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Sin in Medieval and Early Modern Culture - The Tradition of the Seven Deadly Sins (Hardcover) Loot Price: R3,882
Discovery Miles 38 820
Sin in Medieval and Early Modern Culture - The Tradition of the Seven Deadly Sins (Hardcover): Richard G. Newhauser, Susan...

Sin in Medieval and Early Modern Culture - The Tradition of the Seven Deadly Sins (Hardcover)

Richard G. Newhauser, Susan Ridyard; Contributions by Anne Walters Robertson, Carol Jamison, Cate Gunn, Eileen C. Sweeney, Henry M. Luttikhuizen, Holly Johnson, James B. Williams, Kathleen M. Crowther

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Loot Price R3,882 Discovery Miles 38 820 | Repayment Terms: R364 pm x 12*

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A fresh consideration of the enduring tradition of the Seven Deadly Sins, showing its continuing post-medieval influence. The tradition of the seven deadly sins played a considerable role in western culture, even after the supposed turning-point of the Protestant Reformation, as the essays collected here demonstrate. The first part of the book addresses such topics as the problem of acedia in Carolingian monasticism; the development of medieval thought on arrogance; the blending of tradition and innovation in Aquinas's conceptualization of the sins; the treatment of sin in the pastoral contexts of the early Middle English Vices and Virtues and a fifteenth-century sermon from England; the political uses of the deadly sins in the court sermons of Jean Gerson; and the continuing usefulnessof the tradition in early modern England. In the second part, the role of the tradition in literature and the arts is considered. Essays look at representations of the sins in French music of the thirteenth to the fifteenth centuries; in Dante's Purgatorio; in a work by Michel Beheim in pre-Reformation Germany; and in a 1533 play by the German Lutheran writer Hans Sachs. New interpretations are offered of Gower's "Tale of Constance" and Bosch's Tabletop of the Seven Deadly Sins. As a whole, the book significantly enhances our understanding of the multiple uses and meanings of the sins tradition, not only in medieval culture but also in the transition from the medievalto the early modern period. RICHARD G. NEWHAUSER is Professor of English and Medieval Studies, Arizona State University, Tempe; SUSAN J. RIDYARD is Professor of History and Director of the Sewanee Medieval Colloquium,The University of the South, Sewanee. Contributors: Richard G. Newhauser, James B. Williams, Kiril Petkov, Cate Gunn, Eileen C. Sweeney, Holly Johnson, Nancy McLoughlin, Anne Walters Robertson, Peter S. Hawkins, CarolJamison, Henry Luttikhuizen, William C. McDonald, Kathleen Crowther.

General

Imprint: York Medieval Press
Country of origin: United Kingdom
Release date: October 2012
First published: 2012
Editors: Richard G. Newhauser (Author) • Susan Ridyard (Royalty Account)
Contributors: Anne Walters Robertson (Contributor) • Carol Jamison (Contributor) • Cate Gunn • Eileen C. Sweeney (Contributor) • Henry M. Luttikhuizen (Contributor) • Holly Johnson (Contributor) • James B. Williams (Contributor) • Kathleen M. Crowther (Contributor)
Dimensions: 234 x 156 x 35mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 358
ISBN-13: 978-1-903153-41-3
Categories: Books > Humanities > History > World history > 500 to 1500
Books > Humanities > History > World history > 1500 to 1750
Books > Humanities > Religion & beliefs > General > History of religion
Books > History > World history > 1500 to 1750
Books > History > World history > 500 to 1500
Books > Religion & Spirituality > General > History of religion
LSN: 1-903153-41-7
Barcode: 9781903153413

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