Between the age of St. Augustine and the sixteenth century reformations magic continued to be both a matter of popular practice and of learned inquiry. This volume deals with its use in such contexts as healing and divination and as an aspect of the knowledge of nature's occult virtues and secrets.

Where nostalgia was once dismissed a wistful dream of a never-never land, the academic focus has shifted to how pieces of the past are assembled as the elements in alternative political thinking as well as in artistic expression. The creative use of the past points to the complexities of the conceptualization of nostalgia, while entering areas where the humanities meet the art world and commerce. This collection of essays shows how this bond is politically and socially visible on different levels, from states to local communities, along with creative developments in art, literature and religious practice. Bringing together scholars from a range of disciplines, the book offers analyses from diverse theoretical perspectives, united by an interest in the political and cultural representations of the past in South-East Europe from a long-term perspective. By emphasising how the relationship between loss and creative inspiration are intertwined in cultural production and history writing, these essays cover themes across South-East Europe and provide an insight into how specific agents - intellectuals, politicians, artists - have represented the past and have looked towards the future.

This books explores varying conceptions of the Nightmare hag, mara, in Scandinavian folk belief. What began as observations of some startling narratives preserved in folklore archives where sex, violence and curses are recurring themes gradually led to questions as to how rural people envisaged good and evil, illness and health, and cause and effect. At closer reading, narratives about the mara character involve existential themes, as well as comments on gender and social hierarchy. This monograph analyses how this female creature was conceived of in oral literature and everyday ritual practice in pre-industrial Scandinavia, and what role she played in a larger pattern of belief in witchcraft and magic.

This volume brings together a number of distinct historians, political scientists, social anthropologists, and legal scholars from Turkey and the EU. The authors address questions such as the role of religion in EU membership debates, religious parties in Turkey and Europe, religion and European security, freedom of religion and minority rights in Turkey and the EU.

In the rising momentum for new and reformulated cultural identities, the Turkish Alevi have also emerged on the scene, demanding due recognition. In this process a number of dramatic events have served as important milestones: the clashes between Sunni and Alevi in Kahramanmaras in 1979 and Corum in 1980, the incendiarism in Sivas in 1992, and the riots in Istanbul (Gaziosmanpasa) in 1995. Less evocative, but in the long run more significant, has been the rising interest in Alevi folklore and religious practices. Questions have also arisen as to what this branch of Islamic heterodoxy represents in terms of old and new identities. In this book, these questions are addressed by some of the most prominent scholars in the field.

This book presents gendered readings of cultural manifestations that relate to the Ottoman era as a preferred past and a model for the future. By means of claims of authenticity and the distribution of imaginaries of a homogenous desirable alternative to everyday concerns, as well as invoking an imperial past at the national level. In this mode of thinking, shaped around a polarised worldview, Republican ideals serve as a counter-image to the promoted splendour and harmony of the Ottomans. Yet, the stereotypical gender roles inextricably linked with this neo-Ottoman imaginary remain largely unacknowledged, dissimulated in the construction of the desire of an idealised past. Our adaption of a cultural studies perspective in this volume puts special emphasis on agency, gender, and authority. It provides a shared ground for the interrogation, through the contributions comprising this project of knowledge production about the past in light of what constitutes acceptable legitimacy in interpreting not only the canonical literature, but history at large.

Sufism is the subject of intensive discussion and debate. Yet, it is also true that the study of contemporary Sufism has been overlooked by the fields of Middle Eastern, Islamic and religious studies. The networks, political agendas, development of new rituals and the organisation of Sufism, especially in the West, have not been studied comprehensively enough, despite growing interest in Islamic mysticism. This book sets out to fill the gap.It is not only timely, in that it offers the first sustained treatment of Sufism in the context of modern Muslim communities; but it is also innovative, in that it broadens the purview of the study of Sufism to look at the subject right across international boundaries, from Canada to Brazil, and from Denmark to the UK and USA. Subjects discussed include: the politics of Sufism; the remaking of Turkish Sufism; tradition and cultural creativity among Syrian Sufi communities; the globalization of Sufi networks, and their transplantation in America; Iranian Sufism in London; and Naqshbandi Sufism in Sweden.The practice of Sufism has become especially important for young people - particularly young women - to find an adequate framework within which to explore Muslim spirituality in dialogue with modernity. And in its thorough examination of how Sufi rituals, traditions and theologies have been adapted by late-modern religiosity, this volume will make indispensable reading for all scholars and students of modern Islam.Sufism is fashionable, important and sellable. Contemporary Sufism has been neglected in the literature - until now. This title is unique in its international scope and comprehensive treatment of modern western Sufi communities.

In the wake of demands by the Turkish Alevi for due recognition, there has been a rising interest in Alevi folklore and religious practices, and in what this branch of Islamic heterodoxy represents in terms of old and new identities.

This book brings together new perspectives on collective memory in the modern Muslim world. It discusses how memory cultures are established and used at national levels - in official history writing, through the erection of monuments, the fashioning of educational curricula and through media strategies - as well as in the interface with both artistic expressions and popular culture in the Muslim world at large. The representations of collective memory have been one of the foremost tools in national identity politics, grass-root mobilization, theological debates over Islam and general discussions on what constitutes 'the modern in the Middle East' as well as in Muslim diaspora environments. Few, if any, contemporary conflicts in the region can be understood in depth without a certain focus on various uses of history, memory cultures and religious meta-narratives at all societal levels, and in art and literature. This book will be of use to students and scholars in the fields of Identity Politics, Islamic Studies, Media and Cultural Anthropology.

Where nostalgia was once dismissed a wistful dream of a never-never land, the academic focus has shifted to how pieces of the past are assembled as the elements in alternative political thinking as well as in artistic expression. The creative use of the past points to the complexities of the conceptualization of nostalgia, while entering areas where the humanities meet the art world and commerce. This collection of essays shows how this bond is politically and socially visible on different levels, from states to local communities, along with creative developments in art, literature and religious practice. Bringing together scholars from a range of disciplines, the book offers analyses from diverse theoretical perspectives, united by an interest in the political and cultural representations of the past in South-East Europe from a long-term perspective. By emphasising how the relationship between loss and creative inspiration are intertwined in cultural production and history writing, these essays cover themes across South-East Europe and provide an insight into how specific agents - intellectuals, politicians, artists - have represented the past and have looked towards the future.

This book brings together new perspectives on collective memory in the modern Muslim world. It discusses how memory cultures are established and used at national levels - in official history writing, through the erection of monuments, the fashioning of educational curricula and through media strategies - as well as in the interface with both artistic expressions and popular culture in the Muslim world at large. The representations of collective memory have been one of the foremost tools in national identity politics, grass-root mobilization, theological debates over Islam and general discussions on what constitutes 'the modern in the Middle East' as well as in Muslim diaspora environments. Few, if any, contemporary conflicts in the region can be understood in depth without a certain focus on various uses of history, memory cultures and religious meta-narratives at all societal levels, and in art and literature. This book will be of use to students and scholars in the fields of Identity Politics, Islamic Studies, Media and Cultural Anthropology.

This book brings together historians, political scientists, social anthropologists and legal scholars from Turkey and the EU. The authors address questions such as the role of religion in EU membership debates, religious parties in Turkey and Europe, religion and European security, freedom of religion and minority rights in Turkey and the EU.

This books explores varying conceptions of the Nightmare hag, mara, in Scandinavian folk belief. What began as observations of some startling narratives preserved in folklore archives where sex, violence and curses are recurring themes gradually led to questions as to how rural people envisaged good and evil, illness and health, and cause and effect. At closer reading, narratives about the mara character involve existential themes, as well as comments on gender and social hierarchy. This monograph analyses how this female creature was conceived of in oral literature and everyday ritual practice in pre-industrial Scandinavia, and what role she played in a larger pattern of belief in witchcraft and magic.

Many existing introductions to Islam focus predominantly on the Middle East and on historical background at the expense of Islam as a lived faith. Assessing Islam as a truly global phenomenon, Catharina Raudvere engages thoroughly with history, (explaining the significance of the revelation of the Prophet Muhammad and the origins of the different Sunni and Shi'a groups within Islam), while also giving full and comprehensive coverage to Muslim ritual life and Islamic ethics. She discusses moral debates and modern lifestyle issues such as halal consumption, interfaith dialogue and controversy over the wearing of the veil. Diaspora communities are considered with a view to showing how norms and doctrines are understood - and sometimes contradicted - in social and ritual practice. In addition, the author focuses on the meaning and continuing application to modern life of the Quran and hadith as sources for Islamic theology (kalam) and jurisprudence (fiqh). The book gives much attention to questions of universal values, Islam and democracy, gender issues, women's rights and pluralism, contrasting the thinking of Jihadists and radical Islamism with liberal reformist voices within Islam. Islam: An Introduction offers undergraduate students of religion and general readers a balanced, sensitive and well informed overview of the world's most intensively discussed religious and cultural tradition.