply rooted obsession with these beautiful and loquacious birds, Bruce Thomas Boehrer provides the first account of parrots and their impact on the Western world. Parrot Culture: Our 2500-Year-Long Fascination with the World's Most Talkative Bird traces the unusual history of parrots from their introduction in the Graeco-Roman world as items of oriental luxury, through the great age of New World exploration, to the contemporary ecological crisis of globalism. Boehrer identifies the poignant irony in the way parrots became ubiquitous as symbols and mascots, while suffering near extinction at the hands of those who desired them. Exploring their presence and meanings in the art, literature, and history of Western civilization, Parrot Culture also celebrates the beauty, intelligence, and personality of these birds, whose fate will say as much about us and the world we have created as it will about them.

In The Fury of Men's Gullets, Bruce Boehrer explores the poet's fascination with alimentary matters and the ways in which such references describe Jonson's personal and cultural transformation. In his wide-ranging examination of Jonson's plays, prose, and nondramatic verse, Boehrer discusses the sociohistorical significance of food, the politics of conspicuous consumption, the infrastructure of Jacobean London, and pertinent aspects of Renaissance medical practice and physiological theory. The Fury of Men's Gullets uniquely interprets Jonson's construction of early modern English literary sensibility.

In Monarchy and Incest in Renaissance England, Bruce Thomas Boehrer argues that a preoccupation with incest is built not the dominant social and cultural concerns of early modern England. Proceeding from a study of Henry III's divorce and succession legislation, through the reigns of Elizabeth I, James I, and Charles I, this work examines the interrelation between family politics and literary expression in and around the English royal court.