Do not touch the sword. Do not turn the key. Do not open the gate.

In the land of the unforgiving desert, there isn't much a girl wouldn't do for a glass of water.

Twenty-four-year-old Saeris Fane is good at keeping secrets. No one knows about the strange powers she possesses, or the fact that she has been picking pockets and stealing from the Undying Queen's reservoirs for as long as she can remember.

But a secret is like a knot. Sooner or later, it is bound to come undone.

When Saeris comes face-to-face with Death himself, she inadvertently reopens a gateway between realms and is transported to a land of ice and snow. The Fae have always been the stuff of myth, of legend, of nightmares...but it turns out they're real, and Saeris has landed herself right in the middle of a centuries-long conflict that might just get her killed.

The first of her kind to tread the frozen mountains of Yvelia in over a thousand years, Saeris mistakenly binds herself to Kingfisher, a handsome Fae warrior, who has secrets and nefarious agendas of his own. He will use her Alchemist's magic to protect his people, no matter what it costs him . . . or her.

Death has a name. It is Kingfisher of the Ajun Gate. His past is murky. His attitude stinks. And he's the only way Saeris is going to make it home.

Be careful of the deals you make, dear child. The devil is in the details . . .

A BEAUTIFUL, LIMITED EDITION HARDBACK OF QUICKSILVER, THE FIRST BOOK IN THE FAE & ALCHEMY SERIES. This edition will feature brand new cover jacket artwork, silver metallic gilded edges, character art endpapers, hidden cover case foil and a bonus scene by Callie Hart.

Do not touch the sword. Do not turn the key. Do not open the gate.

In the land of the unforgiving desert, there isn't much a girl wouldn't do for a glass of water.

Twenty-four-year-old Saeris Fane is good at keeping secrets. No one knows about the strange powers she possesses, or the fact that she has been picking pockets and stealing from the Undying Queen's reservoirs for as long as she can remember.

But a secret is like a knot. Sooner or later, it is bound to come undone.

When Saeris comes face-to-face with Death himself, she inadvertently re-opens a gateway between realms and is transported to a land of ice and snow. The Fae have always been the stuff of myth, of legend, of nightmares... but it turns out they're real, and Saeris has landed herself in the middle of a centuries-long conflict that might just get her killed.

The first of her kind to tread the frozen mountains of Yvelia in over a thousand years, Saeris mistakenly binds herself to Kingfisher, a handsome Fae warrior, who has secrets and nefarious agendas of his own. He will use her Alchemist's magic to protect his people, no matter what it costs him . . . or her.

Death has a name. It is Kingfisher of the Ajun Gate. His past is murky. His attitude stinks. And he's the only way Saeris is going to make it home.

Be careful of the deals you make, dear child. The devil is in the details . . .

N.B. Quicksilver contains depictions of graphic violence/adult situations and is therefore recommended for readers 17+. For a full list of tropes and TWs, please visit the author's website.

From global phenomenon Callie Hart comes a highly addictive enemies-to-lovers Romantasy with razor-sharp banter, heart-stopping action, and blistering hot romance that you won't be able to put down!

Do not touch the sword. Do not turn the key. Do not open the gate.

In the land of the unforgiving desert, there isn't much a girl wouldn't do for a glass of water.

Twenty-four-year-old Saeris Fane is good at keeping secrets. No one knows about the strange powers she possesses, or the fact that she has been picking pockets and stealing from the Undying Queen's reservoirs for as long as she can remember.

But a secret is like a knot. Sooner or later, it is bound to come undone.

When Saeris comes face-to-face with Death himself, she inadvertently re-opens a gateway between realms and is transported to a land of ice and snow. The Fae have always been the stuff of myth, of legend, of nightmares... but it turns out they're real, and Saeris has landed herself in the middle of a centuries-long conflict that might just get her killed.

The first of her kind to tread the frozen mountains of Yvelia in over a thousand years, Saeris mistakenly binds herself to Kingfisher, a handsome Fae warrior, who has secrets and nefarious agendas of his own. He will use her Alchemist's magic to protect his people, no matter what it costs him . . . or her.

Death has a name. It is Kingfisher of the Ajun Gate. His past is murky. His attitude stinks. And he's the only way Saeris is going to make it home.

Be careful of the deals you make, dear child. The devil is in the details . . .

N.B. Quicksilver contains depictions of graphic violence/adult situations and is therefore recommended for readers 17+. For a full list of tropes and TWs, please visit the author's website.

We all have difficult thoughts sometimes, but we don't have to believe them.

Discover a variety of helpful and age-appropriate strategies for managing troubling thoughts and negative self-talk in this uplifting follow-up to The Best You.

Second series of the cult US prison drama, following the fortunes of a group of prisoners plotting a big breakout. This second season continues where the first left off, eight hours after the prison breakout. A significant development in this series is the introduction of FBI agent Alexander Mahone (William Fichtner), given the task of tracking down the eight escapees. The fugitives each follow their own journeys, which lead them across America, hotly pursued by the authorities. Episodes comprise: 'Manhunt', 'Otis', 'Scan', 'First Down', 'Map 1213', 'Subdivision', 'Buried', 'Dead Fall', 'Unearthed', 'Rendezvous', 'Bolshoi Booze', 'Disconnect', 'The Killing Box', 'John Doe', 'The Message', 'Chicago', 'Bad Blood', 'Wash', 'Sweet Caroline', 'Panama', 'Fin Del Camino' and 'Sona'.

All 35 episodes from the first three seasons of the US zombie adventure drama based on the comic books by Robert Kirkman. In the first season, when police officer Rick Grimes (Andrew Lincoln) wakes from a coma to find the world in the grip of a zombie epidemic, he joins a small encampment on the outskirts of Atlanta, where a band of human survivors struggle to withstand the terrifying advances of the walking dead. The episodes are: 'Days Gone Bye', 'Guts', 'Tell It to the Frogs', 'Vatos', 'Wildfire' and 'TS-19'. In the second season, Carl (Chandler Riggs) fights for his life after being shot, and the group continue their search for Sophia (Madison Lintz). The episodes are: 'What Lies Ahead', 'Bloodletting', 'Save the Last One', 'Cherokee Rose', 'Chupacabra', 'Secrets', 'Pretty Much Dead Already', 'Nebraska', 'Triggerfinger', '18 Miles Out', 'Judge, Jury, Executioner', 'Better Angels' and 'Beside the Dying Fire'. In the third season, Andrea (Laurie Holden) and newcomer Michonne (Danai Gurira) are taken to a nearby settlement run by the seemingly benevolent Governor (David Morrissey) and Rick and the rest of the group move into a prison where they believe they should have enough supplies to last them a while but soon realise they have enemies amongst the living as well as the dead. The episodes are: 'Seed', 'Sick', 'Walk With Me', 'Killer Within', 'Say the Word', 'Hounded', 'When the Dead Come Knocking', 'Made to Suffer', 'The Suicide King', 'Home', 'I Ain't a Judas', 'Clear', 'Arrow On the Doorpost', 'Prey', 'This Sorrowful Life' and 'Welcome to the Tombs'.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Christmas is a time for joy, wonder, and a little bit of mischief. Does any creature manifest these attitudes better than a cat? Their fascination with all those breakable ornaments on the tree and their appreciation of a cozy spot to nap seem made for the season. The way they alternate between calm and crazy echoes the way we all feel at Christmas, doesn't it? And that's just what you get with The Cat in the Christmas Tree. This collection of true, feel-good holiday stories by various writers celebrates the gift of cats and delivers all the warm fuzzies you could desire. It's the perfect companion for those magical Christmas evenings in front of the fireplace with your favorite feline. It also makes the purrfect gift for cat-loving friends.

Climate Engineering: A Normative Perspective takes as its subject a prospective policy response to the urgent problem of climate change, one previously considered taboo. Climate engineering, the "deliberate, large-scale manipulation of the planetary environment in order to counteract anthropogenic climate change," encapsulates a wide array of technological proposals. Daniel Edward Callies here focuses on one proposal currently being researched-stratospheric aerosol injection-which would spray aerosol particles into the upper atmosphere to thus reflect a small portion of incoming sunlight and slightly cool the globe. This book asks important questions that should guide moral and political discussions of geoengineering. Does engaging in such research lead us towards inexorable deployment? Could this research draw us away from the more important tasks of mitigation and adaptation? Should we avoid risky interventions in the climate system altogether? What would legitimate governance of this technology look like? What would constitute a just distribution of the benefits and burdens associated with stratospheric aerosol injection? Who ought to be included in the decision-making process? Callies offers a normative perspective on these and other questions related to engineering the climate, ultimately arguing for research and regulation guided by norms of legitimacy, distributive justice, and procedural justice.

From miniature donkeys to enormous draft horses, from regal Arabian stallions to sassy Shetland ponies, horses and other equines bring us delight and comfort whenever we encounter them. Even more so, perhaps, when humans and horses are brought together through a rescue. Whether someone has started a rescue ranch on purpose or circumstances align to match up the right horse with the right person, stories of second chances warm our hearts and restore our hope. This emotional and inspiring collection of true stories introduces you to a pony who helps a little girl get over her fear of riding, a donkey who discovers his purpose protecting vulnerable lambs, blind horses who teach their human about courage, and even a pony who somehow figures out how to drive a golf cart. By turns humorous and heartwarming, these delightful tales are the perfect companion for those times you long to slow down, take a load off, and enjoy the ride.

How do you make a rainbow? This joyful story, written by Caroline Crowe and illustrated by Cally Johnson-Isaacs, shows how to find colour and hope when days seem dim and grey: celebrating love, positivity and the precious relationship between a child and her grandad. Stuck inside on a cloudy day, a little girl asks her grandad to help her paint a rainbow on the sky. But as Grandad tells her, rainbows aren't painted on the sky, they grow out of kindness, hope, and helping other people. How Do You Make a Rainbow? is a reassuring, heart-warming story of colours, kindness, community and nature, that shows that brighter times are always around the corner.

Waite details the history of the community of Oberlin, Ohio, which demonstrated a commitment to the education of blacks during the antebellum period that was rare at the time. By the end of Reconstruction, however, black students at Oberlin were becoming segregated, and events at the college influenced the rest of the community, with neighborhoods, houses of worship, and social interaction becoming segregated. Waite suggests that Oberlin's history mirrors the story of race in America. The decision to admit black students to Oberlin College, and offer them the same curriculum as their white classmates, challenged the notion of black intellectual inferiority that prevailed during the antebellum period. Following the model of the college, the public schools of Oberlin were integrated in direct opposition to state laws that forbade the education of black children with public funds. However, after Reconstruction (1877), the nation tried to negotiate the future of a newly freed and barely educated people. In Oberlin, this change was evidenced by the gradual segregation of black students at the college. In the community, newly segregated neighborhoods, houses of worship and social interaction took hold in the former interracial utopia. The country looked to Oberlin as a model for integrated education at the end of the 19th century only to find that it, too, had succumbed to segregation. This study examines why, and focuses on the intersection of three national issues: the growth of the black church, increased racism and discrimination, and the transformation of higher education.