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Showing 1 - 13 of 13 matches in All Departments
In 2012-2013, one of the United States largest newspaper chains, Advance Publications, determined its main product was no longer newspapers but news, and switched from daily print publication of The Times-Picayune of New Orleans to three days a week, while upgrading its presence online ( Digital First ). More than 200 employees, including half the newsroom, were laid off in one of the poorest U.S. cities with among the lowest literacy rates and percentages of households with Internet access. The decision raised a furor in New Orleans. Alfred Lawrence Lorenz presents an historical overview of The Times-Picayune, from its 1837 founding through the present; Frank Durham describes the crucial role the dailies played in the 1960 school desegregation crisis; S.L. Alexander studies the impact of the switch on print coverage of hard news in the context of media developments, with the advent of The New Orleans Advocate resulting in a modern-day news war; Vicki Mayer presents a content analysis of specific print editions of The Times-Picayune and its digital formats conducted before and after the switch and its possible effects on quantity and quality of news coverage. As suggested by C.W. Anderson in the Introduction, this book is instructive for all concerned with what the transformation might portend for the news profession and for the traditional role of the press in the digital age."
From data-rich infographics to 140 character tweets and activist cell phone photos taken at political protests, 21st century journalism is awash in new ways to report, display, and distribute the news. Computational journalism, in particular, has been the object of recent scholarly and industry attention as large datasets, powerful algorithms, and growing technological capacity at news organizations seemingly empower journalists and editors to report the news in creative ways. Can journalists use data-along with other forms of quantified information such as paper documents of figures, data visualizations, and charts and graphs-in order to produce better journalism? In this book, C.W. Anderson traces the genealogy of data journalism and its material and technological underpinnings, arguing that the use of data in news reporting is inevitably intertwined with national politics, the evolution of computable databases, and the history of professional scientific fields. It is impossible to understand journalistic uses of data, Anderson argues, without understanding the oft-contentious relationship between social science and journalism. It is also impossible to disentangle empirical forms of public truth telling without first understanding the remarkably persistent Progressive belief that the publication of empirically verifiable information will lead to a more just and prosperous world. Anderson considers various types of evidence (documents, interviews, informational graphics, surveys, databases, variables, and algorithms) and the ways these objects have been used through four different eras in American journalism (the Progressive Era, the interpretive journalism movement of the 1930s, the invention of so-called "precision journalism," and today's computational journalistic moment) to pinpoint what counts as empirical knowledge in news reporting. Ultimately the book shows how the changes in these specifically journalistic understandings of evidence can help us think through the current "digital data moment" in ways that go beyond simply journalism.
Nine books of the beloved Billy and Blaze series from C.W. Anderson are now available together in a collectible boxed set! In Billy and Blaze, Billy gets his very own horse for his birthday! They make a great team, but are they good enough to win the silver cup at the Mason Horse Show? In Blaze and the Forest Fire, Billy and Blaze spot smoke in the brush, and immediately race around the woods to sound the alarm. At the end of the day, they are rewarded with carrots for Blaze, cake for Billy, and a very special present that they can share. In Blaze Finds the Trail, Billy and Blaze go exploring a new road. Before they know it, the sky grows dark with a coming storm, and Billy can't figure out how to get out of the woods. Can Blaze find the trail and get them home safely? In Blaze and Thunderbolt, Billy's friend Jim is unable to tame a wild horse called Thunderbolt. But with their gentle approach, Billy and Blaze may succeed where others have failed. In Blaze and the Mountain Lion, Billy and Blaze come face to face with a ferocious mountain lion! Fortunately, they are able to chase it into its cave and save a frightened calf. But can Billy and Blaze chase the lion away for good? In Blaze and the Lost Quarry, Billy and Blaze find an abandoned quarry. But they aren't the only ones who know of it--they arrive just in time to see a dog fall into the water! Will they be able to save the dog? In Blaze and the Gray Spotted Pony, Billy and Tommy see a small gray spotted pony in a field. Tommy knows immediately that this is the pony of his dreams. Will Tommy's wish come true? In Blaze Shows the Way, Billy and Blaze show Tommy and his horse, Dusty, how to be as great of a team as they are. Soon, Tommy and Dusty are good enough to enter the pairs jumping class with Billy and Blaze! In Blaze Finds Forgotten Roads, Billy and Tommy lead their horses down an unfamiliar path and spend the day exploring. But at the end of the day, neither Billy nor Tommy remember how to get back. Can Blaze lead them home?
Breaking down the walls of the traditional newsroom, "Rebuilding the News" traces the evolution of news reporting as it moves from print to online. As the business models of newspapers have collapsed, author C. W. Anderson chronicles how bloggers, citizen journalists, and social networks are implicated in the massive changes confronting journalism. Through a combination of local newsroom fieldwork, social-network analysis, and online archival research, "Rebuilding the News" places the current shifts in news production in socio-historical context. Focusing on the "Philadelphia Inquirer," the "Philadelphiaa Daily News," Anderson presents a gripping case study of how these papers have struggled to adapt to emerging economic, social, and technological realities. As he explores the organizational, networked culture of journalism, Anderson lays bare questions about the future of news-oriented media and its evolving relationship with OC the publicOCO in the digital age.
Over the past decade, the institutions and business models of American journalism have been utterly transformed. Through a combination of local newsroom ethnography, social-network analysis, and online archival research in Philadelphia, Pennsylvania, this book places current shifts in news production in perspective. The book also breaks down the walls of the traditional newsroom in order to study how bloggers and citizen journalists were implicated in the massive changes confronting journalism.
Billy was a little boy who "loved horses more than anything else in the world." Imagine how happy he was when he got his very own pony for his birthday! From that day on, Billy was seldom seen without his new friend, Blaze. Riding through fields and woods, Billy and Blaze learned to trust and understand one another -- and to jump over fences and fallen trees with ease. They were a great team, but were they good enough to win the gleaming silver cup at the Mason Horse Show? This is the first book in the classic Billy and Blaze series. Sensitive drawings and easy-to-read words capture the warmth and gentle understanding between a boy and his horse.
Billy and Blaze are more than just friends--they're heroes! When
they spot smoke in the brush, they race through the woods to sound
the alarm.
From data-rich infographics to 140 character tweets and activist cell phone photos taken at political protests, 21st century journalism is awash in new ways to report, display, and distribute the news. Computational journalism, in particular, has been the object of recent scholarly and industry attention as large datasets, powerful algorithms, and growing technological capacity at news organizations seemingly empower journalists and editors to report the news in creative ways. Can journalists use data-along with other forms of quantified information such as paper documents of figures, data visualizations, and charts and graphs-in order to produce better journalism? In this book, C.W. Anderson traces the genealogy of data journalism and its material and technological underpinnings, arguing that the use of data in news reporting is inevitably intertwined with national politics, the evolution of computable databases, and the history of professional scientific fields. It is impossible to understand journalistic uses of data, Anderson argues, without understanding the oft-contentious relationship between social science and journalism. It is also impossible to disentangle empirical forms of public truth telling without first understanding the remarkably persistent Progressive belief that the publication of empirically verifiable information will lead to a more just and prosperous world. Anderson considers various types of evidence (documents, interviews, informational graphics, surveys, databases, variables, and algorithms) and the ways these objects have been used through four different eras in American journalism (the Progressive Era, the interpretive journalism movement of the 1930s, the invention of so-called "precision journalism," and today's computational journalistic moment) to pinpoint what counts as empirical knowledge in news reporting. Ultimately the book shows how the changes in these specifically journalistic understandings of evidence can help us think through the current "digital data moment" in ways that go beyond simply journalism.
The business of journalism has an extensive, storied, and often romanticized history. Newspaper reporting has long shaped the way that we see the world, played key roles in exposing scandals, and has even been alleged to influence international policy. The past several years have seen the newspaper industry in a state of crisis, with Twitter and Facebook ushering in the rise of citizen journalism and a deprofessionalization of the industry, plummeting readership and revenue, and municipal and regional papers shuttering or being absorbed into corporate behemoths. Now billionaires, most with no journalism experience but lots of power and strong views, are stepping in to purchase newspapers, both large and small. This addition to the What Everyone Needs to Know (R) series looks at the past, present and future of journalism, considering how the development of the industry has shaped the present and how we can expect the future to roll out. It addresses a wide range of questions, from whether objectivity was only a conceit of late twentieth century reporting, largely behind us now; how digital technology has disrupted journalism; whether newspapers are already dead to the role of non-profit journalism; the meaning of "transparency" in reporting; the way that private interests and governments have created their own advocacy journalism; whether social media is changing journalism; the new social rules of old media outlets; how franchised media is addressing the problem of disappearing local papers; and the rise of citizen journalism and hacker journalism. It will even look at the ways in which new technologies potentially threaten to replace journalists.
The business of journalism has an extensive, storied, and often romanticized history. Newspaper reporting has long shaped the way that we see the world, played key roles in exposing scandals, and has even been alleged to influence international policy. The past several years have seen the newspaper industry in a state of crisis, with Twitter and Facebook ushering in the rise of citizen journalism and a deprofessionalization of the industry, plummeting readership and revenue, and municipal and regional papers shuttering or being absorbed into corporate behemoths. Now billionaires, most with no journalism experience but lots of power and strong views, are stepping in to purchase newspapers, both large and small. This addition to the What Everyone Needs to Know (R) series looks at the past, present and future of journalism, considering how the development of the industry has shaped the present and how we can expect the future to roll out. It addresses a wide range of questions, from whether objectivity was only a conceit of late twentieth century reporting, largely behind us now; how digital technology has disrupted journalism; whether newspapers are already dead to the role of non-profit journalism; the meaning of "transparency" in reporting; the way that private interests and governments have created their own advocacy journalism; whether social media is changing journalism; the new social rules of old media outlets; how franchised media is addressing the problem of disappearing local papers; and the rise of citizen journalism and hacker journalism. It will even look at the ways in which new technologies potentially threaten to replace journalists.
Leading scholars chart the future of studies on technology and journalism in the digital age. The use of digital technology has transformed the way news is produced, distributed, and received. Just as media organizations and journalists have realized that technology is a central and indispensable part of their enterprise, scholars of journalism have shifted their focus to the role of technology. In Remaking the News, leading scholars chart the future of studies on technology and journalism in the digital age. These ongoing changes in journalism invite scholars to rethink how they approach this dynamic field of inquiry. The contributors consider theoretical and methodological issues; concepts from the social science canon that can help make sense of journalism; the occupational culture and practice of journalism; and major gaps in current scholarship on the news: analyses of inequality, history, and failure. Contributors Mike Ananny, C. W. Anderson, Rodney Benson, Pablo J. Boczkowski, Michael X. Delli Carpini, Mark Deuze, William H. Dutton, Matthew Hindman, Seth C. Lewis, Eugenia Mitchelstein, W. Russell Neuman, Rasmus Kleis Nielsen, Zizi Papacharissi, Victor Pickard, Mirjam Prenger, Sue Robinson, Michael Schudson, Jane B. Singer, Natalie (Talia) Jomini Stroud, Karin Wahl-Jorgensen, Rodrigo Zamith
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