As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium-a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, resistance, representation, and collective memory functioning through photographic rupture and affect in German cinema.

New translations of Schiller's literary prose works, accompanied by fresh critical essays. Friedrich Schiller was a dramatist and poet for the ages, an important aesthetic theorist, and among Germany's first historians. But he left few works of literary prose behind -- seven short tales and fragments, almost all from early in his career -- and although they include some of his most resonant in his own time, they are largely overlooked today. Several of the pieces -- which include The Ghost-Seer, A Magnanimous Act from Most Recent History, TheCriminal of Lost Honor: A True Story, A Curious Example of Female Vengeance, Duke Alba at Breakfast at Castle Rudolstadt, Play of Fate: A Fragment of a True Story, and Haoh-Kioeh-Tschuen -- have never before appeared inEnglish translation. But they are a seminal link in the evolution of the then-nascent German novella. They exhibit the anthropological curiosity and moral confusion that made Schiller's first drama, The Robbers, a sensation, demonstrating an original artistry that justifies consideration of scholars and students today, on the eve of the 250th anniversary of his birth. New translations of the seven works appear here together with introductory critical essays. Contributors: Jeffrey L. High, Nicholas Martin, Otto W. Johnston, Gail K. Hart, Dennis F. Mahoney; Translators: Francis Lamport, Ian Codding, Jeffrey L. High, Ellis Dye, Edward T. Larkin, Carrie Ann Collenberg Jeffrey L. High is Associate Professor at California State University Long Beach.

This volume's Forum section focuses on new directions in eighteenth-century German studies, alongside articles on a diverse range of topics concerning Goethe and the literature and arts of his age. The Goethe Yearbook is a publication of the Goethe Society of North America, showcasing North American and international scholarship on Goethe and other authors and aspects of the Goethezeit. Volume 28 features articles on several of Goethe's signature works (Xenien, Wahlverwandtschaften, Faust), unified by their innovative approaches. It also includes a Forum section seeking to prompt discussion of new directions in eighteenth-century German studies. An essay documenting Goethe's engagement with China and another on Goethe's legacy in post-WWII Argentina emphasize these new directions. Other essays highlight Goethe's inter-arts approaches (music,theater, collecting); interdisciplinary intersections of eighteenth-century literary studies with gender and social history; media theory; and renewed emphasis on materialism. The latter is the focus of a recently convened collaboration on early nineteenth-century inventories presented in this volume. The customary book review section rounds out the volume.