Syrian poet Nouri al-Jarrah brings to life a story that can never again be lost in time after a single line in Aramaic on a tombstone fired his imagination. This inspiring epic poem awakens two extraordinary lovers, Barates, a Syrian from Palmyra, and Regina, the Celtic slave he freed and married, from where they have lain at rest beside Hadrian's Wall for eighteen centuries, and tells their unique story. Barates' elegy to his beloved wife, who died young at 30, is, however, not about mythologizing history. With the poet himself an exile in Britain for 40 years from his birthplace of Damascus, the poem forges new connections with today, linking al-Jarrah's personal journey with that of his ancient forebear Barates, who resisted slavery with love. Barates' Eastern song also questions whether the young Celtic fighters, the Tattooed Ones, were really barbarians, as they emerged from forest mists to defend their hills and rivers and their way of life from the Romans, and died or lay wounded at the twisting stone serpent that was Hadrian's Wall.

This remarkable collection of Mahmoud Darwish's poems and prose meditations is both lyrical and philosophical, questioning and wise, full of irony and protest and play. "Every beautiful poem is an act of resistance." As always, Darwish's musings on unrest and loss dwell on love and humanity; myth and dream are inseparable from truth. "Truth is plain as day." Throughout the book, Darwish returns frequently to his ongoing and often lighthearted conversation with death.

Mahmoud Darwish (1941-2008) was awarded the Lannan Prize for Cultural Freedom in 2001. He was regarded as the voice of the Palestinian people and one of the greatest poets of our time.

Poetry is the quintessence of Arab culture. In this book one of today's foremost Arab poets reinterprets a rich and ancient heritage. He examines the oral tradition of the pre-Islamic poetry of Arabia and the relationship between Arabic poetry and the Qur'an, and between poetry and thought. He also assesses the challenges of modernism and the impact of Western culture on the Arab poetic tradition. Stimulating in their originality, eloquent in their treatment of a wide range of poetry and criticism, these reflections open up fresh perspectives on one of the world's greatest--and least explored--literatures.

Rebelling against the contraints of family and society, a young Egyptian woman decides to study medicine, becoming the only woman in a class of men. Her encounters with the other students mdash; as well as the male and female corpses in the autopsy room intensify her dissatisfaction with and search for identity. She realizes men are not gods as her mother had taught her, that science cannot explain everything, and that she cannot be satisfied by living a life purely of the mind. After a brief and unhappy marriage, she throws herself into her work, becoming a successful physician, but at the same time, she becomes aware of injustice and hypocrisy in society. Fulfillment and love come to her at last in a wholly unexpected way. ". . . Memoirs of a Woman Doctor by Nawal el Saadawi, one of the leading Egyptian feminist writers, reveals the contradictions embedded in women's self-oppressive struggle against patriarchy." Khadidiatau Gueye, Research in African Literatures (Indiana University Press) Nawal el Saadawi, born in 1931 in Kafr Tahla, Egypt, is an Egyptian physician, psychiatrist, author, and activist. She is the founder and president of the Arab Women's Solidarity Association and co-founder of the Arab Association for Human Rights. In 2004 she won the North-South Prize from the Council of Europe. In 2005 she won the inana International Prize in Belgium. In 2010 she won the Sean MacBride Peace Prize from the International Peace Bureau. She has written and published other novels, memoirs, plays, non-fiction, and short stories including Woman at Point Zero , The Hidden Face of Eve, and The Fall of the Imam.

This is the first critical monograph on Iraqi fiction, looking at the novel's coming of age in the 1950s Catherine Cobham and Fabio Caiani look in depth at a focussed number of authors who started writing in Iraq in or around the 1950s to explore a pivotal moment in Iraqi novel writing. In these writers' work, a transition is made from fiction that was mainly concerned with political and social matters to one which, while remaining engaged with society, is formally more adventurous and technically more mature. It fills a gap in the existing research in English on modern Arabic prose literature, which has barely begun to address the work of Iraqi novelists. It focuses on Gha'ib Tu'ma Farman (1927-1990), Mahdi Isa al-Saqr (1927-2006) and Fu'ad al-Takarli (1927-2008), plus a selection of works by Mahmud Ahmad al-Sayyid, Dhu al-Nun Ayyub and Abd al-Malik Nuri. It places authors in their literary - historical and socio-political context to show how external factors shaped the fiction of the time.

Winner of the Nobel Prize for Literature in 1988,  Naguib Mahfouz is perhaps the best-known living  Arab writer. His books have had great success in  this country, particularly The Cairo  Trilogy. Fans of the famed trilogy will be  delighted with The Harafish, an epic  novel that chronicles the dramatic history of the  al-Nagi family -- a family that  moves, over many generations, from the height of power  and glory to the depths of decadence and decay.  The Harafish begins with the tale  of Ashur al-Nagi, a man who  grows from humble beginnings to become a great leader,  a legend among his people. Generation after  generation, however, Ashur's descendants grow further  from his legendary example. They lose touch with  their origins as they amass and then squander large  fortunes, marry prostitutes when they marry at all,  and develop rivalries that end in death. The  community's upper class keeps a watchful eye on the  descendants of al-Nagi for fear  of losing their privileges, but they find no threat  of another such as Ashur. Not, that is, until the  al-Nagi who, like his noble  ancestor, finds his power once again from among  The Harafish, or the common people.  Through the strength of their numbers and their  passion, the glory of the name of  al-Nagi is restored. "Of all  [Mahfouz's] experiments in recent decades, this  is the one which owes least to western inspiration  and is probably the most successful. The  Harafish, fluently translated by  Catherine Cobham, makes accessible and engrossing reading."  -- The Washington Post Book  World.