'Incisive and provocative ... a sensitive and probing critique' The New York Times 'Essential reading ... gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gorrill, author of Women Can't Paint A bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencers A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ... Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles. In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyonce, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power. Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision. 'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times 'It felt like the scales were falling from my eyes as I read it.' The Herald

Sequel to the 'what would happen if' premise of '28 Days Later' (2002) where Britain has been devastated by the release of a virus which turns the victim into a murderous rage. This time around, it's six months later and the US military have managed to restore order in the population. Unfortunately, one of the returning refugees is carrying the virus, and it won't be long before a pandemic spreads.

Sequel to the 'what would happen if' premise of '28 Days Later' (2002) where Britain has been devastated by the release of a virus which turns the victim into a murderous rage. This time around, it's six months later and the US military have managed to restore order in the population. Unfortunately, one of the returning refugees is carrying the virus, and it won't be long before a pandemic spreads.

Sci-fi film noir filmed in a unique style in which real actors are transformed through motion-capture animation to create a black and white comic-strip style. Set in a near-future Paris, the film depicts the city as a menacing place dominated by the vast and all-seeing Avalon Corporation, which has insinuated itself into every aspect of modern life through its sales of the ultimate commodities: youth and beauty. When a beautiful young scientist, Ilona (Romola Garai) is kidnapped, police officer Barthélémy Karas (Daniel Craig) is assigned to solve the case. His investigation leads him down a deadly path, and he eventually discovers that events that took place back in 2006 have irrevocably affected the future of humankind with dire consequences.