Now in its 11th edition, Texas: The Lone Star State offers a balanced, scholarly overview of the second largest state in the United States, spanning from prehistory to the twenty-first century. Organized chronologically, this comprehensive survey introduces undergraduates to the varied history of Texas with an accessible narrative and over 100 illustrations and maps. This new edition broadens the discussion of postwar social and political dynamics within the state, including the development of key industries and changing demographics. Other new features include: New maps reflecting county by county results for the most recent presidential elections Expanded discussions on immigration and border security The effects of the COVID-19 pandemic in Texas and a look to the future Updated bibliographies to reflect the most recent scholarship This textbook is essential reading for students of American history.

Now in its 11th edition, Texas: The Lone Star State offers a balanced, scholarly overview of the second largest state in the United States, spanning from prehistory to the twenty-first century. Organized chronologically, this comprehensive survey introduces undergraduates to the varied history of Texas with an accessible narrative and over 100 illustrations and maps. This new edition broadens the discussion of postwar social and political dynamics within the state, including the development of key industries and changing demographics. Other new features include: New maps reflecting county by county results for the most recent presidential elections Expanded discussions on immigration and border security The effects of the COVID-19 pandemic in Texas and a look to the future Updated bibliographies to reflect the most recent scholarship This textbook is essential reading for students of American history.

The Harlem Renaissance, an exciting period in the social and cultural history of the US, has over the past few decades re-established itself as a watershed moment in African American history. However, many of the African American communities outside the urban center of Harlem that participated in the Harlem Renaissance between 1914 and 1940, have been overlooked and neglected as locations of scholarship and research.

Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African American communities all over the American West to participate fully in the cultural renaissance that took hold during that time.

African Americans and the Presidency explores the long history of African American candidates for President and Vice President, examining the impact of each candidate on the American public, as well as the contribution they all made toward advancing racial equality in America. Each chapter takes the story one step further in time, through original essays written by top experts, giving depth to these inspiring candidates, some of whom are familiar to everyone, and some whose stories may be new.

Presented with illustrations and a detailed timeline, African Americans and the Presidency provides anyone interested in African American history and politics with a unique perspective on the path carved by the predecessors of Barack Obama, and the meaning their efforts had for the United States.

In the 1980s and early 1990s the scholarly analysis of the Harlem Renaissance became more sophisticated, reflecting increasing interest in the field of African American studies. This volume collects writings that reflect the major changes in the scholarship and the increased emphasis on the role of women in the movement, as well as the application of the methodologies and insights of race and gender studies. In addition, the last 15 years have seen increased interest in the Harlem Renaissance on the part of European and African scholars, and these international perspectives are also included.
Available individually by volume
1. The Emergence of the Harlem Renaissance (0-8153-2212-7) 376 pages
2. The Politics and Aesthetics of "New Negro" Literature (0-8153-2213-5) 400 pages
3. Black Writers Interpret the Harlem Renaissance (0-8153-2214-3) 488 pages
4. The Critics and the Harlem Renaissance (0-8153-2215-1) 400 pages
5. Remembering the Harlem Renaissance (0-8153-2216-X) 480 pages
6. Analysis and Assessment, 1940-1979 (0-8153-2217-8) 520 pages
7. Analysis and Assessment, 1980-1994 (0-8153-2218-6) 496 pages

This volume tracks the many surveys of black literature created during the Harlem Renaissance. Noted works by such authors as Sterling Brown, Benjamin Brawley, and Langston Hughes are covered. Retrospectives also appeared in the journal "Phylon," and many of those also appear in this collection.

This text presents a selection of essays and speeches written between 1890 and 1930 by Booker T. Washington, W.E.B. Du Bois, A. Philip Randolph and Marcus Garvey. The work analyses African-American political thought, defining the options confronting African Americans in the 20th century.

This text presents a selection of essays and speeches written between 1890 and 1930 by Booker T. Washington, W.E.B. Du Bois, A. Philip Randolph and Marcus Garvey. The work analyses African-American political thought, defining the options confronting African Americans in the 20th century.

African Americans and the Presidency explores the long history of African American candidates for President and Vice President, examining the impact of each candidate on the American public, as well as the contribution they all made toward advancing racial equality in America. Each chapter takes the story one step further in time, through original essays written by top experts, giving depth to these inspiring candidates, some of whom are familiar to everyone, and some whose stories may be new.

Presented with illustrations and a detailed timeline, African Americans and the Presidency provides anyone interested in African American history and politics with a unique perspective on the path carved by the predecessors of Barack Obama, and the meaning their efforts had for the United States.

From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period.
For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance website.

Black writers and intellectuals struggled to articulate an aesthetic for African American literature and to define the appropriate relationship between an African American literary movement and the racial politics of the United States in the 1920s and 1930s. This volume contains examples of the literature of the 1920s-one element of a black cultural movement that included music, art, and theater. These critics explored the Southern and African roots of black culture, and the impact of race and urbanization on the African American experience.

From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website.

The most comprehensive and up-to-date guide to Texas historiography of the past quarter-century, this volume of original essays will be an invaluable resource and definitive reference for teachers, students, and researchers of Texas history. Conceived as a follow-up to the award-winning "A Guide to the History of Texas" (1988), "Discovering Texas History" focuses on the major trends in the study of Texas history since 1990.
In two sections, arranged topically and chronologically, some of the most prominent authors in the field survey the major works and most significant interpretations in the historical literature. Topical essays take up historical themes ranging from Native Americans, Mexican Americans, African Americans, and women in Texas to European immigrant history; literature, the visual arts, and music in the state; and urban and military history. Chronological essays cover the full span of Texas historiography from the Spanish era through the Civil War, to the Progressive Era and World Wars I and II, and finally to the early twenty-first century.
Critical commentary on particular books and articles is the unifying purpose of these contributions, whose authors focus on analyzing and summarizing the subjects that have captured the attention of professional historians in recent years. Together the essays gathered here will constitute the standard reference on Texas historiography for years to come, guiding readers and researchers to future, ever deeper discoveries in the history of Texas.

The Harlem Renaissance, an exciting period in the social and cultural history of the US, has over the past few decades re-established itself as a watershed moment in African American history. However, many of the African American communities outside the urban center of Harlem that participated in the Harlem Renaissance between 1914 and 1940, have been overlooked and neglected as locations of scholarship and research.

Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African American communities all over the American West to participate fully in the cultural renaissance that took hold during that time.

In 1927, Beatrice Cannady succeeded in removing racist language from the Oregon Constitution. During World War II, Rowena Moore fought for the right of black women to work in Omaha's meat packinghouses. In 1942, Thelma Paige used the courts to equalize the salaries of black and white schoolteachers across Texas. In 1950 Lucinda Todd of Topeka laid the groundwork for the landmark Supreme Court decision Brown v. Board of Education. These actions - including sit-ins long before the Greensboro sit-ins of 1960 - occurred well beyond the borders of the American South and East, regions most known as the home of the civil rights movement. By considering social justice efforts in western cities and states, Black Americans and the Civil Rights Movement in the West convincingly integrates the West into the historical narrative of black Americans' struggle for civil rights. From Iowa and Minnesota to the Pacific Northwest, and from Texas to the Dakotas, black westerners initiated a wide array of civil rights activities in the early to late twentieth century. Connected to national struggles as much as they were tailored to local situations, these efforts predated or prefigured events in the East and South. In this collection, editors Bruce A. Glasrud and Cary D. Wintz bring these moments into sharp focus, as the contributors note the ways in which the racial and ethnic diversity of the West shaped a specific kind of African American activism. Concentrating on the far West, the mountain states, the desert Southwest, the upper Midwest, and states both southern and western, the contributors examine black westerners' responses to racism in its various manifestations, whether as school segregation in Dallas, job discrimination in Seattle, or housing bias in San Francisco. Together their essays establish in unprecedented detail how efforts to challenge discrimination impacted and changed the West and ultimately the United States.

Though Anita Scott Coleman was born in Mexico and reared in New Mexico, her stories appeared frequently in ""The Crisis"" and other leading journals of the Harlem Renaissance. Reflecting and illuminating the movements major themes, her often award-winning stories, delicate and understated, offer subtle commentary on the status of black women, their role in black society, and the position of African Americans in an overwhelmingly white society. As a young woman in New Mexico, Anita Scott graduated from New Mexico Teachers College and enjoyed a brief teaching career until she married. Later she moved to California, where despite her distance from Harlem she wrote her last nine published stories, polished examples of the Renaissances finest short fiction, including Unfinished Masterpieces. As one by one the journals of the Harlem Renaissance ceased publication, Coleman's career itself remained regrettably unfinished. By 1960, when she died at age seventy, the literary legacy of this masterful southwestern storyteller was forgotten. What Champion and Glasrud have recovered in this collection is more than Coleman's complete collected short fiction. It is a road map of African American life in the Southwest and West during the movements glory days, etching not only indelible glimpses of character and culture but also the farthest reaching evidence of the Harlem Renaissances success in sharing ideals and goals across a nation.

This study seeks to examine the life and work of Charles Hamilton Houston and the scope of this project will focus on the implementation and organization of the proposed plan in three ways: philosophical ideas, constructive engagement, and lasting contributions of this legal scholar activist. When compiling scholarly articles for this volume, the challenge was examining not just legal precedents of Houston, but his contributions to the study of civic engagement, with emphasis on privilege, racism, disparity, and educational philosophy.

Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and artistic movement known as the Harlem Renaissance. Its writers were in the vanguard of an attempt to come to terms with black urbanization. They lived it and wrote about it.
First published in 1988, "Black Culture and the Harlem Renaissance" examines the relationship between the community and its literature. Author Cary Wintz analyzes the movement's emergence within the framework of the black social and intellectual history of early twentieth-century America. He begins with Booker T. Washington, W. E. B. Du Bois, and others whose work broke barriers for the Renaissance writers to come.
With an emphasis on social issues--like writers and politics, the role of black women, and the interplay between black writers and the white community--Wintz traces the rise and fall of the movement. Of special interest is material from the Knopf Collection and the papers of several Renaissance figures acquired by the Harry Ransom Humanities Research Center at the University of Texas at Austin. It reveals much of interest about the relationship between the publishing world, its writers, and their patrons--both black and white.