'Incisive and provocative ... a sensitive and probing critique' The New York Times 'Essential reading ... gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gorrill, author of Women Can't Paint A bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencers A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ... Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles. In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyonce, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power. Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision. 'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times 'It felt like the scales were falling from my eyes as I read it.' The Herald

Sequel to the 'what would happen if' premise of '28 Days Later' (2002) where Britain has been devastated by the release of a virus which turns the victim into a murderous rage. This time around, it's six months later and the US military have managed to restore order in the population. Unfortunately, one of the returning refugees is carrying the virus, and it won't be long before a pandemic spreads.

Venus, maiden, wife, mother, monster-women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art-think Titian, Botticelli, and Millais-and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women's identity, sexuality, race, and power in more complex ways.

In 14th century Scotland, the English nobles are staking their claim for lands and the Scottish throne. When William Wallace is left an orphan by the brutality of the English, he vows to make Scotland strong again.

Wallace grows up into a paradox of a man - on the one hand very well educated, on the other a ruthless killer and barbarian. As an adult he succeeds in uniting the Scottish clans to fight the English oppressors, and is only undone by betrayal and greed.

Academy Award Winner
- Best Picture Of 1995
- Best Director
- Best Cinematography
- Best Sound Editing
- Best Makeup

Sequel to the 'what would happen if' premise of '28 Days Later' (2002) where Britain has been devastated by the release of a virus which turns the victim into a murderous rage. This time around, it's six months later and the US military have managed to restore order in the population. Unfortunately, one of the returning refugees is carrying the virus, and it won't be long before a pandemic spreads.

In 14th century Scotland, the English nobles are staking their claim for lands and the Scottish throne. When William Wallace is left an orphan by the brutality of the English, he vows to make Scotland strong again. Wallace grows up into a paradox of a man - on the one hand very well educated, on the other a ruthless killer and barbarian. As an adult he succeeds in uniting the Scottish clans to fight the English oppressors, and is only undone by betrayal and greed. Mel Gibson directs this multi-Oscar winning epic, and also stars as folk hero Wallace.