This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.

In Britain, the resistance to popular determination allowed by the financial construct of the public has been so successful that this term, public, must be re-read as politically paralyzing. The problem, our problem, is the public - which we are so often told will bring us together and provide for us - and it is this we must move beyond.

This interdisciplinary collection is a first step in the process of dismantling the imperial and unionist dominance of the discipline of English Literature and building a literary history and national literature of England. The collection brings together some of the best known and most incisive commentators on England, Englishness and English Literature from political and literary fields in order to rethink the relationship between Britain, England and English literary culture. It is premised on the importance of devolution, the uncertainty of the British Union, the place of English Literature within the Union, and the need for England to become a self-determining literary nation. The collection comprises fifteen essays, organised into four parts, moving from political discussions of the form of a devolved or independent England, through a consideration of England in canonical and contemporary literature, to an exploration of the role of the national in English Literature's disciplinary logic.

Some of the most incisive writers on the subject rethink the relationship between Britain, England and English literary culture. It is premised on the importance of devolution, the uncertainty of the British union, the place of English Literature within the union, and the need for England to become a self-determining literary nation.

This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.

Soil Physical Chemistry, Second Edition takes up where the last edition left off. With comprehensive and contemporary discussions on equilibrium and kinetic aspects of major soil chemical process and reactions this excellent text/reference presents new chapters on precipitation/dissolution, modeling of adsorption reactions at the mineral/water interface, and the chemistry of humic substances. An emphasis is placed on understanding soil chemical reactions from a microscopic point of view and rigorous theoretical developments such as the use of modern in situ surface chemical probes such as x-ray adsorption fine structure (XAFS), Fournier transform infrared (FTIR) spectroscopies, and scanning probe microscopies (SPM) are discussed.