"Michael's sermons are both beautiful and inspiring. They draw the reader face to face with God in surprising ways, always feeding the spiritual appetite-yet leaving me thirsty for more of what we have just tasted. They are beautifully crafted, and admirably concise. The use of English is impeccable and the scholarship profound. The eclectic references to art and literature demonstrate an aesthetic talent and theological versatility that is exceptional." from the Foreword by Justin Welby, Archbishop of Canterbury Michael Sadgrove was Dean at Durham Cathedral between 2003 and 2015. During that time he preached many well-crafted sermons on a wide variety of topics, from the Iraq invasions to "digital lambs." This volume contains an edited collection of some of his finest and most thought-provoking sermons from his time in Durham.

Carol Harrison places Saint Augustine's theology in a new and illuminating context by considering what he has to say about beauty. She demonstrates how a theological understanding of beauty revealed in the created, temporal realm enabled Augustine to form a positive appreciation of this realm and the saving power of beauty within it. It therefore reintroduces aesthetics alongside philosophy and ethics in Augustine's treatment of God. Unlike previous works, it shifts the emphasis away from Augustine's early and most theoretical treatises to his mature reflections as a bishop and pastor on how God communicates with fallen man. Using his theory of language as a paradigm, it shows how divine beauty, revealed in creation and history, serves to inspire fallen man's faith, hope, and most especially his love - thereby reforming him and restoring the form or beauty he had lost.

This book explores early reflections on music and its effects on the mind and soul. Augustine is an obvious choice for such an analysis, as his De Musica is the only treatise on music by a Christian writer in the first five centuries AD; concerned not only with poetic metre and rhythm, but also with an ontology of music. Focusing on the six books of De Musica, the Confessions and the Homilies on the Psalms, Carol Harrison argues that Augustine establishes a psychology, ethics and aesthetics of musical perception, which considered together form an effective theology of music. For Augustine, music-both heard and performed- becomes the means by which we can sense and participate in divine grace. Composed by one of the world's foremost Augustine scholars, this book is a concise and powerful exploration of Augustine's writing and reflections on music and, by extension, the intimate relationship between music, religion, and philosophy.

Carol Harrison counters the assumption that Augustine of Hippo's (354-430) theology underwent a revolutionary transformation around the time he was consecrated Bishop in 396. Instead, she argues that there is a fundamental continuity in his thought and practice from the moment of his conversion in 386. The book thereby challenges the general scholarly trend to begin reading Augustine with his Confessions (396), which were begun ten years after his conversion, and refocuses attention on his earlier works, which undergird his whole theological system.

What do we mean when we talk about 'being Christian' in Late Antiquity? This volume brings together sixteen world-leading scholars of ancient Judaism, Christianity and, Greco-Roman culture and society to explore this question, in honour of the ground-breaking scholarship of Professor Gillian Clark. After an introduction to the volume's dedicatee and themes by Averil Cameron, the papers in Section I, `Being Christian through Reading, Writing and Hearing', analyse the roles that literary genre, writing, reading, hearing and the literature of the past played in the formation of what it meant to be Christian. The essays in Section II move on to explore how late antique Christians sought to create, maintain and represent Christian communities: communities that were both 'textually created' and 'enacted in living realities'. Finally in Section III, 'The Particularities of Being Christian', the contributions examine what it was to be Christian from a number of different ways of representing oneself, each of which raises questions about certain kinds of 'particularities', for example, gender, location, education and culture. Bringing together primary source material from the early Imperial period up to the seventh century AD and covering both the Eastern and Western Empires, the papers in this volume demonstrate that what it meant to be Christian cannot simply be taken for granted. 'Being Christian' was part of a continual process of construction and negotiation, as individuals and Christian communities alike sought to relate themselves to existing traditions, social structures and identities, at the same time as questioning and critiquing the past(s) in their present.

Augustine (AD 354-430) is perhaps the most influential figure in the transition from pagan antiquity to the Middle Ages. This book sets him in his social and cultural context. It shows how his belief in Christian truth and his conviction of human fallenness cut at the roots of classical aspirations after perfection.

How did people think about listening in the ancient world, and what evidence do we have of it in practice? The Christian faith came to the illiterate majority in the early Church through their ears. This proved problematic: the senses and the body had long been held in suspicion as all too temporal, mutable and distracting. Carol Harrison argues that despite profound ambivalence on these matters, in practice, the senses, and in particular the sense of hearing, were ultimately regarded as necessary - indeed salvific -constraints for fallen human beings. By examining early catechesis, preaching and prayer, she demonstrates that what illiterate early Christians heard both formed their minds and souls and, above all, enabled them to become 'literate' listeners; able not only to grasp the rule of faith but also tacitly to follow the infinite variations on it which were played out in early Christian teaching, exegesis and worship. It becomes clear that listening to the faith was less a matter of rationally appropriating facts and more an art which needed to be constantly practiced: for what was heard could not be definitively fixed and pinned down, but was ultimately the Word of the unknowable, transcendent God. This word demanded of early Christian listeners a response - to attend to its echoes, recollect and represent it, stretch out towards it source, and in the process, be transformed by it.

Augustine (AD 354-430) is perhaps the most influential figure in the transition from pagan antiquity to the Middle Ages. This book sets him in his social and cultural context. It shows how his belief in Christian truth and his conviction of human fallenness cut at the roots of classical aspirations after perfection.

Carol Harrison counters the assumption that Augustine of Hippo's (354-430) theology underwent a revolutionary transformation around the time he was consecrated Bishop in 396. Instead, she argues that there is a fundamental continuity in his thought and practice from the moment of his conversion in 386. The book thereby challenges the general scholarly trend to begin reading Augustine with his Confessions (396), which were begun ten years after his conversion, and refocuses attention on his earlier works, which undergird his whole theological system.

How did people think about listening in the ancient world, and what evidence do we have of it in practice? The Christian faith came to the illiterate majority in the early Church through their ears. This proved problematic: the senses and the body had long been held in suspicion as all too temporal, mutable and distracting. Carol Harrison argues that despite profound ambivalence on these matters, in practice, the senses, and in particular the sense of hearing, were ultimately regarded as necessary - indeed salvific -constraints for fallen human beings. By examining early catechesis, preaching and prayer, she demonstrates that what illiterate early Christians heard both formed their minds and souls and, above all, enabled them to become 'literate' listeners; able not only to grasp the rule of faith but also tacitly to follow the infinite variations on it which were played out in early Christian teaching, exegesis and worship. It becomes clear that listening to the faith was less a matter of rationally appropriating facts and more an art which needed to be constantly practiced: for what was heard could not be definitively fixed and pinned down, but was ultimately the Word of the unknowable, transcendent God. This word demanded of early Christian listeners a response - to attend to its echoes, recollect and represent it, stretch out towards it source, and in the process, be transformed by it.

Untamed Gospel complements The Bright Field and Darkness Yielding, and offers meditations, reflections, stories, prayers and poems for use throughout the church year. Each one focuses on the often startling nature of Jesus' sayings and teachings, the raw honesty of the psalms and other biblical texts, and on contemporary issues, such as mental health and displacement, seen in the light of the demands of the kingdom of God. A rich resource for worship, preaching, teaching and personal reflection throughout the year, Untamed Gospel contains hundreds of reproducible items, including seasonal reflections, stories, homilies, poems and some of Jim Cotter's last writings as he was being treated for cancer: a moving sequence of prayer poems inspired by the psalms.

The title 'the Son of Man' evokes the different aspects of the whole Christ: the humanity and divinity of Christ, his earthly ministry, his sacramental presence, and the eschatological consummation of his work. It is also a term of relationship, suggestive of both the relations constitutive of the life of the Holy Trinity, and also of the way that our knowing and loving the Son of Man is always an invitation to communion - with the Triune God, as the Body of Christ, and for the life of the world. Contributors to this collection explore some of the many registers of the mystery of Christ, both historically and thematically. Contributors include some of today's leading theological thinkers, including N.T. Wright, Rowan Williams, Lydia Schumacher, Kallistos Ware and Oliver O'Donovan. With poetic reflections from Malcolm Guite. Chapters include: "Son of Man and the New Creation" (N.T. Wright), "The Son of Man in the Gospel of John" (John Behr), "Sound and Silence in Augustine's Christological Exegesis" (Carol Harrison), "According to the Flesh?: The Problem of Knowing Christ in Chalcedonian Perspective" (Ian Mcfarland), "Christ and the Moral Life" (Oliver O'Donovan), "Christ and the Poetic Imagination" (Malcolm Guite)

Beginning in New Testament times, there is a time-honoured tradition of forming new Christians in the essentials of faith: catechesis. This volume aims to uncover the riches of this tradition for all who teach and preach the faith today, and well as animate it: St Augustine wrote that joy should be the prime characteristic of those who teach the faith. Six outstanding theologians and historians open up the tradition of catechesis for today's church: * Alister McGrath explores the role of the creeds in catechesis; * Susan Gillingham, Professor of the Hebrew Bible, looks at the Psalms in Christian formation; * Jennifer Strawbridge, Associate Professor of New Testament, reflects on catechesis in the early church; * Carole Harrison, Lady Margaret Professor of Divinity, offers lessons from the patristic period; * Sarah Foot, Regius Professor of Ecclesiastical History, draws lessons from the Anglo Saxon missions to Europe; * Simon Jones, Chaplain of Merton College and member of the Liturgical Commission, links formation and liturgy; * Steven Croft shows how this great tradition can be revitalised today.