A New Yorker staff writer, investigates his grandfather, a Nazi Party Chief, in this "unflinching, gorgeously written, and deeply moving exploration of morality, family, and war� (Patrick Radden Keefe, author of Empire of Pain) ‘The book we need right now’ Atul Gawande, author of Being Mortal What do we owe the past? How to make peace with a dark family history? Burkhard Bilger hardly knew his grandfather growing up. His parents immigrated to Oklahoma from Germany after World War II, and though his mother was an historian, she rarely talked about her father or what he did during the war. Then one day a packet of letters arrived from Germany, yellowing with age, and a secret history began to unfold. Karl Gönner was a schoolteacher and Nazi party member from the Black Forest. In 1940, he was sent to a village in occupied France and tasked with turning its children into proper Germans. A fervent Nazi when the war began, he grew close to the villagers over the next four years, till he came to think of himself as their protector, shielding them from his own party’s brutality. Yet he was arrested in 1946 and accused of war crimes. Was he guilty or innocent? A vicious collaborator or just an ordinary man, struggling to atone for his country’s crimes? Bilger goes to Germany to find out. What follows is a literary suspense story: a tale of chance encounters and serendipitous discoveries in villages and dusty archives across Germany and France. Intimate and far-reaching, Fatherland is an extraordinary odyssey through the great upheavals of the past century, tracing one family’s path through history’s wreckage. For readers of Bart van Es’s The Cut Out Girl or Edmund de Waal’s The Hare with the Amber Eyes, this is a story of middle lands, torn allegiances and loaded family inheritance.

A New Yorker staff writer, investigates his grandfather, a Nazi Party Chief, in this "unflinching, gorgeously written, and deeply moving exploration of morality, family, and war� Patrick Radden Keefe, author of Empire of Pain ‘The book we need right now’ Atul Gawande, author of Being Mortal What do we owe the past? How to make peace with a dark family history? Burkhard Bilger hardly knew his grandfather growing up. His parents immigrated to Oklahoma from Germany after World War II, and though his mother was an historian, she rarely talked about her father or what he did during the war. Then one day a packet of letters arrived from Germany, yellowing with age, and a secret history began to unfold. Karl Gönner was a schoolteacher and Nazi party member from the Black Forest. In 1940, he was sent to a village in occupied France and tasked with turning its children into proper Germans. A fervent Nazi when the war began, he grew close to the villagers over the next four years, till he came to think of himself as their protector, shielding them from his own party’s brutality. Yet he was arrested in 1946 and accused of war crimes. Was he guilty or innocent? A vicious collaborator or just an ordinary man, struggling to atone for his country’s crimes? Bilger goes to Germany to find out. What follows is a literary suspense story: a tale of chance encounters and serendipitous discoveries in villages and dusty archives across Germany and France. Intimate and far-reaching, Fatherland is an extraordinary odyssey through the great upheavals of the past century, tracing one family’s path through history’s wreckage. For readers of Bart van Es’s The Cut Out Girl or Edmund de Waal’s The Hare with the Amber Eyes, this is a story of middle lands, torn allegiances and loaded family inheritance.

Burkhard Bilger vividly captures a world that lies outside the familiar images of life in the United States in the twenty-first century in eight superbly crafted essays about little-known corners of the South. It is a world in which grown men catch catfish with their bare hands, crowds of people cheer on chickens as they fight to the death, and a woman moves into a trailer home when her house burns down just so she can continue hunting 350 nights a year. Bilger records the eccentric and sometimes downright bizarre behavior he encounters with humor and wit but nary a whisper of mockery. In essays that combine history, anecdotes, and personal observations, he describes each activity, its origins, its dangers, and its pleasures. But Noodling for Flatheads is much more than a survey of unlikely pastimes. Through lively portraits of the participants, Bilger illuminates the obsessive individualism that is at the heart of the American spirit.

With The Best American Science and Nature Writing, Houghton Mifflin expands its stellar Best American series with a volume that honors our long and distinguished history of publishing the best writers in these fields. David Quammen, together with series editor Burkhard Bilger, has assembled a remarkable group of writers whose selections appeared in periodicals from NATIONAL GEOGRAPHIC, SCIENCE, and THE NEW YORKER to PUERTO DEL SOL and DOUBLETAKE. Among the acclaimed writers represented in this volume are Richard Preston on “The Demon in the Freezer,” John McPhee bidding “Farewell to the Nineteeth Century,” Oliver Sacks remembering the “Brilliant Light” of his boyhood, and Wendell Berry going “Back to the Land.” Also including such literary lights as Anne Fadiman, David Guterson, Edward Hoagland, Natalie Angier, and Peter Matthiessen, this new collection presents selections bound together by their timelessness.