Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker. Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.

Essays challenging the orthodox opinion of anchorites as entirely divorced from the world around them. Much of the research into medieval anchoritism to date has focused primarily on its liminal and elite status within the socio-religious cultures of its day: the anchorite has long been depicted as both solitary and alone, almost entirely removed from community and living a life of permanent withdrawal and isolation, in effect dead to the world. Considerably less attention has been afforded to the communal sociability that also formed part of the reclusivelife during the period, The essays in this volume, stemming from a variety of cross-disciplinary approaches and methodologies, lay down a challenge to this position, breaking new ground in their presentation of the medievalanchorite and other types of enclosed solitary as playing a central role within the devotional life of the communities in which they were embedded. They attest also to the frequent involvement of anchorites and other recluses in local, national and, sometimes, international matters of importance. Overall, the volume suggests that, far from operating on the socio-religious periphery, as posited previously, the medieval anchorite was more often found at theheart of a sometimes intersecting array of communities: synchronic and diachronic; physical and metaphysical; religious and secular; gendered and textual. CATE GUNN has taught in the Continuing Education and LiteratureDepartments of the University of Essex; LIZ HERBERT MCAVOY is Professor of Medieval Literature at Swansea University. Contributors: Diana Denissen, Clare Dowding, Clarck Drieshen, Cate Gunn, Catherine Innes-Parker, E.A. Jones, Dorothy Kim, Liz Herbert McAvoy, Godelinde Perk, James Plumtree, Michelle Sauer, Sophie Sawicka-Sykes, Andrew Thornton OSB,

A fresh consideration of the enduring tradition of the Seven Deadly Sins, showing its continuing post-medieval influence. The tradition of the seven deadly sins played a considerable role in western culture, even after the supposed turning-point of the Protestant Reformation, as the essays collected here demonstrate. The first part of the book addresses such topics as the problem of acedia in Carolingian monasticism; the development of medieval thought on arrogance; the blending of tradition and innovation in Aquinas's conceptualization of the sins; the treatment of sin in the pastoral contexts of the early Middle English Vices and Virtues and a fifteenth-century sermon from England; the political uses of the deadly sins in the court sermons of Jean Gerson; and the continuing usefulnessof the tradition in early modern England. In the second part, the role of the tradition in literature and the arts is considered. Essays look at representations of the sins in French music of the thirteenth to the fifteenth centuries; in Dante's Purgatorio; in a work by Michel Beheim in pre-Reformation Germany; and in a 1533 play by the German Lutheran writer Hans Sachs. New interpretations are offered of Gower's "Tale of Constance" and Bosch's Tabletop of the Seven Deadly Sins. As a whole, the book significantly enhances our understanding of the multiple uses and meanings of the sins tradition, not only in medieval culture but also in the transition from the medievalto the early modern period. RICHARD G. NEWHAUSER is Professor of English and Medieval Studies, Arizona State University, Tempe; SUSAN J. RIDYARD is Professor of History and Director of the Sewanee Medieval Colloquium,The University of the South, Sewanee. Contributors: Richard G. Newhauser, James B. Williams, Kiril Petkov, Cate Gunn, Eileen C. Sweeney, Holly Johnson, Nancy McLoughlin, Anne Walters Robertson, Peter S. Hawkins, CarolJamison, Henry Luttikhuizen, William C. McDonald, Kathleen Crowther.

One of the most important medieval writers studied in historical and literary context. Julian of Norwich, the fourteenth/early fifteenth-century anchoress and mystic, is one of the most important and best-known figures of the Middle Ages. Her Revelations, intense visions of the divine, have been widely studied and read; the first known writings of an English woman, their influence extends over theology and literature. However, many aspects of both her life and thought remain enigmatic. This exciting new collection offers a comprehensive, accessible coverage of the key aspects of debate surrounding Julian. It places the author within a wide range of contemporary literary, social, historical and religious contexts, and also provides a wealth of new insightsinto manuscript traditions, perspectives on her writing and ways of interpreting it, building on the work of many of the most active and influential researchers within Julian studies, and including the fruits of the most recent,ground-breaking findings. It will therefore be a vital companion for all of Julian's readers in the twenty-first century. Dr Liz Herbert McAvoy is Senior Lecturer in Gender in English and Medieval Studies at Swansea University. Contributors: Denise M. Baker, Alexandra Barratt, Marleen Cre, Elisabeth Dutton,Vincent Gillespie, Cate Gunn, Ena Jenkins, E.A. Jones, Liz Herbert McAvoy, Laura Saetveit Miles, Kim M. Philips, Elizabeth Robertson,Sarah Salih, Annie Sutherland, Diane Watt, Barry Windeatt.

New essays on the burgeoning of pastoral and devotional literature in medieval England. Pastoral and devotional literature flourished throughout the middle ages, and its growth and transmutations form the focus of this collection. Ranging historically from the difficulties of localizing Anglo-Saxon pastoral texts tothe reading of women in late-medieval England, the individual essays survey its development and its transformation into the literature of vernacular spirituality. They offer both close examinations of particular manuscripts, and of individual texts, including an anonymous Speculum iuniroum, the Speculum religiosorum of Edmund of Abingdon and later vernacular compositions and translations, such as Handlyng Synne and Bonaventure's Lignum Vitae. The reading and devotional use of texts by women and solitaries is also considered. They therefore form an appropriate tribute to the work of Bella Millett, whose research has done so much to advance our knowledge of the field. Contributors: Alexandra Barratt, Mishtooni Bose, Joseph Goering, Brian Golding, C. Annette Grise, Cate Gunn, Ralph Hanna, Bob Hasenfratz, Catherine Innes-Parker, E. A. Jones, Derek Pearsall, Elaine Treharne, Nicholas Watson, Jocelyn Wogan-Browne

A multi-disciplinary re-evaluation of the role of women religious in the Middle Ages, both inside and outside the cloister. Medieval women found diverse ways of expressing their religious aspirations: within the cloister as members of monastic and religious orders, within the world as vowesses, or between the two as anchorites. Via a range of disciplinary approaches, from history, archaeology, literature, and the visual arts, the essays in this volume challenge received scholarly narratives and re-examine the roles of women religious: their authority and agency within their own communities and the wider world; their learning and literacy; place in the landscape; and visual culture. Overall, they highlight the impact of women on the world around them, the significance of their presence in communities, and the experiences and legacies they left behind.