An action-packed story about a boy's experience of slavery in Britain. Winner of the Little Rebels Children's Book Award 2019 "Filled with humour, compassion and hope" The Guardian Nathaniel doesn't want to move to England with his master's family, leaving behind his mother and sister on the Jamaican plantation. But then he remembers what his mother told him: once a slave sets foot on English soil, they're free. Perhaps he can earn his fortune and buy his family's freedom, too... Bursting with action and vibrant characters With real events and historical figures woven into the story Perfect for teaching children aged 8+ about the slaev trade in Britain

Matthew Henson was simply an ordinary man. That was, until Commander Robert E. Peary entered his life, and offered him a chance at true adventure. Henson would become navigator, craftsman, translator, and right-hand man on a treacherous journey to the North Pole. Defying the odds and the many prejudices that faced him to become a true pioneer. This is his incredible and often untold story. Particularly suitable for struggling, reluctant or dyslexic readers aged 8+

Defiant, humorous, empathetic and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun and including Linton Kwesi Johnson, Aminatta Forna, Xiaolu Guo, Johny Pitts, Rishi Dastidar, Tim Wells and Rafeef Ziadah. This remarkable anthology marks the tenth anniversary of the live-literature organisation co-founded by Sharmilla, Speaking Volumes. Part cri du coeur, part warning shot, part affirmation, this is the book we need now.

"Gentlemen!" William McAdam addressed the room, a knife in each hand. "Your watches, please! I guarantee you the fastest amputation ever performed anywhere in the world..." Sixteen-year-old Ezra McAdam has much to be thankful for: trained up as an apprentice by a well-regarded London surgeon, Ezra's knowledge of human anatomy and skill at the dissection table will secure him a trade for life. However, his world is turned on its head when a failed break-in at his master's house sets off a strange and disturbing series of events that involves grave robbing, body switching ... and murder. Sparky, persuasive young Loveday Finch, daughter of the late Mr Charles Finch, magician, employs Ezra to investigate her father's death - and there are marked similarities between his corpse and the others. The mystery takes Ezra and Loveday from the Operating Theatre at St Bart's to the desolate wasteland of Coldbath Fields; from the streets of Clerkenwell to the dark, damp vaults of Newgate Prison; and finally to the shadowy and forbidding Ottoman Embassy, which seems to be the key to it all...

Although television has developed into a major agent of the transnational and global flow of information and entertainment, television historiography and scholarship largely remains a national endeavour, partly due to the fact that television has been understood as a tool for the creation of national identity. But the breaking of the quasi-monopoly of public service broadcasters all over Europe in the 1980s has changed the television landscape, and cross-border television channels - with the help of satellite and the Internet - have catapulted the relatively closed television nations into the universe of globalized media channels. At least, this is the picture painted by the popular meta-narratives of European television history. Transnational Television History asks us to re-evaluate the function of television as a medium of nation-building in its formative years and to reassess the historical narrative that insists that European television only became transnational with the emergence of more commercial services and new technologies from the 1980s. It also questions some common assumptions in television historiography by offering some alternative perspectives on the complex processes of transnational circulation of television technology, professionals, programmes and aesthetics. This book was originally published as a special issue of Media History.

Kid's Box American English Second edition is a seven-level course for young learners. Bursting with bright ideas to inspire both teachers and students, Kid's Box Second edition gives children a confident start to learning English. It also fully covers the syllabus for the Cambridge Young Learners English (YLE) tests. The Alphabet Book is designed to help children whose mother tongue is not based on the roman alphabet, to recognize and practice the formation of all the letters in the alphabet. The language covered corresponds to Kid's Box Levels 1 and 2, but this book can also be used with other courses.

Ezra, a 16-year-old surgeon's apprentice is enjoying his tutelage under one of London's top surgeons when he is drawn into a murder mystery. He quickly turns detective in his attempts to discover the connection between the dead bodies that keep turning up. A corpse with a strange tattoo and missing tongue, and a magician who has been poisoned - could there be a connection between the two? As he forms an unlikely alliance with the magician's daughter, the fiery Loveday, they seek to uncover the mystery of the dead men, before more lives are lost. Set against the bustling backdrop of London in the late 1700s, amongst resurrectionists and corrupt surgeons, Ezra must uncover this mystery, but will it cost him his life?

From the horrors of the slave trade to a book that changed the world, Catherine Johnson celebrates the incredible life of Olaudah Equiano in this gripping true story. Born in what is now Nigeria in 1745, Olaudah Equiano's peaceful childhood was brought to an abrupt end when he was captured and enslaved aged 11. He spent much of the next ten years of his life at sea, seeing action in the Seven Years' War. When he was finally able to buy his freedom, he went on to become a prominent member of the abolition movement and in 1789 published one of the first books by a Black African writer. Journey Back to Freedom focuses on Equiano's early life, demonstrating the resilience of the human spirit and one man's determination to be free.

With growth in access to high-speed broadband and 4G, and increased ownership of smartphones, tablets and internet-connected television sets, the internet has simultaneously begun to compete with and transform television. Online TV argues that these changes create the conditions for an emergent internet era that challenges the language and concepts that we have to talk about television as a medium. In a wide-ranging analysis, Catherine Johnson sets out a series of conceptual frameworks designed to provide a clearer language with which to analyse the changes to television in the internet era and to bring into focus the power dynamics of the online TV industry. From providing definitions of online TV and the online TV industry, to examining the ways in which technology, rights, interfaces and algorithms are used to control and constrain access to audiovisual content, Online TV is a timely intervention into debates about contemporary internet and television cultures. A must-read for any students, scholars and practitioners who want to understand and analyse the ways in which television is intertwining with and being transformed by the internet.

From the trailers and promos that surround film and television to the ads and brand videos that are sought out and shared, promotional media have become a central part of contemporary screen life. Promotional Screen Industries is the first book to explore the sector responsible for this thriving area of media production. In a wide-ranging analysis, Paul Grainge and Catherine Johnson explore the intermediaries - advertising agencies, television promotion specialists, movie trailer houses, digital design companies - that compete and collaborate in the fluid, fast-moving world of promotional screen work. Through interview-based fieldwork with companies and practitioners based in the UK, US and China, Promotional Screen Industries encourages us to see promotion as a professional and creative discipline with its own opportunities and challenges. Outlining how shifts in the digital media environment have unsettled the boundaries of 'promotion' and 'content', the authors provide new insight into the sector, work, strategies and imaginaries of contemporary screen promotion. With case studies on mobile communication, television, film and live events, this timely book offers a compelling examination of the industrial configurations and media forms, such as ads, apps, promos, trailers, digital shorts, branded entertainment and experiential media, that define promotional screen culture at the beginning of the twenty-first century.

1720. Blue Mountains, windward Jamaica. In the sweltering heat Captain Shettlewood leads a troop of British soldiers through the thick trees towards the river. They are hunting slaves who have escaped from the brutal plantations. Their mission: to find them, and kill them. But up ahead, hidden among the rocks above the water, a group of men with cutlasses and muskets wait patiently for the instructions of their leader. Queen Nanny is a 'wise woman' with a reputation for ancient obeah magic, and a guerilla fighter with a genius for organisation. So the battle for Jamaica begins, the First Maroon War, in which the maroons - escaped slaves - will make a final, do-or-die stand against the slavers and soldiers of Empire.

Branding Television examines why and how the UK and US television industries have turned towards branding as a strategy in response to the rise of satellite, cable and digital television, and new media, such as the internet and mobile phone.

This is the first book to offer a sustained critical analysis of this new cultural development. Branding Television examines the industrial, regulatory and technological changes since the 1980s in the UK and the USA that have led to the adoption of branding as broadcasters have attempted to manage the behaviour of viewers and the values associated with their channels, services and programmes in a world of increased choice and interactivity. Wide-ranging case studies drawn from commercial, public service, network and cable/satellite television (from NBC and HBO to MTV, and from BBC and Channel 4 to UKTV and Sky) analyse the role of marketing and design in branding channels and corporations, and the development of programmes as brands.

Exploring both successful and controversial uses of branding, this book asks what problems there are in creating television brands and whether branding supports or undermines commercial and public service broadcasting.

Branding Television extends and complicates our understanding of the changes to television over the past 30 years and of the role of branding in contemporary Western culture. It will be of particular interest to students and researchers in television studies, but also in creative industries and media and cultural studies more generally.

Branding Television examines why and how the UK and US television industries have turned towards branding as a strategy in response to the rise of satellite, cable and digital television, and new media, such as the internet and mobile phone.

This is the first book to offer a sustained critical analysis of this new cultural development. Branding Television examines the industrial, regulatory and technological changes since the 1980s in the UK and the USA that have led to the adoption of branding as broadcasters have attempted to manage the behaviour of viewers and the values associated with their channels, services and programmes in a world of increased choice and interactivity. Wide-ranging case studies drawn from commercial, public service, network and cable/satellite television (from NBC and HBO to MTV, and from BBC and Channel 4 to UKTV and Sky) analyse the role of marketing and design in branding channels and corporations, and the development of programmes as brands.

Exploring both successful and controversial uses of branding, this book asks what problems there are in creating television brands and whether branding supports or undermines commercial and public service broadcasting.

Branding Television extends and complicates our understanding of the changes to television over the past 30 years and of the role of branding in contemporary Western culture. It will be of particular interest to students and researchers in television studies, but also in creative industries and media and cultural studies more generally.

From the trailers and promos that surround film and television to the ads and brand videos that are sought out and shared, promotional media have become a central part of contemporary screen life. Promotional Screen Industries is the first book to explore the sector responsible for this thriving area of media production. In a wide-ranging analysis, Paul Grainge and Catherine Johnson explore the intermediaries - advertising agencies, television promotion specialists, movie trailer houses, digital design companies - that compete and collaborate in the fluid, fast-moving world of promotional screen work. Through interview-based fieldwork with companies and practitioners based in the UK, US and China, Promotional Screen Industries encourages us to see promotion as a professional and creative discipline with its own opportunities and challenges. Outlining how shifts in the digital media environment have unsettled the boundaries of 'promotion' and 'content', the authors provide new insight into the sector, work, strategies and imaginaries of contemporary screen promotion. With case studies on mobile communication, television, film and live events, this timely book offers a compelling examination of the industrial configurations and media forms, such as ads, apps, promos, trailers, digital shorts, branded entertainment and experiential media, that define promotional screen culture at the beginning of the twenty-first century.

Appropriate for Two-year associate in arts health care curriculum Basic Mathematical Skills for Allied Health Careers provides allied health students with a solid mathematical foundation because it presents clear explanations of the mathematical concepts required of health care workers. It contains over 1500 problems ranging in level and difficulty, and applies material directly to a variety of allied health careers. Detailed examples are worked through step-by-step and concepts are presented in a non-threatening, yet sophisticated, manner. Unique to this book, it covers a broader range of allied health topics, discusses calculators and manual calculation techniques, and presents multiple methods for determining dosages.

This volume is a collection of writings from pioneers who have created aftercare programs. The perspectives they offer are wide - from the practical how-to's in developing a program to the more personal stories that enlighten the reader on the motivation behind those who founded the programs. The chapters include information on funeral home based programs as well as those based in schools, hospitals and the military.

This volume is a collection of writings from pioneers who have created aftercare programs. The perspectives they offer are wide - from the practical how-to's in developing a program to the more personal stories that enlighten the reader on the motivation behind those who founded the programs. The chapters include information on funeral home based programs as well as those based in schools, hospitals and the military.

In her groundbreaking and bestselling book Animals in Translation, Temple Grandin drew on her own experience with autism as well as her distinguished career as an animal scientist to delivery extraordinary insights into how animals think, act, and feel. Now she builds on those insights to show us how to give our animals the best and happiest life - on their terms, not ours. It's usually easy to pinpoint the cause of physical pain in animals, but to know what is causing them emotional distress is much harder. Drawing on the latest research and her own work, Grandin identifies the core emotional needs of animals. Then she explains how to fulfill them for dogs and cats, horses, farm animals and zoo animals. Whether it's how to make the healthiest environment for the dog that you leave alone in the house during the day, how to how to keep pigs from being bored, or how to know if the lion pacing in the zoo is miserable or just exercising, Grandin teaches us to challenge our assumptions about animal emotions. Making Animals Happy is the culmination of almost 30 years of research, experimentation, and experience. This is essential reading for anyone who's ever owned, cared for, or simply cared about an animal.

With growth in access to high-speed broadband and 4G, and increased ownership of smartphones, tablets and internet-connected television sets, the internet has simultaneously begun to compete with and transform television. Online TV argues that these changes create the conditions for an emergent internet era that challenges the language and concepts that we have to talk about television as a medium. In a wide-ranging analysis, Catherine Johnson sets out a series of conceptual frameworks designed to provide a clearer language with which to analyse the changes to television in the internet era and to bring into focus the power dynamics of the online TV industry. From providing definitions of online TV and the online TV industry, to examining the ways in which technology, rights, interfaces and algorithms are used to control and constrain access to audiovisual content, Online TV is a timely intervention into debates about contemporary internet and television cultures. A must-read for any students, scholars and practitioners who want to understand and analyse the ways in which television is intertwining with and being transformed by the internet.

The best-selling animal advocate Temple Grandin offers the most exciting exploration of how animals feel since The Hidden Life of Dogs.
In her groundbreaking and best-selling book Animals in Translation, Temple Grandin drew on her own experience with autism as well as her distinguished career as an animal scientist to deliver extraordinary insights into how animals think, act, and feel. Now she builds on those insights to show us how to give our animals the best and happiest life--on their terms, not ours.
It's usually easy to pinpoint the cause of physical pain in animals, but to know what is causing them emotional distress is much harder. rawing on the latest research and her own work, Grandin identifies the core emotional needs of animals. Then she explains how to fulfill them for dogs and cats, horses, farm animals, and zoo animals.Whether it's how to make the healthiest environment for the dog you must leave alone most of the day, how to keep pigs from being bored, or how to know if the lion pacing in the zoo is miserable or just exercising, Grandin teaches us to challenge our assumptions about animal contentment and honor our bond with our fellow creatures.
Animals Make Us Human is the culmination of almost thirty years of research, experimentation, and experience.
This is essential reading for anyone who's ever owned, cared for, or simply cared about an animal.

This exciting book goes to the heart of a creative commercial. and public service culture - it shows why ITV matters and how. it was made to work so well. A tremendous contribution.
. Professor Jean Seaton, University of Westminster

. This is a valuable addition to studies of ITV's history and. programming...
. Tom O'Malley, Professor of Media Studies, University of Wales, Aberyswyth, and Co-Editor of "Media History,." . . Since breaking the BBCs monopoly in 1955, ITV has been at the. centre of the British television landscape. To coincide with the. fiftieth anniversary of the first ITV broadcast, this accessible book. offers a range of perspectives on the complex and multifaceted history of. Britains first commercial broadcaster.

. The book explores key tensions and conflicts which have influenced the. ITV service. Chapters focus on particular institutions, including. London Weekend Television and ITN, and programme forms, including. "Who Wants to be a Millionaire?, Upstairs Downstairs "and "Trisha,." The contributors show that ITV has had to tread an uneasy line between. public service and commercial imperatives, between a pluralistic regional. structure and a national network, and between popular appeal and. quality programming. A timeline of key events in the history of ITV is also. included.

. "ITV Cultures" provides a timely intervention in debates on broadcasting. and cultural history for academics and researchers, and a lively. introduction to the history of ITV for students and general readers.. . .

." Contributors: Rod Allen, City University; Jonathan Bignell, University of Reading; John Ellis, Royal Holloway, University of London; Jackie Harrison, Universityof Sheffield; Jamie Medhurst, University of Wales, Aberystwyth; Matt Hills, Cardiff University; Steve Neale, University of Exeter; Helen Wheatley, University of Reading; Sherryl Wilson, Bournemouth University..