The bilingual InVerse anthologies feature the works of well-known contemporary poets who already belong to the history of Italian poetry, in addition to younger and less known poets whom the editors believe deserve to be recognized. Every anthology collects the work of the poets who took part in the InVerse Poetry Festival, held at John Cabot University. At the root of the project is the desire to introduce English speakers to modern Italian poetry. This is the seventh edition of the anthology, which gives over time, a comprehensive and independent overview of the Italian poetic milieu.

Poetry by: Antonella Anedda Gian Maria Annovi Nadia Agustoni Mario Benedetti Antonio Bux Biagio Cepollaro Vladimir D'Amora Roberto Deidier Stelvio Di Spigno Anna Maria Farabbi Paolo Febbraro Silvia Fiorentino Mariangela Guatteri Andrea Inglese Bianca Madeccia Giampiero Neri Giulia Niccolai Sandro Olimpi Umberto Piersanti Elena Buia Rutt Francesco Serrao Giacomo Trinci Ida Travi

Poetry by Sebastiano Aglieco Annelisa Alleva Elisa Biagini Elisa Davoglio Alessandro De Francesco Sonia Gentili Giuliano Mesa Luigi Nacci Elio Pecora Maria Luisa Spaziani Andrea Zanzotto Federico Zuliani Edited by Brunella Antomarini Berenice Cocciolillo Rosa Filardi On the occasion of John Cabot University's fortieth anniversary, we are proud to present the fifth edition of the InVerse poetry anthology. In publishing InVerse, the University is true to its deepest mission and commitment: to bring together Anglo-American and Italian cultures. Franco Pavoncello President

Aesthetics in Present Future: The Arts and the Technological Horizon collects essays by specialized scholars and a few artists, who focus on the issue of how deeply the arts change when conveyed by the new media (the web; 3D printers, videos, etc.) or also simply diffused by them. Every author shows to analyze the topic without glorifying nor criticizing this strong tendency. Their analyses proceed as descriptions, stating how both the virtual production and virtual communication change our attitudes toward what we call the arts. The scope of the topics goes from photography to cinema, to painting, from theatre to avant-guarde art and net art, construction of robots and simulation of brain functions. The result is an astonishing range of new possibilities for the arts and new perspectives regarding our knowledge of the world.

The aim of Thinking through Error: The Moving Target of Knowledge is to describe knowledge as it works in our everyday attitude and behavior. Often in life, when making decisions and choices, we do not need to test the truth of our beliefs, so there must be another way to guide ourselves. With this in mind, Antomarini presents 'thinking through error' instead of 'excluding error'. That is, we act through a slow process of guess-work, followed by quick gestures. By using our own uncertainty and our exploratory abilities, we face unpredictable situations and at the same time we acknowledge the constant presence of error in our thinking. Every decision we make continuously determines and replaces an entire universe within which that decision is plausible. Our everyday knowledge is a balance between a feeling of the truth and its negation.

The bilingual InVerse anthologies feature the works of well-known contemporary poets who already belong to the history of Italian poetry, in addition to younger and less known poets whom the editors believe deserve to be recognized. Every anthology collects the work of the poets who took part in the InVerse Poetry Festival, held at John Cabot University. At the root of the project is the desire to introduce English speakers to modern Italian poetry. This is the eighth edition of the anthology, which gives over time, a comprehensive and independent overview of the Italian poetic milieu.